Dark Horse Digital reaches a new landmark, turning one year old this Friday. To thank our loyal fans, Dark Horse announces an anniversary appreciation discount.

This weekend, Dark Horse Digital is offering 10% off all titles in the web store, with an additional coupon to newsletter subscribers and new subscribers who have signed up by this Thursday. And yes, the coupon stacks with an even greater discount off your order!

The sale starts this Friday (April 27) and ends Sunday (April 29) at midnight PST—so head over to Dark Horse Digital and sign up for the Digital Newsletter to maximize your discount on some incredible comics.

Dark Horse Comics launched its standalone comic-reader app and digital store on April 27, 2011 and has received incredible support from the continuously growing digital-comics fan base.

Since then, Dark Horse Digital has grown significantly in numbers and readership featuring it’s most popular, best selling titles including Star Wars, Buffy, Serenity, Hellboy, Conan and Mass Effect as well as exclusive digital only comics such as Falling Skies, Prototype 2 & Dragon Age. Dark Horse Digital also provides sales and discounts for its reader base on a weekly basis. We currently offer thousands of comics and are continuing to increase the digital availability of the Dark Horse back catalog.

Dark Horse Digital is available through all modern web browsers and features cloud storage in both the Android (beta) and iOS apps.

In the meantime, the creator of The Escapist’s Zero Punctuation Reviews (TM) and author of 2010’s runaway hit novel Mogworld is back with his hilarious follow-up. Jam takes the prophecies of the Mayans and turns them on their ear, with a twist on the apocalypse that no one could have expected. The first chapter will run in the newly released digital edition of Mogworld, available today for Nook and Kobo eReaders.

Since 2007, Croshaw’s animated Zero Punctuation reviews have packaged prescient criticism with frenetic animation, off-color humor, and rapid-fire delivery, making him a household name in the gaming community. Mogworld was his first foray into published fiction and has sold through multiple printings! Now, the debut novel finally makes it’s way to tablet readers, marking the beginning of Dark Horse’s foray into digital prose!

Additionally, readers will have a chance to get their first look at Jam, which is set for release later this year. Jam, a dark comedy pitting a handful of twenty-something slackers against a singularly sticky apocalypse, which is set for release later this year.

“You asked for it – by Christ have you been asking for it – and it’s finally here, the Mogworld eBook” said writer, Yahtzee Croshaw. “Now I just have to stop procrastinating on the audiobook version.”

Mogworld is available today for both Barnes & Noble’s NOOK™, as well as the Kobo Vox eReader.

Jam arrives on sale on October 10, in print as well as digitally.

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At WonderCon, it was announced that Dark Horse would be bringing their most well-known characters to Felicia Day’s all-new YouTube channel, Geek & Sundry, beginning on April 2.

This highly anticipated premium YouTube channel and company, founded by Felicia Day and the producers of the hit web series The Guild, announced a lineup of six new original series premiering online starting April 2.

The channel will present the very best of indie geek culture by exploring fun themes in comedy, gaming, comics, music, and literature that are sure to captivate audiences every week. Geek & Sundry will also provide a social destination and community for fans connecting online and offline about nerd culture worldwide (GeekAndSundry.com).

Alongside Felicia Day (The Guild, Dr. Horrible, Eureka), Geek & Sundry will feature compelling original content by Wil Wheaton (Star Trek, The Big Bang Theory), Veronica Belmont and Tom Merritt (Sword & Laser), and Paul and Storm (w00tstock), as well as the hit web series The Guild, and the very first Dark Horse motion comics.

Dark Horse will air a new motion-comics episode every Wednesday, featuring characters like Hellboy, Conan the Barbarian, Usagi Yojimbo, and Gerard Way’s The Umbrella Academy. With all-new motion-graphics techniques and compelling storytelling, these are sure to set a new standard for motion comics. Directed by Erik Bruhwiler and produced by Mike Richardson, Dark Horse motion comics offer comics fans an experience unlike anything they have seen before.

“We’re so incredibly excited to produce and develop a channel based on what we think the fans will enjoy the most,” said Felicia Day, cofounder, producer, and star of Geek & Sundry. “From Dark Horse Comics to Wil Wheaton, there’s a killer team of talent on camera and off that will help build on the success of The Guild and Dragon Age: Redemption.”

“This is an exciting new extension of our comics business. Our technology is state of the art and the tales are extremely engaging. Add Erik’s genius to some of the greatest creators in the comics business and the project becomes irresistible.” Said Dark Horse President Mike Richardson.

Dark Horse Motion Comics launches on April 2, 2012, on YouTube, with Mike Richardson’s forty-minute horror epic, The Secret!

Viewers can subscribe to the channel now at www.youtube.com/user/geekandsundry.

The article Geek & Sundry, Dark Horse Joins YouTube Channel appeared first on The Toonari Post - News, Powered by the People!.

In 2001, Hellboy quit the Bureau of Paranormal Research and Defense (B.P.R.D). If that was not bad enough, Liz Sherman is currently in hiding, Abe Sapien is in a coma, and Johann Kraus is left with Kate Corrigan to go with to Russia as backup this time around. The Russians have an assault team assembled for Johann and Kate to lead into the fire.

If only it were that easy. As if these men could make up for the loss of Hellboy, they charge heroically to their deaths, combating evil. Mike Mignola and John Arcudi have teamed up once again to continue the Hell on Earth: Russia issues for #4, bringing the storyline into sharper focus with each successive single issue release.

Art was done by Tyler Crook while colors were by Dave Stewart.  Lettering was done by Clem Robins, and the cover was by Dave Johnson. This senior team has created the perfect setting for huge monsters and grand explosions.

It becomes obvious that this mission into the mines could only have succeeded with Johann Kraus’ help. Kraus, with his deep conceptual thinking, is certainly poised in this issue to shake things up for Kate Corrigan as they continue through Russia’s hellish atmosphere. Different from Hellboy in that way, Kraus is a deep thinker, which contrasts very much with Hellboy’s simpler thought process.

By no means lacking in courage or skills, Johann Kraus does maintain his image as the thinking man’s character. Kate Corrigan, on the other hand, is frustrated, brash, and hard to deal with when in Russia. The missing key members of their team take its toll on her psyche, leading to bursts of impatience and rage.

Fans of Hellboy will remember her friendship with Hellboy from previous B.P.R.D issues as well as her concern for Abe Sapien from Issue #1 of Hell on Earth: Russia.  She will come face to face with the concept that some people just accept the fact that they will die.

Exposure to the contagion found in the mines of Russia changes the structural chemistry of every living human it touches, turning them into mindless killers. Unluckily for him, Johann Kraus is on the hunt for this contagion with a set of monsters, each of which is more grotesque than the next.

On the one hand, you have a blue Jabba-the-Hutt-type creature, and on the other, you have what looks like the giant brain bug from the end of the first Starship Troopers movie. It is a lose-lose situation, no matter which ugly monster Kraus will find first. The concept of Kraus’ mortality will also come into play, since Kraus is technically dead and without a body, but is a sentient free-feeling personality.

The feel of this story is a different kind of desperation. In comparison to Hellboy’s policy of casual violence, B.P.R.D always seems to have a more serious edge. This is definitely true with B.P.R.D Hell on Earth: Russia, since the first issue has already set the stage for the almost rapid deceleration of Russian society due to this spreading contagion.

The ending of the story is quite explosive. While some fans will clamor in fury, true fans will wait impatiently for the triumphant return of one of the series best loved characters. Entertaining as always, the conclusion is sure to be jam-packed with excellent plot twists as well as a rescue operation. B.P.R.D Hell on Earth: Russia is on sale here through Dark Horse!

The article Comic Review: B.P.R.D. Hell on Earth: Russia #4 appeared first on The Toonari Post - News, Powered by the People!.

The epic story line that began back in 2010 with B.P.R.D. Hell on Earth: New World is coming to a head in 2012. Dark Horse announces the most ambitious B.P.R.D. publishing schedule yet, with five new titles and some of the most earth-shattering events in the history of the series.

First up, in February comes B.P.R.D. Hell on Earth: The Long Death, written by Mike Mignola and John Arcudi, with art by James Harren (Abe Sapien: The Devil Does Not Jest, Heralds). A team is sent to the deadly woods from New World to investigate a new series of disappearances, but they discover more than just the monster responsible, as loyalties are questioned and tensions mount.

March will see the release of B.P.R.D. Hell on Earth: The Pickens County Horror, written by Mike Mignola and Scott Allie, with art by Jason Latour (Wolverine, Scalped) and an all-new cover by Becky Cloonan! This chilling two-issue series brings a B.P.R.D. crew into the grips of a backwoods vampire clan hiding out in a Gothic southern home.

Next, in May comes B.P.R.D. Hell on Earth: The Transformation of J. H. O’Donnell, pairing Mike Mignola with Scott Allie again for the discovery of what drove the Bureau’s expert on ancient foes to near madness after a mission with Hellboy twenty-four years earlier. This supernatural thrill ride features art by B.P.R.D. newcomer Max Fiumara (Amazing Spider-Man) and a cover by Becky Cloonan.

That same month features the return of the regular B.P.R.D. team of Mike Mignola, John Arcudi, and Tyler Crook, with B.P.R.D. Hell on Earth: The Devil’s Engine. The Zinco Corporation again rears its ugly head after a devastating earthquake, pitting Devon and Fenix in an uneasy alliance against bat-faced monsters and the evil empire’s other mad-science experiments. Additionally, this new series will feature covers by former Hellboy artist Duncan Fegredo.

Finally, Cameron Stewart returns to the B.P.R.D. universe in June with B.P.R.D. Hell on Earth­: Exorcism! In this story we learn more about Ashley Strode’s evolution as an agent after she meets up with a familiar face for a series of exorcisms in a rural Indiana town. Mike Mignola and Cameron Stewart team up to share writing duties, with pencils by Cameron and covers by Viktor Kalvachev.

“Let’s break some stuff that can’t be fixed. Let’s turn some corners where there’s no going back” said Mike Mignola. “In both Hellboy and B.P.R.D., we’re saying, “Well, once we do this—once we round this corner—that’s it!” It’s not like, “Oh, Batman, different costume.” We’re doing stuff where there’s no way to fix it. That is the new reality in our world. You’re REALLY going to see that in 2012.”

B.P.R.D. is sure to be the most-talked-about series of the coming year, as the team stands at the brink of the end of the organization and the world itself. Finally, fresh off their long tenure on Stargate, one of television’s most successful science-fiction epics, series writers Joseph Mallozzi and Paul Mullie flex their comic-book storytelling muscles to create a thrilling new science-fiction universe.

Mallozzi and Mullie, best known for their work on the Stargate franchise series (Stargate SG-1, Stargate Atlantis, and Stargate Universe), are about to give you: Dark Matter.

A derelict ship floating in space. Its troubled crew awakened from stasis with no memories of who they are or how they got onboard. Their search for answers triggering the vessel’s deadly security system, awakening a relentless android bent on their destruction. Facing threats at every turn, they will have to work together to survive a dangerous voyage charged with vengeance, redemption, betrayals, and, ultimately, hidden secrets best left unknown.

Science fiction by science-fiction veterans is sci-fi action at its best! Dark Matter #1, the first in a four-issue miniseries with kinetic artwork by exciting newcomer Garry Brown, is on sale January 11, 2012.

The article Five New B.P.R.D. Titles and Dark Matter from Dark Horse Comics appeared first on The Toonari Post - News, Powered by the People!.

Set in 1956, the book Hellboy: House of the Dead, centers on the emotional events of Hellboy’s growth both in and out of the wrestling ring. Battling guilt while in a literal house of horrors, our reluctant hero finds himself faced with some of horrors most classic creatures in a mash up of monsters that moves the plot along quite nicely.

Hellboy comics have always had a distinct flavor all its own; mostly due to the element of action combined with some form of biblical or fantasy horror. Fan will recognize the writer and artist team of Mike Mignola and Richard Corben and it clearly shows that this was an excellent partnership in many respects.

Available for pre-order with a preview from Dark Horse Comics, the duo of Mignola and Corben are supported by coloring from Dave Stewart and lettering by Clem Robins. The artwork is a fresh take on the Hellboy horror, action drama, feeling more up to date than in past comics. Mignola clearly knows what he’s doing and showcases classic Hellboy nonchalance mixed in with excellently timed Spanish dialogue and wrestling.

This is a hard cover release that’s emotionally driven and well plotted. Hellboy’s character is revealed more as the story progresses rather than having him simply destroy everything in his way as a new reader of Hellboy might assume. The choices that Hellboy has made prior to the start of the comic regarding the death of a friend are shown in a few select flashbacks that emphasize the loss of self due to events outside of his control.

A hint at the enemies within is obvious on the front cover but beneath the surface the villains in this story, outside of their horror characteristics, also possess an emotional depth that is not in keeping with their traditional stereotypes. Excellent use of foreshadow and characterization that readers will pick up on will add an element of suspense to the overall plot which keeps fans guessing. For some of the villains you’ll scoff at the slightly predictable dialogue but the plot for how Hellboy dispatches his enemies is really the star here.

Hellboy fights hard against his enemies using brute strength and reluctant acceptance born of a shoulder heavy weariness.  What is less expected is how he also sympathizes with select combatants in a surprising twist as Hellboy himself will come to realize. An enemy can also turn into a friend, or at least, a drinking buddy.

The real enemies here that need fighting are less obvious but no less important to Hellboy as he journey’s forth through the pages. Hellboy fights and he survives, growing up and making tough choices that many people can sympathize with greatly. His real enemy is life and death in many ways, because he struggles against its forces all the time.

Throughout the story, the feeling is that Hellboy just can’t catch a break, as if he’s always going to up against a constant stream of enemies from multiple sides and plots within plots to do him harm. The lesson to take away from this particular hard cover issue of Hellboy is that not everything is within your control.

Life is what you make of it. Hellboy seems to know this and therefore fights the good fight. The ending might leave some readers scratching their heads but overall, despite the sense of not belonging to his reality, Hellboy knows that where he treads very few can follow. His path is one of hell and that is where he is bound.

The article Hellboy’s House of the Living Dead Becomes a Classic Halloween Special appeared first on The Toonari Post - News, Powered by the People!.

Dark Horse Comics has released the fourth installment of Baltimore’s ”The Curse Bells” this week, and with only one issue left, the story is coming to its climax. Lord Baltimore has made his way into the chapel filled with cursed vampire nuns and is poised to find his nemesis, Haigus.

Written by Mike Mignola and Christopher Golden with artwork by Ben Stenbeck, this mini-series focuses on the details of Lord Baltimore’s journey to find Haigus, the vampire that he first met on the battlefield in a fight against the Hessians.

“The Curse Bells” is a continuation of “The Plague Ship” mini-series and an interlude for the middle of the book, “Baltimore,: Or The Steadfast Tin Soldier and the Vampire,” which focuses on Lord Baltimore’s three friends and his meetings with them from the beginning of the plague.

As he inches closer to his goal of destroying the vampire that killed his family, Baltimore’s dedication in the epic quest demonstrates how far one will go in order to exact revenge. Baltimore is often shown as an anti-hero, only saving people as a by-product of his revenge, or after any other course of action would hinder or halt his goal.

This issue is no different. The crux of the story is based on Baltimore’s choice between continuing to hunt Haigus and stopping Madame Blavatsky from ringing the bells, damming all who hear the cursed ringing. “The Curse Bells” delves into the psyche of Baltimore. It shows that Baltimore, when given a choice between revenge and becoming a savior, would rather be damned and may already be.

The series was originally created with Mike Mignola, the creator of the Hellboy comics, and it shares many of the same artistic designs. In addition to Mignola’s influence on the artwork, Stenbeck is the primary artist for this mini-series, and he continues with the quality that has become associated with Hellboy. The dark colors contrast with splashes of blood-red add to the tension of the story.

Not only is the artwork high quality, the story and the writing are riveting as well. Christopher Golden co-wrote with Mike Mignola for both the novel and several comic series that have been produced so far. Mignola and Golden infuse the fourth installment with the poem The Bells from Edger Allan Poe, which gives an even darker tone to both the original poem and the story itself.

In addition to following Baltimore’s quest, the reader gets a look at the lives of those he affects, such as the teenager and child who lead him to the chapel that Haigus has entered. The weaving of these subplots with the main story adds to the depth of the characters, and allows the reader to see more of the universe that Baltimore is living in.

“The Curse Bells” still has more to go, and it looks like it is going to have just as satisfying of an ending as the original book and “The Plague Ship” mini-series. If you are a fan of Hellboy or the previous Baltimore material, you will enjoy “The Curse Bells.”

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