Friday the 13th turned out to be Blizzard Entertainment’s lucky day. After a series of lengthy delays, the South Korean Game Rating Board has finally issued a classification for Diablo III. The game has received an “M-18″ rating, which means that its sale is restricted to those over the age of 18.

Normally, the board issues a rating within 15 days of a game’s submission. But in the case of Diablo III, board members were concerned about the proposed Real Money Auction House (RMAH). The RMAH would allow players to sell their in-game loot for cold, hard cash. This provision seemed to run afoul of South Korea’s strict restrictions on gambling.

Even before Diablo III was submitted, the Game Rating Board had issued a report arguing that selling randomly-dropped items for money was too similar to gambling, and so games incorporating that feature should be denied classification under Article 1 of the Gaming Industry Promotion Law. Since games must have a classification in order to be sold in South Korea, refusing to classify a game is essentially the same as banning it.

Despite intense media speculation that Diablo III would be denied a rating because of the RMAH, Blizzard went ahead and submitted the full game, including the RMAH feature. In a press conference held during Blizzcon 2011, Blizzard’s Chief Operating Officer, Paul Sams, denied that there would be a problem.

“Legally, we decided that there’s no issue. Therefore we plan to apply for rating including the full auction house. Of course this may change in the future, but we always want gamers around the world to play the same version of our games,” he said.

However, Blizzard’s optimism proved to be misplaced, and the Game Rating Board repeatedly delayed a final decision on Diablo III. Blizzard tried to placate the board by resubmitting the game with the ‘cashing out’ feature removed. This would have prevented players from converting the proceeds of their sales into real-world money, but the board was still uncomfortable with the game.

It wasn’t until Blizzard removed the RMAH entirely that the board finally handed down an M rating. It is possible that Blizzard may try to implement the RMAH at a later date since a different government agency would then be responsible for the decision.

There is still no official release date for Diablo III, leading some fans to wonder if the problems in South Korea weren’t delaying the game’s worldwide release. Blizzard officials have tried to nix those rumors, but their vague denials haven’t done much to dampen the speculation.

Image Courtesy of   http://eu.battle.net

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When I first heard that Blizzard Entertainment was going to produce an authoritative guide to the world of Diablo, I think I let loose a very undignified squeal of glee. Like many fans, I find the long wait for Diablo 3 to be a bit dispiriting, and the ‘Book of Cain’ looked like it might help tide me over until the game is released in 2012.

Historically, the Diablo series tended to emphasize action over storytelling. Players do not have to engage in elaborate conversations with NPCs, and it is possible to play the games without paying any attention to the underlying lore. As the series progressed, its mythology inevitably became more and more complicated, and Blizzard eventually commissioned several novels set in the Diablo universe. While their prose often left something to be desired, these books introduced important story elements to the series’ backstory.

The ‘Book of Cain’ takes material from the previous game manuals and the novels and reworks it into a coherent whole. Written by veteran screenwriter Flint Dille (if you are a fan of the old ‘G. I. Joe’ or ‘Transformers’ cartoons, you have probably seen his work), it purports to be an in-game artifact created by recurring NPC Deckard Cain.

As Cain reaches the end of his life, he plans to impart his knowledge to his adoptive niece, Leah. In doing so, he provides her with a narrative guide to the world of Sanctuary, starting with the creation of the cosmos and working his way down to the events that mark the beginning of Diablo 3. Longtime fans of the series will find much that is familiar, but there is enough new material to make the book a worthwhile read.

The inclusion of new material may rankle some fans. There are a number of places where story elements have been retconned. For example, the nameless Warrior from the first game is now called Aidan, and he has been transformed into the eldest son of the grief-stricken king whose madness played a central role in the Diablo story.

Some of the material from the Sin War trilogy has also been adjusted. While purists may greet these changes with angst, more sanguine fans will likely be able to accept them as inevitable side effects of writing about a fictional world whose ‘history’ has steadily evolved over the past fifteen years.

The ‘Book of Cain’ is lavishly illustrated, including several pieces by legendary fantasy artist Brom. Some of the illustrations have already been released, but many of them have never been seen by fans. The depictions of the battle between Anu and Tathamet and the angel Inarius in chains are particularly striking.

My only complaint about the art is that it is always rendered in monochrome. Of course, that makes sense considering this is supposed to be a handwritten manuscript, but I think some of the pieces would have been even more dramatic had they been in full color.

Video game tie-ins can be something of a mixed bag, but the ‘Book of Cain’ is definitely worth purchasing if you are at all interested in the lore of Diablo. It is not an essential part of the Diablo experience, but it will make your journey through Sanctuary much richer.

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