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Home » Entertainment » Rachel Weisz: The Right Match for Female Lead in ‘Bourne Legacy’

Rachel Weisz: The Right Match for Female Lead in ‘Bourne Legacy’

Posted by: Claudia Sondergaard    Tags:  aaron cross, bourne 2012, bourne legacy, bourne legacy 2012, bourne legacy movie, bourne movies, edward norton, Jason Bourne, Jeremy Renner, Rachel Weisz, rachel weisz 2012, rachel weisz bourne, rachel weisz legacy, robert ludlum, The bourne legacy    Posted date:  July 28, 2012  |  No comment



Unlike Jason Bourne, the new agent-on-the-run in the new installment of the Bourne series, Aaron Cross, is well aware of who he is and where he came from: a soldier wounded in the Middle East several years ago. Once he escapes from the Yukon, Cross journeys back to the U.S. in order to find one of his few contacts in Outcome, and the only person who can help him stay alive, Dr. Marta Shearing.

Says Patrick Crowley about an issue that has perplexed the team since the beginning of the first film: “One of the biggest challenges we’ve had is how to deal with a leading lady in the movie. With the pace and intensity of the films, it’s difficult to take the time to properly develop a relationship, plus getting hooked up with Jason Bourne is usually the kiss of death. Because we have a fresh start, we can introduce a woman into the story without it feeling contrived.”

The role of Marta required not only a talented actress, but also one who would be willing to take on the special demands that the part required. Explains Gilroy: “Marta is an accomplished research scientist with some real emotional chaos in her private life. She’s been ignoring some pretty heavy moral contradictions in her work for Outcome, and when things explode she’s launched into about as hardcore an odyssey as any character I’ve ever written. And by the end of the film she’s not just surviving, she’s kicking ass. It’s a demanding role.”

Much to the filmmakers’ delight, Academy Award winner Rachel Weisz, known for her powerful performances in such films as ‘The Constant Gardener’, ‘The Lovely Bones’ and ‘The Whistleblower’, was eager for the challenges that lie ahead and the results were more than they had hoped for. Gilroy recalls: “The bar for credibility is very high in this franchise, and she gave us more than we ever dreamed of. I knew how good she was, but I was still astonished by what she brought to the film. She pretty much surpassed my expectations every day.”

Marta is a workaholic, utterly devoted to her groundbreaking research as a biochemist at a top-secret lab in Maryland. Reflects Weisz: “She’s at the cutting edge of science, and she thinks she’s contributing to her country. But at the same time, she does secretly know that what she’s doing has great moral ambiguity to it.” Marta’s choice to ignore the potential consequences of her trials on patients intrigued the actress. “I would be less interested in her if she were just doing something good and saving the world. What she’s doing is a little dubious.”

Marta’s mundane life is turned upside down and she becomes a target when Outcome is rapidly shut down and she is perceived as simply residual cleanup. Aaron—a man whom she has examined multiple times in four years but doesn’t know well—appears in time to save her, and the two quickly form a relationship out of necessity. “Marta is hesitant to go with him, but she doesn’t have any other alternative,” Weisz explains. “The people who represent law and order in her country just tried to kill her. She is a regular woman who happens to be good at science, but not good at evading the police authorities of the globe.”

Weisz was intrigued by the backstories that the Gilroys had created for these two characters. “They’re incredibly driven in very different ways,” adds Weisz. “Marta and Aaron come from completely different backgrounds, and they end up relying on one another for different reasons. That’s a really fascinating way to create a story.”

While filming in New York and in Southeast Asia, Weisz discovered that she and Renner had similar approaches to their work. “We’re very different people, and we come from different backgrounds but we have a similar way of working,” the actress observes. “Jeremy’s very free and loose and pretty wild, and wonderful to work with. I’ve loved every minute opposite him.” Weisz also sees a bit of a rebel in her director: “Tony has a very rock ’n’ roll spirit, which is ‘Let’s find chaos and abandon, and let’s go,’ which is great for acting. He’s an unusual combination in a writer/director, and I’m happy to be in his band.”


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About the author
Claudia Sondergaard
Specialised in American foreign policy media discourse, I have a real passion for media and writing and feel comfortable in subjects such as human rights, politics, environment, social issues, movies, TV and books. Reporting from Denmark. Follow me @swirlgirlversus



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