Hollywood, U.S.A. – After being nominated in four categories by the Indie Music Channel awards (Best Pop Artist of the Year, Best female Pop Artist, Best Teen Song of the Year, Best Pop Song of the Year) which took place at the famed House of Blues in Hollywood, California. Brooklyn Haley took home the coveted Best Teen Song of the Year Award for 2012, on her hit song “Boomerang”

Brooklyn was most recently featured on Billboard Magazine’s Spotlight On, and has been rapidly gaining momentum with her hot single “Crash” and her most recent single “Boomerang”. The video for “Crash” was one of the top most viewed videos according to Kidz Bop, after Brooklyn was featured on many prestigious teen magazines. The video continues to make headlines by gracing the Music Homepage of AOL and Music Choice.

The talented 16 year old singer/ songwriter originally from Academy Texas also co-wrote and recorded five original songs with Grammy Award winning producer Alex Cantrall and Jeff Hoeppner of Radio Nation, best known for the hit song, Jo-Jo’s “Leave (Get Out),” Beyonce’s “Sweetdreams,” and the work they’ve done for Pink, Justin Timberlake and Kelly Clarkson. Of these five songs, Brooklyn’s hit song, “Record n Rock,” was featured in the multi-console video game, “Dance Wars” and “Boomerang” was featured on several episodes of 90210.

Brooklyn will be impacting national radio this summer with her multi city tour, National Television and Magazine Coverage, and her involvement with the anti-bullying campaign “No Bully Tour” which has featured a mixture of Radio Disney and Nickelodeon stars hoping to send a strong anti-bullying message to teens.

This cause in particular is important to Brooklyn because she herself was bullied as a young girl. “Although I was always a friendly person, I found myself bullied and ridiculed at times. I’ve seen this breakdown a lot of spirits and self esteems, I was very happy to be a voice for anti-bullying,” she says enthused. Her incredible performances and participation has led Brooklyn to features on Major networks such as CBS, NBC, and ABC.

For more information on Brooklyn Haley:
Twitter: https://twitter.com/#!/brooklynhaley15
Youtube: http://www.youtube.com/brooklynhaleymusic1
Facebook: http://www.facebook.com/brooklynhaley

Image Courtesy of   Featureflash / Shutterstock.com

The article Brooklyn Haley Awarded for Best Teen Song Of The Year appeared first on The Toonari Post - News, Powered by the People!.

Oscar-winning producer Brian Grazer is one of a handful of filmmakers with the intuitive ability to pair Brett Ratner, the action-savvy director with a string of box-office hits to his name, and a high-profile cast led by comedy superstars Ben Stiller and Eddie Murphy to deliver Tower Heist, an action-comedy that scales new heights.

The producer shares how the project began: “Eddie and I have worked with one another since we filmed Boomerang in the early ’90s. In 2005, he pitched an idea to Brett and me to develop a film with a number of comedians playing guys who were down on their luck, the genesis of Tower Heist.

He wanted to create a movie with characters that were not the cool, slick guys. His idea was that the story would follow a group of disgruntled employees in a building like the Trump Tower who seize their chance and plan a robbery. Naturally, everything that could possibly go wrong with their ill-conceived plans did.”

From inception to the first day of principal photography, it would take almost five years before the film would fire on all cylinders. Grazer, Ratner and Murphy were in no rush, however, as they wanted to make sure that the project was tonally perfect.

Murphy says of the man with whom he’s worked on blockbuster hits such as The Nutty Professor and Nutty Professor II: The Klumps: “Brian has been my biggest collaborator throughout my career. We have similar sensibilities when it comes down to what a good movie is and the types of movies we’re trying to make.

We have a shorthand communication where I can tell him one of my ideas and he can help shape it into a screenplay.” Since Murphy’s pitch to Grazer and Ratner in ’05, several incarnations of the project have come about. The development process has been a lengthy one, but the three men agreed that the film that they ultimately wanted to make should seamlessly blend comedy and action.

Grazer and Murphy found Ratner to be the perfect partner to helm Tower Heist and liked the fact that he would work with Ocean’s Eleven screenwriter Ted Griffin and Catch Me If You Can writer Jeff Nathanson to hone the earlier work of Accepted scribes Adam Cooper and Bill Collage.

Ratner reflects upon how Tower Heist’s writers nailed the tone of the film he would direct: “Ted brought the real motivation and the heart to the concept, and then when Jeff came on, he came up with the obstacles, complexities and the specificities of these characters.” He feels that the time is ideal for this story to unfold and states: “It’s about the upstairs and the downstairs and working-class, blue-collar workers just trying to get by who were robbed.

They’re taking it back from not just the rich, but the corrupt rich. That’s why you’re cheering for and rooting for these characters. You want them to win.” The director, who is equally comfortable with the comedy genre as he is with action, shares something unique with Murphy: both are film aficionados who possess encyclopedic recall of scenes from classic Hollywood and foreign films.

However, it was Ratner’s deep affinity for the heist movies of the 1970s — from The Taking of Pelham One Two Three to The Hot Rock and The Anderson Tapes — that most attracted him to Tower Heist. “What works about our movie is that it walks that line between drama and comedy very well,” he offers.

“Nobody’s playing these characters with a wink; everyone’s playing them incredibly serious. The comedy naturally comes from the characters and the situations that they’re put into.”

For Ratner, the opportunity to direct a comedy icon was one he didn’t hesitate to grab. He offers: “I grew up watching all of Eddie’s films and studying them, so the chance to work with him was a dream come true. Not only was this movie Eddie’s idea, but in a lot of ways, he invented the genre. If it wasn’t for him, my Rush Hour series would never have existed.”

Murphy, pleased to see that the project was coming full circle, joined Grazer and fellow Imagine executive Kim Roth on Tower Heist as a producer on the film. He shares: “Brian and the studio kept developing it and wanted to make it more about one character instead of a group of comedians, and a great script came together.

They called me and let me know that Ben Stiller wanted to do the movie and that there was this role in it that’s really cool. I read it and thought it was funny. Plus, I’m trying to work with Brett as much as possible.”

Image Courtesy of   http://www.facebook.com/towerheist

The article Tower Heist: The Classic Heist Genre Reaches New Heights appeared first on The Toonari Post - News, Powered by the People!.