It is no secret that we live in an age where it gets easier and easier to share our opinions with the world. It’s not just a matter of using Twitter to tell the world what you had for breakfast, or uploading duckface pictures of yourself to Facebook. Now, thanks to sites like Amazon and Goodreads, anyone can be a literary critic from the privacy of his or her bedroom.

Naturally, not everyone is thrilled by the brave new literary world we inhabit. The chairman of the Man Booker Prize judging panel, Sir Peter Stothard, recently made headlines when he launched an outspoken attack on amateur reviewers, claiming that readers would be better off listening to professional critics.

Sir Peter, who is also the editor of The Times Literary Supplement, was quoted in Britain’s Daily Telegraph saying that “[t]here is a general trend- and it’s certainly very prevalent online- for replacing argued literary criticism that allows you to compare books, to put them in context, to analyse how they work. That kind of traditional criticism is very easily replaced by unargued opinion.”

“Storytelling is fine but it doesn’t require Man Booker judges to decide what people are going to enjoy taking on holiday and reading on the beach,” he continued. “Books that are not immediately easy to read- the books that in the end will last, that reward you most- do increasingly require the Man Booker Prize judges to identify them so that people will find the pleasure and reward of reading them.”

It is not just established literary critics who have expressed concerns about the new frontier of social media-driven criticism. Some authors have sought to highlight the negative aspects of online reviews, claiming that they are being subject to campaigns of cyberbullying by disgruntled fans. Earlier this summer, there was a kerfuffle in the literary world over a website called StopTheGoodreadsBullies.com.

Writing in a guest post over at the Huffington Post’s blog, the people behind the site claimed that they were trying to fight back against people who used Goodreads to “destroy [an] author’s reputation and career for either their own personal amusement or for vengeance.”

“We want the toxic, bullying atmosphere at [Goodreads] to stop. And we want these people to be held accountable by public opinion,” they continued.

StopTheGoodreadsBullies itself has proved to be controversial. Because it often attempts to unmask individuals who are accused of engaging in bullying behavior, some critics have accused it of waging its own bullying campaign. As author Foz Meadows pointed out on her blog, “any public figure, regardless of whether they’re an author, actor, sportsperson or journalist, must resign themselves to a certain amount of public criticism. Not everyone will like you, your work or even necessarily your profession, and nor will they be under any obligation to protect your sensibilities by being coy about it.”

“Simply disliking a book, no matter how publicly or how snarkily, is not the same as bullying. To say that getting a handful of mean reviews is even in the same ballpark as dealing with an ongoing campaign of personal abuse is insulting to everyone involved,” Meadows continued.

But over at Smart Bitches, Trashy Books, SB Sarah summed it up best when she pointed out that negative reviews are just part and parcel of being an author.

“We may have the most meanest critique partner in the world, but she is nothing to the reader who paid $9 for a book and was disappointed,” she said.

“This is what happens when readers read books: we get irate sometimes and giddy other times. Now we interact more about the giddy and the irate, and that interaction, positive or negative, is valuable. More importantly, it’s normal.”

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Loving who you no matter what is what the children’s book,  The Pretty Red Flower With A Single Thorn, is all about. The book is a must-read for children and is something to which everyone can relate.  The book is written, lettered, edited, and colored by Jessica Jimerson and illustrated by Annette P. Jimerson.  The story follows a beautiful, red flower who adamantly believes that she is not a flower, but something even bigger and beautiful–a thorn bush.

Throughout the story, the red flower interacts with her fellow creatures that live in the fields of a soft meadow.  First, there is a bumblebee who attempts to land on the flower. With each try, he crashes into various objects in the meadow and irritates the flower to the point where she tells the bee to leave her alone.

Later in the story, there is a grasshopper who befriends the red flower and plays a tattered violin extremely well that calms the flower and makes a crowd gather to listen to his beautiful music.  Later, a blue beetle comes to speak with the flower, but the flower rebuffs the beetle when she calls the flower what she truly is–a flower.

That evening, the flower has an interesting dream. The next day, she asks for help from the grasshopper and beetle to interpret the meaning of the dream.  The interpretation leads to a wonderful revelation by the flower.  Finally another interaction with the flower and the bumblebee ends the story on a humorous note.

This book would make an excellent addition to any children’s library or an elementary school classroom. It is a well-written book which children will be able to easily understand. The story is engaging and will keep children’s interest and keep them invested in the story. The words are lettered in a big font on the page and visually stand out.  This will make it easy for a child to read the words on the page.  The art will capture a child’s attention, as it is amazing with its beautiful colors and visuals.  Annette illustrates the red flower beautifully with her detail in the flower’s expressions.

All in all, The Pretty Red Flower With A Single Thorn is an excellent story that kids will enjoy. Jimerson has written a story that will be remembered as a favorite bedtime story by children today who will become parents in the future.

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ABC’s hit show Castle is not only dominating the Monday night airwaves—it is also conquering bookshelves all over the nation with the third Nikki Heat novel, Heat Rises. For those who do not know, the Heat novels that Richard Castle (Nathan Fillion) based on the gorgeous Detective Kate Beckett (Stana Katic) are tie-ins to the show. The books are credited to the fictional Richard Castle, but in real life they are written by a mysterious member of the Castle crew who has yet to be revealed. Rises is an intriguing, danger-laced romp through the world of crooked cops, dangerous ex-military men, and corrupt political figures.

Heat Rises was originally released September 20th of last year but was recently released in paperback. It is preceded by Heat Wave and Naked Heat, and will be followed by Frozen Heat, which has been slated for later this year.

The story is centered on homicide Detective Nikki Heat and an investigative journalist named Jameson Rook. The novel focuses around a murder that entangles Heat, Rook, and her co-workers, Detectives Raley, Ochoa, Hinesburg, and Captain Montrose, with many unexpected twists and turns. There are many similarities to the show—a tongue-in-cheek joke for the characters on Castle as well as the loyal Castle fans—but since Rises is a novel, it can take certain liberties with its content. For instance, curse words and sex scenes are permitted as well as in-depth moments between the characters, such as conversations about their day-to-day lives or extended looks into their pasts. It also allows the mystery to unravel at a slower pace since the plot is not limited to 42-minutes like an episode. These elements work to the novel’s benefit as it creates a wealth of tense, action-packed moments as well as funny, heartwarming ones, whether it’s Heat chasing down criminals or kicking back in her apartment with Rook.

Heat Rises picks up with Nikki Heat investigating the supposed suicide of Father Graf, a priest, found dead in a New York bondage club. The bizarre marks on his skin and the strange place his body is found leads Heat deep into the underbelly of New York, where she speaks to all kinds of people, from other clergymen to people who frequent the bondage circuit, to solve the case. Heat is also up for the position of lieutenant in her precinct, which adds pressure from her superiors as well as her co-workers.

Meanwhile, Rook has been on assignment in another country taking down a drug lord, and leaving Nikki feeling a bit lonely, as they had been dating before he left. However, to her shock, she finds out he has been in New York for a couple of weeks when the paparazzi photographs him coming out of a swanky party with his ex-girlfriend. Furious, Nikki pushes aside her anger and continues pursuing the case without trying to contact him to find out why he didn’t call her when he returned to the states.

However, as Nikki examines the events leading up to Father Graf’s death, Captain Montrose steers her away from certain aspects of the case, which frustrates her. She attributes this change in his behavior to the recent death of his wife and the investigation Internal Affairs has put him through, but she learns that Captain Montrose may actually be a suspect in Father Graf’s murder. The case gets heated as she is forced to choose between following the orders of her commander, who had previously been her friend and mentor, and discovering the truth about Father Graf’s murder, whether it deals with her Captain or not.

Later, Rook finally shows up at Nikki’s place and explains himself. She reluctantly accepts his apology and the two reconcile. He no longer rides along with her as he did in the previous novels because she feels it is too dangerous, but he does stick around to help her piece together the odd elements of Father Graf’s death.

The writing style used in Heat Rises is astounding. It has all the best parts of a classic crime noir story, but it keeps everything modern with hilarious one-liners and plenty of fun pop culture references, including a shout out to Nathan Fillion for his role as Captain Malcolm Reynolds in Joss Whedon’s Firefly. There is also a shout out to Stana Katic for her role in the James Bond film Quantum of Solace.

The characters are all vividly depicted and easy to picture both as their fictional selves and as representatives of the Castle characters. Many of their traits are taken directly from the show, but they also have their own hang ups that make them different, which is the entire appeal of reading the Nikki Heat series.

The mystery itself is a pulse-pounding enigma for most of the novel, and there are several dramatic moments that rival the show. It is far from predictable, but some seasoned fans may know where the plot is leading because of their knowledge of the show.

The only thing that detracts from the quality of the novel is the length. It is easier to keep track of suspects on Castle because we are given both faces and names, but in the novel, it is harder for the names of suspects to stick in the mind.

Overall, Heat Rises raises the stakes and does not disappoint by the end. There is no better way to beat the heat this summer.

Grade: 5/5

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Liane Moriarty’s latest work, The Hypnotist’s Love Story, covers all the bases when it comes to love. Old and new love collide as Ellen, a spiritual woman who has made hypnotism and self-help therapies into a career, falls in love with Patrick, a dashing man with a young son, whom she has found on an online dating sight. Before Patrick, Ellen worked day to day dealing with skeptics of her career, ornery patients, and a horrible love life. Now that Patrick has taken her out on a few dates, things start to become serious and everything seems to be looking up for Ellen. Even her most difficult patients are annoying her less.

Then, one day, while the couple is out having a nice dinner, Patrick blurts out that he has something he needs to tell Ellen. Before he can tell her his secret his nerves overcome him and he rushes off to the bathroom. As Ellen waits she contemplates what it could possibly be that he has to tell her. She already knows that he has a young son, but she just hasn’t met him yet. What in the world could it be other then he is telling her they are over? Moriarty accurately presents the mind of a woman trying to keep herself together in the face of one of her worst fears. Ellen immediately starts to pick Patrick apart in her mind and wondering how she didn’t notice that things had been just too good to be true and that she had been heading for a fall all along.

Patrick finally comes back, still extremely on edge, and tells Ellen that he has a stalker ex-girlfriend. Ellen is relieved and intrigued by this revelation and starts to ask numerous questions about the stalker. The most she can get out of Patrick is that the reason the relationship had ended was because it had run its course and that now his ex-girlfriend has been stalking him for the past three years. He is genuinely surprised by Ellen’s reaction to his secret, but warns her that it’s okay if she wants to leave him because other women have failed to deal with his stalker even after saying they didn’t mind and could handle it.

Ellen’s reaction is completely different from all the other women Patrick has dated since his relationship ended with his ex. Instead of being scared, jealous, or annoyed, Ellen is absolutely fascinated by this woman. She wants to figure out what makes this woman tick. What was the real cause of the relationship’s end, what could have made this stalker so hurt that she continues to hold on to her past love; why doesn’t she give up. More than anything else, Ellen wants to see the stalker. Unbeknownst to her, she has already met the stalker, who is actually one of her patients.

As Ellen gets closer to Patrick she pushes for more details about the stalker, but Patrick tries his best to change the subject or avoid the conversation altogether. When a few things that Ellen does start to draw out memories of his times with his stalker, Patrick must decide whether or not to reveal to Ellen the truth behind the entire affair. Moriarty’s portrayal of a man and woman longing for a new love that will last and draw them both away from the past’s pain is journey that many readers will be able to relate with.

Readers may even find themselves reluctantly identifying with some of the feelings of hurt, longing, and need for control of the stalker. But they will also see the emotional instability of this character and the style that Moriarty uses when writing in the voice of the stalker shows a bit of craziness not seen in Ellen’s narration. The way the stalker talks and thinks is relatable, but at the same time unsettling. She just cannot let go and it comes to the point of downright creepy.

The switch between narrators allows readers to be nearly omniscient in their knowledge and they will find themselves wanting to shout at Ellen that the woman she is helping in therapy is the stalker. There is no way that readers will not become attached to Ellen and want things to turn out well for her. They will also find themselves questioning Patrick’s secrecy and the stalker’s sanity. Overall, The Hypnotist’s Love Story touches on emotional issues that everyone may have or will face in their lives and it gives great insight into the mind of all three parties of that situation. Readers will not want to set this book aside until they have read the last line.

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In describing the many challenges present in life, Ken Beckley chooses to compare them to baseball’s most notorious pitches.

“Life is like a knuckleball, mainly because it is unpredictable, and also because the bottom tends to drop out,” he said.

This parallel between life and baseball serves as a hallmark of his book, titled “Knuckleball: The Uncertainties of a Life.” Beckley was present to promote his work at the Barnes & Noble at the St. Johns Town Center in Jacksonville, Fla., from 1 p.m. to 3 p.m.

The book details the trials and tribulations of Davie Miller, a young man who goes from losing his dream of playing professional baseball to enjoying a successful public relations career. The situations that he endures throughout this process give Miller the strength to prepare for and eventually counter “life’s frequent knuckleballs.”

While autographing his works for eager customers, Beckley described the inspirations that led him to write Knuckleball. For him, it all started during his time at a summer camp for the LA Dodgers. Beckley sustained injuries during his time at the camp, but despite these injuries leaving him in darkness, Beckley instead searched for a light in this trying time.

This search resulted in him detailing his own life experiences in a fictional novel; as Beckley’s book started to take shape, he wanted to not only make his readers laugh, but think as well.

“I wanted there to be life lessons present in this book, and I also wanted people to get something out of it other than merely being entertained,” he said.

Beckley admitted that the ideas for this book had remained in his mind for 20 years; however, converting those ideas to print took only two years. This rapid turnaround time is a likely result of his wealth of experience as a communicator; he served as executive vice-president of H.H. Gregg along with being president and CEO of the Indiana University’s Alumni Association. Beckley also enjoyed a long career in television as an anchor and reporter.

Many individuals came to Beckley’s location, eager to learn more about the novel’s general plot and its central message of not giving up even as life throws punches that you may not be able to counter. While he was happy to entertain conversations with the guests there, he expressed particular surprise at the presence of Ellie Clarke, a student at Flagler College.

Ellie is Beckley’s next-door neighbor, and her presence there served as an unexpected knuckleball for Beckley, as he had no idea that she would be present.

Beckley, however, ably hit this knuckleball out of the park, as he embraced her and took some time to catch up with her and learn about her new life.

Successfully dealing with unexpected situations like this forms the basis of what the book is about, noted Beckley. He hopes that those who choose to read it take stock of the decisions they have made in dealing with various situations.

“I hope that those who choose to read this book reflect upon how they have lived their lives up to this point,” he said.

Image Courtesy of   Ken Beckley

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When I first heard that Blizzard Entertainment was going to produce an authoritative guide to the world of Diablo, I think I let loose a very undignified squeal of glee. Like many fans, I find the long wait for Diablo 3 to be a bit dispiriting, and the ‘Book of Cain’ looked like it might help tide me over until the game is released in 2012.

Historically, the Diablo series tended to emphasize action over storytelling. Players do not have to engage in elaborate conversations with NPCs, and it is possible to play the games without paying any attention to the underlying lore. As the series progressed, its mythology inevitably became more and more complicated, and Blizzard eventually commissioned several novels set in the Diablo universe. While their prose often left something to be desired, these books introduced important story elements to the series’ backstory.

The ‘Book of Cain’ takes material from the previous game manuals and the novels and reworks it into a coherent whole. Written by veteran screenwriter Flint Dille (if you are a fan of the old ‘G. I. Joe’ or ‘Transformers’ cartoons, you have probably seen his work), it purports to be an in-game artifact created by recurring NPC Deckard Cain.

As Cain reaches the end of his life, he plans to impart his knowledge to his adoptive niece, Leah. In doing so, he provides her with a narrative guide to the world of Sanctuary, starting with the creation of the cosmos and working his way down to the events that mark the beginning of Diablo 3. Longtime fans of the series will find much that is familiar, but there is enough new material to make the book a worthwhile read.

The inclusion of new material may rankle some fans. There are a number of places where story elements have been retconned. For example, the nameless Warrior from the first game is now called Aidan, and he has been transformed into the eldest son of the grief-stricken king whose madness played a central role in the Diablo story.

Some of the material from the Sin War trilogy has also been adjusted. While purists may greet these changes with angst, more sanguine fans will likely be able to accept them as inevitable side effects of writing about a fictional world whose ‘history’ has steadily evolved over the past fifteen years.

The ‘Book of Cain’ is lavishly illustrated, including several pieces by legendary fantasy artist Brom. Some of the illustrations have already been released, but many of them have never been seen by fans. The depictions of the battle between Anu and Tathamet and the angel Inarius in chains are particularly striking.

My only complaint about the art is that it is always rendered in monochrome. Of course, that makes sense considering this is supposed to be a handwritten manuscript, but I think some of the pieces would have been even more dramatic had they been in full color.

Video game tie-ins can be something of a mixed bag, but the ‘Book of Cain’ is definitely worth purchasing if you are at all interested in the lore of Diablo. It is not an essential part of the Diablo experience, but it will make your journey through Sanctuary much richer.

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