Under The Influence is an intriguing emerging rock band from Cleveland, Ohio, co-founded by Brent Beiling and Anthony DeSalvo. With their music, which mixes different styles of rock such as punk and psychedelic rock, the Under The Influence’s members are trying to give a new shape to youngsters’ angst.

The project is a serious one, with the band members focused on the development of their sound and general expression. Blending the evergreen feeling of angst towards an unfair world belonging to most outcasts, with the technical sonorities pertaining to psychedelic rock, Under The Influence manages to be part of a fresh wave of rock and roll.

The band is going to release their debut album on August 30. Toonari Post had the chance to interview vocalist and guitarist Brent Beiling, for an insight into Under The Influence’s promising idea.

Toonari Post (TP): What is the force that drove you to undertake this music project? What is the core of your project, what do you want to say with your music?

Brent Beiling (BB): This musical project started off as Anthony (lead guitarist and co-songwriter) and me working on material together and coming up with enough songs to start a band. We have been writing together since we were 17, and we have been in a couple of bands together before.

This was the first musical project in which the genesis of the band was exactly what we wanted to happen. It was the sound we had in our heads when we would sit down with acoustic guitars and crank out melodies and chord progressions. Those days were the true roots and core of “Under the Influence.” We want people to decipher for themselves what our music means to them. If we were to tell you, then it wouldn’t be open for interpretation (which any good art always is).

TP: You defined your style as Punkedelic, due to its rock styles mixture. As the word Punkadelic is nowadays used to define different musical approaches, including a particular kind of electronic music, would you mind clarifying the characteristics of your own style for our readers?

BB: Our music has always derived and been rooted in punk rock. We just play what we want and put a lot of passion into it. As we started maturing as musicians though, we started getting more into heavy and psychedelic music. “Punkadelic” is the blend of punk rock, heavy, and psychedelic music accented with pure pop melodies. I mean it’s really just an idea that we haven’t been able to fully transfer onto our album completely how we had envisioned it, but a few songs like “Jesus Will Return On Halloween,” “Common Enemy,” “The Intro” and “Lucifer Satan Devil” [listen to some of the songs here] will give you a little preemptive taste of what we eventually want to do. As long as our fans are enjoying our music, that’s really all that matters to us.

TP: As said, the concept of your sound develops from punk. Would you say that the main presence of punk can be found in the attitude, while the sonorities are cleaner and develop also towards other directions, such as progressive and psychedelic rock?

BB: We’ve always been pissed off about things. Young people in general are supposed to question the world that they are growing up in, and help to change it for the better. So yes, our attitude about a lot of social and political issues derives from a punk rock type of attitude.

We don’t want to be a punk rock band, we just acknowledge that aspect of our music frequently enough so that people are getting that it is something against the grain of mainstream priorities within commercial rock bands. Not many of them have much to say about what’s going on in the country right now. Even though our musical tastes are maturing somewhat into more progressive, psychedelic, and pop music, we still, and will always, have our anti-establishment attitude. It’s our duty as young people.

TP: Who or what are your main influences?

BB: Our main influences are The Beatles, Rage Against the Machine, Pink Floyd, Nirvana, Black Sabbath, Simeon Soul Charger, Smashing Pumpkins, Mr. Gnome. We have many more but those are our favorite bands at the current point.

TP: How is it to move within the underground scene, or what is left of it, nowadays?

BB: We are still very much so outcast within the underground scene. We have had some exposure in the Cleveland and Akron scene, but we are still trying to focus on writing music and getting our sound together before we start to tour extensively. I tour much by myself and play acoustic shows to promote the band. Our goals are to eventually get signed to an indie label and go on tour.

TP: What are your future projects besides the album release in August?

BB: Our future plans are just to play as many shows while we can. We are hungry for the stage and we really want to show people what we can do. We really don’t have any aspirations of becoming big rock-stars or anything like that; we just want to have a little slice of paradise within the slums of the underground while we are young. We want to express our anger and angst while we have the chance. We are conversing with a couple A&R people at certain independent labels so we might have a chance to do just that. So watch out for us! We might just make some noise in the underground scene.

The article An Interview with the Rising Rock Band ‘Under The Influence’ appeared first on The Toonari Post - News, Powered by the People!.

For every music style it is possible to identify the milestone tracks or bands that made possible for it to develop; this kind of classification can often be a source of discussion, with people identifying the turning point of a musical movement with different bands and songs. Hardly with grunge.

Although grunge is a very diversified music style, with fans’ preferences spread around several bands and approaches, it is acknowledged worldwide that there is a record label, an album, and a track of that album, which made grunge one of the most influential music movements of rock history.

The record label is Sub Pop Records, the album is ‘Nevermind’ by Nirvana, and the song is the first single of that album, ‘Smells Like Teen Spirit.’ Neither Nirvana nor Sub Pop started the grunge movement, but they made it what it has been since their creation.

Grunge developed in the state of Washington, U.S., mainly in the Seattle area, during the second half of the ’80s. It is indeed often referred to as ‘The Seattle Sound.’ Grunge reached the peak of its commercial success in the first half of the ‘90s; it has often been defined as the last rock revolution. As it usually happens when a musical innovation takes place, the sound development was accompanied by a strong social movement.

Musically speaking, the aim of grunge music was to take the sincerity of punk, and to mix it with the sludge sound that pertained to metal bands such as Black Sabbath, and the structure of popular melodies pertaining to bands like The Beatles. One of the main features of grunge music, although it presents itself in very differentiated shapes depending on the bands, is the raw, dirty, sound, full of heavy guitar distortions, along with angry, disappointed, and profound lyrics.

In 1986, Bruce Pavitt and Jonathan Poneman founded in Seattle the independent record label Sub Pop records; the label was interested in the local bands that were developing at the time. Pavitt and Poneman worked to create a proper sound identification for the label, carrying a promotion of the Sub Pop product itself.

They associated that image to the Seattle sound, signing several artists of the area. Sub Pop is the record label that first signed bands like Nirvana, Soundgarden and Mudhoney, who then became central acts of the grunge scene.

By Nirvana is the most influential track of the Seattle Sound: ‘Smells Like Teen Spirit.’ Although probably not Nirvana’s best song, the track, together with the album ‘Nevermind,’ changed the music scene forever; it became an icon for the grunge movement and for an entire generation. Developed around the idea of young people’s mixture of angst and apathy, the song presents itself extremely catchy, with intriguing lyrics along with a powerful sound.

‘Smells Like Teen Spirit’ has been defined as the anthem of a generation at the time, and has become, ever since its release in 1991, the anthem of people who look at the world in a specific way.

The music video, directed by Samuel Bayer, portraits the band performing in a school gym, together with anarchic cheerleaders, and kids who end up destroying everything around; Cobain said he had been inspired by The Ramones’ video for ‘Rock ‘n’ Roll High School’. The ‘Smells Like Teen Spirit’ video won Nirvana the Best New Artist and Best Alternative Group awards at the MTV Video Music Awards in 1992, and it has also become a milestone of music history.

‘Smells Like Teen Spirit’ announced the upcoming rock revolution. It is the first track of the album ‘Nevermind,’ the record responsible for the redistribution of power between mainstream and counterculture in the music industry.

When it was released on September 24 in 1991, not even Geffen Records, the major record label Nirvana had moved to, was prepared for the huge success of the album; the label initially pressed only 40,000 copies of ‘Nevermind,’ which instead sold a million within six weeks. Geffen had to stop pressing any other record in order to meet the demand.

The huge commercial success of ‘Nevermind’ led bands pertaining to the counterculture to sing with major record labels and to gain visibility in the commercial channels, and took grunge on top of the music world; according to various artists of the scene, record labels would sign any band coming from the Seattle area at the time, just to be part of the grunge movement.

As Krist Novoselic, bassist of Nirvana, once said, “Nirvana didn’t go to the mainstream; the mainstream went to Nirvana.” ‘Nevermind’ is not only considered the most influential album for grunge, but also one of the most influential and meaningful albums of all times.

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