’21 Jump Street’ is in theaters now, starring Channing Tatum and recent Academy Award nominee Jonah Hill. It is loosely based on the 1987 television series of the same name, which launched the career of Johnny Depp.

The movie has already proven to be a favorite of the critics and strong box office performer, grossing over $100 million worldwide since its release on March 16. Sony recently announced that a sequel is already in the works, and that stars Tatum and Hill are expected to return.

The film’s success can perhaps be attributed to its accessibility to audiences unfamiliar with the 1980s television series. It features a new cast, makes contemporary cultural references (Tatum’s character cites ‘Glee’ as the reason for the new high school hierarchy), and offers only passing remarks about its 1980s predecessor (Nick Offerman’s character notes that in their jobs, “all they do now is recycle stuff from the past and expect us not to notice”).

Michael Bacall’s screenplay keeps things simple and sharp, while directing duo Phil Lord and Chris Miller keep things moving at a snappy pace, leaving behind all traces of the brand’s past screen life.

Making the transition from television to film has been a tricky business in the last couple of decades. From ‘The X-Files’ to ‘The Simpsons,’ producers have attempted to find the right balance between continuity from the series and accessibility for new viewers. Here is a brief look at how some have fared:

‘The Simpsons Movie’ – Budget: $75 million / Box Office: $527 million.

After several years of talks and delays, the big-screen adaptation of FOX’s long-running animated series was released in summer 2007. ‘The Simpsons Movie’ was a huge box office success and garnered strong critical acclaim, being nominated for a Golden Globe, a Critics’ Choice and four Annie Awards. Its success has been credited with reinvigorating interest in ‘The Simpsons,’ as the series recently celebrated its 500th episode and was renewed through the end of the 2013-2014 television season.

‘Sex and the City’ – Budget: $65 million / Box Office: $415 million.

HBO’s 2008 adaptation of its hit series proved to be a huge box office success and the biggest ever R-rated opening for a comedy. The film came four years after the series went off the air, and picked up on many of the narrative strands left presumably resolved in the final episode.

As audiences continued to flock, a sequel was greenlit, the budget was increased to $95 million, and it hit theatres in May 2010. However, the sequel grossed a weaker $295 million and was critically maligned, all but ending future big-screen outings for the franchise. Still, The CW network recently ordered a pilot for ‘The Carrie Diaries,’ a prequel series charting the adventures of Carrie Bradshaw through her adolescence, showing the studios’ belief in the brand still having an impact on the small screen.

‘The X-Files’ – Budget: $66 million / Box Office: $189 million.

Right in the middle of the sci-fi thriller’s ninth season run on FOX, came its first film adaptation featuring stars Gillian Anderson and David Duchovny. The film almost tripled its budget, received generally positive reviews, and capitalized on the success of the series’ highest-rated season.

However, it would be ten years, and six years after the series went off the air, before a sequel would be released. ‘The X-Files: I Want to Believe’ was released in July 2008 with a budget of just $30 million, grossing $68 million. While it still earned back its budget, the numbers were significantly lower than what fans had hoped, and have cast serious doubt on whether a third film will be made.

Then there is the case of the long-awaited ’24′ feature film, based on the FOX series of the same name, which ran for eight successful seasons between 2001 and 2010. The film has been stuck in development for several years, even while the series was in the midst of its run.

In March of this year it looked like the cast and crew would soon be ready to commence production. However, delays in finding a director and scheduling conflicts with star Kiefer Sutherland have meant that the film has been shelved for at least another 12 months. Like ‘The X-Files,’ ’24′ was heavily serialized and had declined in the ratings toward the end of its run. It therefore might struggle to succeed on the big screen as more years go by with it out of production.

Yet with the success of ’21 Jump Street’ more than two decades after the end of its television run, there is hope that the issue of ‘timing’ is just one of many needed for the successful transition of a television series into film.

Case in point is ‘Glee: The 3D Concert Movie,’ which was released last summer and failed to replicate the success of the television series, ultimately grossing just $18 million. TV-to-Film adaptations is a tricky business, but one in which networks and studios are perpetually interested in trying to get right.

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Glee has been a television and cultural phenomenon since its debut in 2009. Centring around a high school glee club in the fictional town of Lima, Ohio, the series has made household names of its stars Lea Michele, Jane Lynch and Matthew Morrison. The cast’s musical recordings have broken chart and touring records, while the producers have launched a successful companion reality series entitled “The Glee Project”, which seeks to find new singers for the mother series.

However, now in its third season, Glee is facing a number of challenges both on and offscreen, the latest of which is the announcement that this summer will not see the cast embark on a US and UK tour, one which proved to be one of the most successful tours of 2011. While FOX insists that the absence of a tour this year is simply a way of giving give the cast a break after three years of continuous work, the decision comes as the latest in a line of challenges which the show has had to face in recent times.

Firstly, the show has experienced a steady ratings decline during this season. In its last airing on February 14, Glee garnered 6.99 million viewers, down 24% from its season premiere on September 20. More worrying, on a year-to-year scale this marked a 34% decline from the 10.53 million it attracted on February 15, 2010.

This comes in spite of high-profile tributes to West Side Story, Michael Jasckson, and a well-publicised episode depicting several major characters losing their virginities. The series has even started being beaten in the coveted 18-49 demographic by new comedy series New Girl, which airs straight after Glee on FOX’s Tuesday night line-up.

Secondly, the show has come under intense scrutiny over the long-term futures of its stars Lea Michele, Corey Monteith, Dianna Agron and Chris Colfer, among others, as their characters approach graduation. At first, reports surfaced that several of the departing characters would be spun-off into their own series set in New York, depicting them attending a performing arts school, with even Colfer releasing a statement indicating his probable departure at the end of season three.

However, those rumours were later dismissed by show runner Ryan Murphy, but confusion remains over how exactly the stars would continue to figure into the show’s storylines once their characters have graduated.

Thirdly, Glee’s attempt to segue onto the big-screen got off to a lukewarm start when ‘Glee: The 3D Concert Movie‘ failed to perform as well as expected, grossing just $18 million at the box office. The movie opened to mixed critical reviews, and its failure marked the first significant sign of the franchise’s vulnerability after just two years of production.

Finally, but perhaps not surprisingly, the series has gone out of fashion with major award voters. Despite winning three Emmys for its freshman season, that tally decreased to one for its sophomore season, and the show walked away empty-handed at both this year’s Golden Globe and Screen Actors Guild Awards.

This is not surprising as Glee has been accused repeatedly of uneven storytelling and relying too heavily on stunt casting, with the last 12 months featuring appearances by Gwyneth Paltrow, Ricky Martin, Britney Spears and John Stamos. Add that to the fifteen actors already comprising the main cast, and the criticism begins to take on merit.

Ratings-wise, Glee has never been the number one show on television – it has yet to rank in the top 30 for a whole season – but its online presence, chart records and critical buzz have ensured it a prime spot on FOX’s broadcast schedule. Yet, facing a continuing ratings decline, the potential loss of its stars and dwindling industry support; FOX’s former powerhouse may be in need of some significant revamping if it hopes to stick to the same formula and with the same cast members for its as-yet-unconfirmed fourth season.

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Sirius XM Radio announced that Emmy and Golden Globe Award-winning television and film screenwriter, director and producer Ryan Murphy—the creator of the groundbreaking television shows Glee and American Horror Story—will be profiled and honored through the end of January as the featured subject of the next installment of Iconography, the exclusive series which profiles iconic and influential members and allies of the gay community on SiriusXM’s LGBT channel SiriusXM OutQ.

Murphy’s revealing and compelling Iconography interview offers a deeply personal look into his Irish Catholic upbringing in Indiana, growing up gay in the early 1980s and how he handles success and disappointment.

He also speaks candidly about the early days of Glee: “The executives at [Fox] all loved it, except one who wanted it to crash and burn,” Murphy reveals, adding that when the show reached the end of filming its initial network order of 13 episodes, “…the cast and crew were literally in tears.

We thought that was it. We’ll never work together again. Ultimately, I remember it being an exciting and powerful time, because the thing that nobody ever thought would work, worked.”

Murphy also shares the humorous details of how his longtime partner, David Miller, proposed marriage: “We went to Central Park for a walk on my birthday,” Murphy recalls. “Suddenly, there he was on one knee, with the bench and the ring. It was very emotional. Later, we found out that some of the hardcore sex scenes in the movie Cruising were shot in that area.

It was hilarious. But it was also very sweet and romantic.” SiriusXM will air up close and personal profiles of Murphy daily throughout the month, and he will become the honorary voice of the channel. Iconography: Ryan Murphy culminates with a one-hour in-depth interview conducted by OutQ host Frank DeCaro premiering January 21 at 10:00 am ET on SiriusXM OutQ ch.108.

Encore presentations of the interview will air January 21 at 4:00 pm ET, January 22 at 12:00 and 7:00 pm ET, January 28 at 10:00 am and 4:00 pm ET and January 29 at 12:00 and 7:00 pm ET. An exclusive “director’s cut”—featuring a Q&A with SiriusXM listeners and Murphy—will air throughout the month as part of The Frank DeCaro Show, weekdays from 11:00 am – 2:00 pm ET on OutQ.

Past Iconography series honorees include visionary fashion designer and filmmaker Tom Ford, Emmy Award-winning writer/producer/director Alan Ball, Emmy Award-winning actress/comedian Jane Lynch, Grammy Award-winning singer and actress Gloria Estefan and legendary LGBT Activist Larry Kramer.

Featureflash / Shutterstock.com

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