The 10th year of the annual Anime Boston Convention has come to a close, and it was the con’s biggest year yet (despite the fact that PAX East was going on at exactly the same time.) For Toonari Post,  here’s what happened on the third day including some final impressions of the con overall.

The third day had even less of a crowd than Friday, but there were still a few hundred cheerful people walking around, in and out of costumes, getting their pictures taken, and buying some last-minute merch from the Dealer’s Hall and Artists’ Alley.

The Closing Ceremonies were the main draw for Sunday con-goers, and the lines started forming an hour before the auditorium doors opened at 3pm. There was a skit at the beginning with A-chan and B-kun, the con mascots, followed by a recognition of the volunteers who had been with and helped make the con for the past 10 years.

While the names and pictures of the 10-year volunteers displayed on the projectors, the Gotta Catch ‘em All song from Pokemon began playing, and partway through, everyone started to sing along. There were some guest speakers and videos and finally the Japanese and other guests came out and walked up and down the catwalk to applause.

Before the Closing Ceremonies though, we managed to steal some time in the gaming room down the hall. Here, there were eight retro consoles set up, ranging from Atari to N64. For the first time we really got to sit down and play with, and talk to, some of the other con-goers. It’s amazing how a convention can facilitate such a level of spontaneous friendship between strangers.

We sat down next to a young guy playing Tetris Attack for the SNES and started a two-player game. As we played, almost everyone that walked by us stopped and commented on the game, how it should have had a tournament at the con, how they hadn’t played it in ages but still remembered it from childhood. When we finished with ‘Bomberman,’ we moved on to the next open console.

Next up was ‘Super Bomberman.’ We spent some time and had some fun learning what the special feature of each stage was (and usually got ourselves killed in the process). Ultimately we lost to the computer each time, but we had such a good time playing with one another that it didn’t really matter. As we played, we also extolled the virtues of these old single-button games, where the focus is on strategy, without any complicated controls to get in the way of the goal.

After that, we went over to the N64, which at that moment had no game in it. Fortunately, a girl came over shortly after with a bag of her own N64 games and a group formed to play some classic 4-player games: Mario Kart 64, Mario Party, Super Smash Bros, and so on. Everyone was so genial, it was like being amongst a group of my own friends.

We also managed to get to a few panels, most of them led by guests of the con, rather than staff. They were people who cared passionately about the subjects they wanted to speak about, such as the guy who led the Tokusatsu panel on Kamen Rider, Super Sentai, and (briefly) kaiju such as Godzilla.

He and his friend, who came in a very detailed and convincing Kamen Rider costume, seemed to know the series as deeply and intimately as anyone could. As he spoke about the individual Super Sentai rangers, he did their poses and spoke their names in the deep, dramatic sort of Japanese you hear in those shows.

He had watched all the series, even if they weren’t subtitled, and seemed to identify more with Japan than North America when he spoke. I was also amazed at how vocal the fan-base of these series were. One of the girls in the audience began heckling him when he slighted her favorite season of Kamen Rider; and when prompted, part of the crowd would call out something in Japanese and do a gesture associated with one character or another.

For a first-time visitor to the Anime Boston convention, it sort of had a feeling of Disney World. Kids and adults would come and take pictures with their favorite mascots, visit all the attractions, then go back to the hotel at night. The only difference, though it’s a major one, is that everything at AB comes from the fans themselves. There is very little industry support, aside from the guests and occasional Funimation or Viz panel.

The cumulative effect is that Anime Boston is much more a “community” than big industry conventions like PAX. You may come for the first time wondering what you’ll find–what do you do at an anime convention, watch videos all day?–, and realize you’ve found a community. This is especially true if you’re in high school and have a hard time making friends there. The con is a place where it’s hard for anyone to take themselves too seriously, and the barriers between people come down.

Whether you are into tabletop games like D&D and Magic: The Gathering, or video games, or cosplay, or steampunk, or dancing, or anything else geeky, there is a community at Anime Boston waiting to welcome you like an old friend.

Image Courtesy of   pullip_junk

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Funimation held an extended panel this year at Anime Boston in order to include some stories of how anime had affected fans’ lives and helped them pull through hard times. They also used the time to announce several new streaming and DVD-release titles, as well as reiterate their social networking committment and online streaming presence.

The two Funimation panelists began by talking about their online presence on social networks and talking about all the places you can find Funimation online: Facebook, Twitter, YouTube, Hulu, Netflix, Xbox Live, and Nikiniko Douga’s English website.

They also addressed their TV channel’s exclusion from Verizon Fios, and voiced their thanks to the fans for ‘trolling’ Verizon on their behalf to get them included back in the programming.

They announced that they have acquired the rights to simulcast some shows on their Nikiniko channel, and if you have a subscription to their streaming service, you will get access to shows before their street-release date.

Their mobile app for iOS and Android platforms was released on the first day of the con, and allows for access to their entire online catalog. The free app includes commercials and banner ads, the paid app has no banner ads, and the paid up with the monthly streaming subscription of $8 has no advertising.

They also awarded prizes to fans who wrote in or came up on stage to tell their stories of how anime helped them or touched their lives. For one girl, the con, rather than high school, was her main source of friends. When she had a breakdown one year, con-goers–strangers–descended on her with hugs and support. Another girl, meek and depressive, learned to be strong from tenacious anime characters.

Many of the stories carried the gist that anime brought together kids who could not fit in with the normal crowd, and provided a community of support and shared hobbies and interests. From there, the Funimation panelists segued into their new dub release schedule, starting with Princess Jellyfish, about a girl learning to accept herself.

Next up was Heaven’s Lost Property, about a high-schooler who finds a wish-granting servant girl who falls from the sky; following that was Legendary Heroes, Black Butler, Fullmetal Alchemist: The Second Star of Milos (a new film), Cat Planet Cuties, about a race of cat-girl aliens who come to Earth to have fun, and then the creepy and mysterious Shiki.

They also spoke about Dragon Age: Dawn of the Seeker, which is Funimation’s first creation of their own. Funimation generally licenses, dubs, and adapts Japanese titles for the Western market, but in this case, they worked closely with BioWare to create a prequel story to Dragon Age II. The art style is almost three-dimensional, and looks quite a lot like a cel-shaded video game. It will have a worldwide release (another first for Funimation, who generally keep to North America) on May 29 for $35.

They briefly spoke about their Mass Effect project as well, another project done in cooperation with BioWare. They announced that The Future Diary will be getting a release in physical format, as it had only been available streaming until now. KenIchi, Shangrila, Sankarea, and Jormungand were also announced for streaming.

Funimation will also be handling the North American distribution of the second season of Kore ha Zombie Desu ka?, the excellent series that lampoons all of the tropes and trends in modern anime. There will also be new content in the Lupin III series, the first new story in 20 years.

Judging from the fan feedback in the room (which could be described as enthusiastic bordering on psychotic) while the panelists were presenting the new releases, Funimation can look forward to a lot of support from the anime fan base. Based on their lineup of titles as well as their foray into original content, we can expect Funimation to expand their customer base and international name recognition in the year ahead.

Image Courtesy of   http://www.animeboston.com

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This year at Anime Boston the Dealer’s Room was packed with booths covering two large rooms. Almost anything you could think of, you could find there. QB plushies? Yup. Brightly colored Pokemon hats? In abundance. Strange Japanese-imported collectibles? You betcha. Here are some of the best deals we found this year in the Anime Boston Dealer’s Room.

Manga generally had the most dramatic deals. At Comicopia, if you bought two volumes you got 10% off, four volumes 15% off, and eight volumes 20% off (2-10%, 4-15%, 8-20%). However, New England Comics had a competitive ‘Buy two get 30% off’ deal going on, and Cheap Manga probably stole the show for manga deals. With them, a single manga was $5, five volumes were $20, and 30 volumes were $90 (that’s 1-$5, 5-$20, 30-$90).

Not too far off at the Anime Pavilion, eight volumes cost $60, 14 cost $100, and 45 cost $300 (8-$60, 14-$100, 45-$300). Not to mention Anime Pavilion’s selection consisted of less popular titles than Cheap Manga’s.

Other notable deals were to be found at New England Comics’ booth, where brand new Star Wars comic omnibuses were 60-80% off, making $25 volumes only $7. Each yaoi manga volume at NEC was $7, but if you bought five or more they were $5. Elsewhere you could find deals such as ‘Buy 1 get 2 free’, ‘All manga 20% off except new releases’, and ‘10% off yaoi’.

Also of note to those looking for manga, or looking to trade their manga away at the convention, is the swap meet. The swap meet took place in the evening on Friday and Saturday, and I was able to trade away three virtually valueless items I got in a grab bag for three volumes of manga. Overall the manga scene at the con felt a bit like a game of hot potato; pass that stuff on to the next person before you’re stuck with it for too long.

Figurines were also in abundance at the con, though only a few were on sale. World of Warcraft figurines were $40 each, but $70 if two were bought together. A set of four Walking Dead figures went for $75, and Ore no Imoto figurines were two for $65.

T-shirts could be found for $20 each, two for $36, and three for $48.

Funimation was also hocking their wares by the entrance gate, accompanied by a pair of Cat Planet Cuties mascots in eyecatching costumes, or the lack thereof… Most notable amongst the prices at their booth was a Blu-Ray collection of Evangelion for $20. The first season of Black Butler was $60, as was the new retelling of the Fullmetal Alchemist story Brotherhood. Hetalia films were $25 a pop, Excel Saga was there on Blu-Ray for $40, Baccano was available for $30, and Claymore would set you back $40.

Aftermarket retailers such as Anime Madness, Video Games New York, and Harrison’s Comics and Collectibles were nearby as well offering great deals on anime, music, and video games.

Video Games New York was selling a hacked Wii with emulators and homebrew apps for $150, alongside rare oldschool games (Final Fantasy Anthology for $25, Metal Gear Solid 1 complete with case and booklet for $40) and Japanese import and Japan-exclusive games for old and current consoles alike. New York Video Games was also selling unused Dreamcast consoles for $150, and their stock rotated daily as they brought new items up from their store in New York.

Harrison’s Comics and Collectibles from Salem, MA had a back wall all to themselves, with a huge, nerdgasm-worthy collection of old school N64, Genesis, Atari, Sega CD, NES, and SNES games. Starfox 64, Ridge Racer, Ninja Gaiden, Duck Hunt, you name it, they had it, many for single-digit prices. They also carried Japanese-imported music, anime, comics, and figurines.

Overall, the Dealer’s Room was a great place to get cheap manga, games, CCG cards, plushies, figurines, clothing, model kits, anime, hug pillows, collectible items, and some surprises. Many of the items on sale were direct-from-Japan imports. The best part of buying imported goods at the con is not only do you get to see and touch the item yourself before you buy it, but you also save a lot on shipping costs.

If you’re considering importing something online, you might want to hold off until your next local con to see if you can find it there and make sure it’s what you want. You may also want to wait to buy your manga at a convention, judging by the burning-down-the-house prices exhibited at many of the vendors’ stalls.

Image Courtesy of   http://www.animeboston.com

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