‘The Descendants‘, George Clooney’s latest movie, tells the story of Matt King (George Clooney), who is living in Hawaii with his wife and two daughters. His wife suffers a massive head injuries during a boating accident and falls into a deep coma. Matt has always been busy with his job and his travelling so he decides to stay with his daughters and tries to protect them from their common tragedy. Meanwhile, Matt discovers the real truth about his wife; that she has been having an affair with a real estate guru. Alongside his daughters, Matt must learn how to deal with his wife’s infidelity, his life, and the meaning of family. The movie is a blend of comedy and serious emotion that will make any heart bleed if it has ever gone through an unexpected personal trauma.

The Descendants has been nominated for some of the main Oscar awards this year; looking at Best Picture, Best Director (Alexander Payne), Best Actor (Clooney), Best Adapted Screenplay (Alexander Payne, Nat Faxon and Jim Rash), and Best Editing (Kevin Tent).

The rest of the field for Best Picture is mirrored by different facets of cinema: “Hugo”; “The Artist”; “Midnight in Paris”; “The Help”; “Moneyball”; all have their stronger and weaker points. But the question is: Are the cinematic triumph of The Descendants strong enough to secure any of the five awards it has been nominated for?

George Clooney’s fans and critics believe that his performance is in a league of its own: “Clooney’s performance as Matt may be the best of his career,” says Phil Wallace of Picktainment.com. This seems to be true because he was capable of conveying to the audience the pain, the suffering and the strength of a husband and father who is thrown into the truth about his life. Clooney has never taken on a character like this before. Even thought Matt is vulnerable, a powerless father and a widower, Clooney shows that even a character like this is within his reach as an actor.

This year’s nominations are dominated by Michel Hazanavicius’s ‘The Artist‘, with 10 nominations, and Martin Scorsese’s ‘Hugo‘ with 11 nominations, giving The Descendants tough competition for the win. Although The Descendants may not sweep the winning table, no one can deny Clooney’s hard work and Alexander Payne, Nat Faxon and Jim Rush efforts with their screenplay, which may land them  the award for Best Adapted Screenplay.

Image Courtesy © Douglas Kirkland 2012

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In celebration of this year’s Academy Awards, the Queen’s Film Theatre (QFT) in Belfast hosted a special screening of Francis Ford Coppola’s 1972 hit film ‘The Godfather‘. The screening was in partnership with Jameson Irish Whiskey, and offered audiences the opportunity to relive, or experience for the first time, this Oscar-winning film on the big screen.

The Godfather, featuring an all-star cast headlined by Marlon Brando and Al Pacino, was a low-budget production which upon its initial release went on to take in close to $300,000,000 at the box office worldwide, as well as to win Academy Awards for Best Actor (Brando), Best Adapted Screenplay, and Best Drama.

Therefore, it was no surprise that the film was included in the QFT’s “series of special themed film experience events celebrating cult classics from a range of different genres“, or that Domino’s Pizza joined forces with the organisers to make this event more than just a typical trip to the cinema.

For this event, the QFT was transformed with a projected image of Brando in character hanging in the middle of the foyer. Audience members were treated to a special pre-show warm-up, during which they could pose with plastic top hats and novelty moustaches, but it wasn’t long before the film theatre was packed with eager fans waiting for the curtain to go up.

Only one woman admitted to being a first-time viewer of ‘The Godfather’, however, her admission garnered her nothing but envy from the speaker who introduced the film, while a prize raffle brought some extra entertainment value to the screening as various audience members won prizes ranging from tickets to future QFT/Jameson events, to a bottle of Jameson whiskey, and to a limited-edition artwork print of The Godfather, which was clearly the most sought-after item judging from the crowd’s disappointed groans when the winner was announced.

As for the film itself, there were no signs of fatigue or boredom from the dozens of people who had already seen the film countless times. In fact, iconic moments such as Hollywood producer Jack Woltz finding his horse’s decapitated head in bed with him received exactly the kind of mixed horror and amusement that one would have expected to hear from an audience during the film’s original theatrical run thirty-eight years ago.

It is a testament to the timelessness of this film that the audience was still engaged and responsive by the time the last scene faded to black well after 1a.m. The sold-out screening reflected the public’s eagerness to support the QFT and Belfast’s local film community, with the film’s introductory speaker noting that the QFT was the only film theatre in the city to offer screenings of ‘The Artist’ – a film widely tipped to win Best Picture at this weekend’s Academy Awards – and other critically-acclaimed films which often elude mainstream attention.

Perhaps the most surprising aspect of the night was that it managed to be such a success, especially at the price of £10 per ticket for a film which many can watch on DVD in the comfort of their own homes. Attendee Danielle Lavery put things into perspective by explaining that while she knew the film “inside-out”, there was something unique about viewing the film on the big-screen, the way it was originally intended and the way that The Godfather first made its indelible cultural mark on audiences around the world.

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The Descendants has been nominated for five Academy Awards including Best Picture, Best Director (Alexander Payne) and Best Actor (George Clooney).  Building on the success of the film, the The Descendants soundtrack, available now from Sony Classical, has been #1 on Billboard’s World Music chart for the last seven consecutive weeks.

From Alexander Payne, the creator of the Oscar-winning Sideways, set in Hawaii, The Descendants is a sometimes humorous, sometimes tragic journey for Matt King (George Clooney) an indifferent husband and father of two girls, who is forced to re-examine his past and embrace his future when his wife suffers a boating accident off of Waikiki.

The event leads to a rapprochement with his young daughters while Matt wrestles with a decision to sell the family’s land handed down from Hawaiian royalty and missionaries.  The film, from Fox Searchlight Pictures, opened in the U.S. on November 16th.

The Descendants, based on Kaui Hart Hemmings’ highly acclaimed novel of the same name, is scored exclusively with Hawaiian music. Hemmings, who comes from Hawaii, weaves into her writing the island themes of family, soil and inheritance, and the movie too has a strong sense of place, not least thanks to its soundtrack. Given the intention of the filmmakers to lend the movie a distinct Hawaiian flavour, the natural direction to take was to use the sounds of the islands, and the music plays a crucial part in evoking an authentic mood.

Most of the titles on the soundtrack feature established masters of Hawaiian music, whether modern and classical: names such as Gabby Pahinui, Ray Kane, Keola Beamer, Lena Machado, Sonny Chillingworth,Jeff Peterson, and Rev. Dennis Kamakahi.

The soundtrack of The Descendants not only serves to remind movie-goers of a memorable film, but also opens up a superb cross-section of Hawaiian music over the decades to listeners unfamiliar with this genre. It provides the best possible introduction to some of the greatest masters of this soulful music.

Tracklisting:

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