With the imminent return of the fall schedule, and an accompanying onslaught of promising pilots, it behooves the American TV-watching public to take a moment to mourn those beloved shows that fell behind. Gone but not forgotten, many of these fan-favourites will be dotting Netflix-instant queues across the nation for months to come. Here are three young, old and middle-aged (in that order) TV gems of 2011 worth remembering:

“GCB”: “GCB”, otherwise known as “Good Christian Belles”, other-other-wise known as “Good Christian Bitches,” was as difficult to understand as it apparently was to name. In bare bones format, “GCB” was a show about a former mean-girl, Amanda Vaughn (Leslie Bibb), who returns to her ultra-Christian, mega-wealthy Texas hometown after her embezzling, womanizer of a husband dies in a car-crash, leaving her and her children destitute and homeless. In returning to her old stomping ground, a now repentant Amanda also returns to the not-so-warm embrace of the community of women she once tortured in her misguided, Rachel McAdams-esque, youth. Hilarity ensues– well, yes and no and maybe. And therein lies the rub of GCB.

It is difficult to deny that “GCB” is a humorous show. Certainly, it has all the hallmarks of humour: there are jokes and everything! But the level of comedy behind the workings of “GCB” is very difficult to gauge. The writing so cheerfully and nonchalantly acknowledges the conservatism of society, in a world coloured by the liberal-tinged glasses of the east-coast media. You were tempted to watch the show as if it is a piece of absurdist satire. Indeed, though the rampant capitalist values and by-the-book devotion of some of the lesser characters are clearly hammed up and, thus mocked, by the creators of the show, the central character herself is a Good Girl who maintains an active involvement in church-life and can smoke a brisket with the best of the all-American carnivores.

Satire or no, though, there was something vivacious about “GCB” that could not be suppressed (until it was canceled, obviously.) Indeed, part of the irrepressible quality of the show no doubt owed itself to some memorably campy-beautiful performances by a great, well-seasoned cast; “JAG”‘s David James Elliott was a particular delight. One can only hope that he, and the other talented members of the “GCB” gang, will find themselves new roles on the TVs and in the hearts of the masses.

“House”: Though one of the most infuriatingly formulaic shows in, possibly, the history of TV, “House” was also the birthplace of one of the most beloved characters ever to have cherished a breathtakingly powerful cult of media personality: the eponymous Dr. Gregory House, a crotchety middle-aged Doctor chock-full of one-liners and prescription drugs.

Unlike in the case of “CSI: Miami”, a veteran TV series which also did not make it to 2012, “House” was successful because, not in spite, of its central dramatis personae. Hugh Laurie, assisted by a capable, and ever-changing cast of secondary characters (some highlights: Kal Penn, Omar Epps and Jesse Spencer), carried eight seasons (that’s 177 episodes!) of a show that invariably followed the same narrative pattern, and hinged on a last-minute medical twist that could only be comprehensible to someone who spent eight years in university earning the right to affix MD to the end of their surname. Thus, the only people who could truly understand the deus-ex-machinas of “House,” are also the people who are too busy actually saving lives to spend hours upon hours watching Hugh Laurie pretend to.

Regardless of these minor plot infringements, “House” deserves its place in the annals of pop-cultural history. To be sure, the current school of medical drama has been stripped of one of its best fictional doctors to ever wield a cane or berate someone named Thirteen.

“Chuck”: An adorable, Revenge-of-the-Nerds-type comedy, “Chuck” was a neatly-packaged show about a computer technician (Zachary Levi) who stumbled his way into the role of an International Superspy. What followed was five seasons of marshmallow goodness.

While not particularly distinguished in many ways, “Chuck” kept it light and fun — a welcome antidote to the button-pushing politics of “Girls” or “Louie” and the brash and in-your-face humour of Seth MacFarlane’s off-colour offspring. Indeed, if one was to praise “Chuck” for retaining any one quality, it would most likely be the show’s ability to remain blessedly innocuous from pilot to finale. Where “Psych,” which strikes much the same demographic chord as “Chuck,” is trite, smug and consequently grating, while “The Big Bang Theory” subtly insults the intelligence of its audience, “Chuck” is in no way painful to watch.

On the contrary, “Chuck” is the kind of show one could enjoy all in a single popcorn-fueled sitting and still remain relaxed and mentally at peace. To put it bluntly, “Chuck” is perfect Netflix-fodder. Perhaps, then, the show’s cancellation should not be mourned as the sad demise of a wholesome Fall stable, but, instead, it should be celebrated as a coming home (to DVD).

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On July 13, lucky fans at the 2012 San Diego Comic Con were able to enjoy the Nerd HQ panel, hosted by Zachery Levi (“Chuck” (2007), ‘Tangled’ (2010), starring geek god Nathan Fillion (“Firefly“ (2002), “Castle“ (2009) and fan favorite Adam Baldwin (“Firefly,” “Chuck”). The panel was also streamed live online to be enjoyed from coast to coast.

The format of the panel is similar to other ones at San Diego Comic Con. Fillion and Baldwin sat down and selected questions from audience members and answered them with plenty of jokes and interesting anecdotes. The fans’ questions ranged from personal to work-related and were delightfully diverse rather than simply focusing on the actors’ work on Joss Whedon’s “Firefly,” which incidentally had a reunion panel earlier that day. The highlights of the panel are below.

One fan asked Fillion and Baldwin what they considered to be the best lines from “Firefly” and ‘Serenity’ (2005), and if they could act them out. Baldwin did the infamous “we get paid” line from the pilot episode and then Fillion did Jayne’s line about his “very favorite gun” from “Our Mrs. Reynolds,” and then closed out the reenactment with the famous, “I’ll be in my bunk” quote that all fans know and love.

Another fan asked about what kind of pranks went on during the filming of ‘Serenity.’ Fillion was eager to tell them about how he copied some photos of a teenaged, goofy looking Alan Tudyk and then plastered the pictures all over the back of the bar scene in ‘Serenity’, which utterly confused Tudyk when he saw them and caused the crew to crack up when Tudyk confronted him.

Someone asked Fillion what his thoughts were on George R. R. Martin’s “Game of Thrones,” both the novels and the HBO series, and Fillion was excited to share how he got into it and demonstrated the many range of emotions he goes through while watching an episode. He noted that he is particularly fond of Tyrion Lannister.

A “Castle” fan asked if “Castle” season five would deal with Castle’s father, whom he does not know but was suggested to be involved with the CIA, and Fillion confirmed that it would be addressed later on in some capacity.

Fillion also pointed out a few “Castle” cast members he would like to see return like Adam Baldwin’s character, Ethan Slaughter, who appeared in season four, Michael Trucco’s character Det. Demming, who appeared in season two, and Fillion even said he’d love to see Zachary Levi join the cast in the future. Levi eagerly accepted the invitation.

Speaking of Levi, Fillion also said he has dreamt of being able to voice a character in a Disney/Pixar film, which amused Levi as he voiced the roguish thief Flynn Rider in Disney’s ‘Tangled.’

A young boy named Connor asked Fillion if he was excited about voicing Hal Jordan, aka the Green Lantern, in two DC Animated Original films, and the actor confirmed this by revealing how he wore his Green Lantern shirt in the recording booth each time he went in. He then started to say the oath, but then changed it into a hilarious little parody poem instead.

One of the “Firefly” fans asked where Fillion and Baldwin thought Mal and Inara would be five years after the events of ‘Serenity’ and both men agreed that by then, the pair would have consummated their relationship, but would not have settled down for a normal life.

The panel was topped off by a fan donating $1000 to charity in order to see Fillion and Baldwin give Zachary Levi a smooch each. Both men tossed down their own cash and planted big wet ones on Zachary, who sheepishly complied to the request, which set the room ablaze with laughter and applause. The panel could not have ended on a better note.

San Diego Comic Con 2012 is still underway so more news of the “Firefly” veterans will be coming in over the weekend. Stay tuned.

Image Courtesy of  Gage Skidmore

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The current US television season is only just half-underway, but already the major networks (ABC, CBS, FOX, NBC and the CW) have made the majority of their pilot orders with regards to new programming for the 2012-2013 season.

John Wells, former show-runner of the hit medical drama ER and current show-runner of the cable dramas Shameless and Southland, makes his return to network television with two pilot orders this development season. The first of his pilots is a comedy co-effort with Glee actor Mike O’Malley for FOX, and is currently titled Prodigal Bully.

The premise of the series, if it is picked up beyond its pilot order, would be that of “a young boy genius who uses his brains and brawn to get whatever he wants“. As for Wells’ other pilot, he is developing a remake of the British drama hit Bad Girls for NBC. This series would follow the activities of a group of female prisoners, and ran for seven years in the UK.

Other notable figures to have sold new pilots to the major networks include: JJ Abrams (Lost, Alias, Alcatraz), who has sold Shelter to CW; Josh Schwartz (The O.C., Chuck, Gossip Girl), who will be writing Carrie Diaries, a teenage prequel to the Sex and the City franchise); and NCIS star Mark Harmon, who will be producing Joey Dakota for the CW.

It is unusual that so many pilot orders have taken place by the beginning of February, as several midseason shows have yet to debut for the 2011-2012 season, while the fates of such long-running hits as FOX’s House and NBC’s Law & Order: Special Victims Unit remain uncertain. In any case, the networks appear to be stockpiling in a effort to combat the ratings decline which has struck many of them this season – particularly, The CW.

The CW came into this season with the high-profile television return of Sarah Michelle Gellar, however, its ratings declines have been well-documented and the network has now picked up five drama pilots with the potential pick-up of several more. This aggressive development move is in contrast to CBS which has so far picked up just a handful of projects, although, CBS’ ratings are in a much stronger position.

As the remainder of the 2011-2012 season plays out and the networks learn of the fates of their long-running shows, while also seeing how their new midseasons shows fare among established competition, it will become more clear just how many of the ordered pilots will indeed make it to air in the fall, how many will be benched until midseason and how many will be put out of contention altogether.

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