Jack White finally made his debut with his first solo album after the White Stripes break-up in 2011; ‘Blunderbuss,’ the new White’s album, is now available for purchasing. The record will serve music lovers to enjoy almost 45 minutes of good Rock ‘n’ Roll.

Surely quite a surprise for those who expected White to experiment something new in the album, as he instead retraces the old routes of rock, enhancing it with blues, soul and sometimes a psychedelic attitude. He does it with such an extreme grace and sense of completeness, that it seems impossible not to be captured by the record as if it featured, instead, something never experienced.

The roots of Rock ‘n’ Roll seem to comfortably lie together with the soul and blues sounds that accompany the entire work, where the piano seems to have more importance than the guitar itself. In this mixture of different sonorities nothing goes lost, and everything seems to fit properly to create a reliable and comfortable sound.

In the album it is possible to retrieve many of the influences that made Rock ‘n’ Roll what it is now; it is possible to hear The Doors, as well as the AC/DC and Dylan. None of the tracks though come as a repetitive form of the previous work done by those or other artists, a gentle reinvention of it instead.

The whole record stays faithful to the basic attitude with which White decided to approach the sound, although the songs express a variety of moments of that attitude. The album opens with ‘Missing Pieces’ which seems to be a declaration of what the album will be. ‘Sixteen Saltines,’ the second single released prior to the album, then goes on reminding everybody where White comes from, musically speaking, and ‘Love Interruption’ serves the exact contrary, almost separating the artist from his musical past.

Some of the songs, such as ‘Trash Tongue Talker’ and ‘Hip (Eponymous) Poor Boy,’ are extremely catchy, the latter almost reminding of  a kids rhyme, resulting in a fresh sound. ‘Trash Tongue Talker’ comes to the listener in a very straightforward manner, raw and strong, almost setting a “saloon” state of mind.

There is also a well done cover of ‘I’m Shakin,’ which does Little Willie John justice. The ending of the album is intriguing, with the last song, ‘Take Me with You When You Go,’ remaining faithful to the rest of the record until towards the end, when vibrant, and almost hysterical, vocals and sounds regenerate the listener’s interest in the album. ‘Blunderbuss,’ the song that gives the title to the album, is probably the delicate pearl of the record.

Concerning the lyrics, the first single ‘Love Interruption,’ well expresses the dark side that White seems to have chosen for many songs of his first solo album. In several tracks it is possible to retrieve, indeed, that powerful, angry, hurt, resentful as well as resigned feeling expressed in the first single, released at the end of January this year.

Being the debut album of White as a solo musician, the record succeeds to trace that line wanted by the artist to divide the image of Jack White from the White Stripes, and it does this in a pleasant and elegant way, catching the listener’s mind with its rhythm and with its ‘Rock ‘n’ Blues’ approach.

Image Courtesy of   http://jackwhiteiii.com

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Fans of The White Stripes were disappointed by Jack White’s recent announcement that there is no chance of the band getting back together in the future. The rock duo from Detroit hit it big in 2003, and kept feeding its success with musical pearls until February 2011, when the band officially announced its break-up.

In a recent interview with NME magazine, Jack White was asked about a possible White Stripes reunion. He responded, “I would probably say absolutely not. Absolutely no chance. I couldn’t see any reason to ever do that. I’m not the kind of person that would retire from baseball and come out of retirement the next year. I mean, if we went to all the trouble of telling people we’re done, we meant it, you know?”

The musician went on to say, “If we were forced to change our mind about that, I can only imagine the reason being if we went bankrupt or really needed the cash, which would be a really sad thing. I would probably be issuing an apology along with the announcement of the show dates.”

Jack White is coming back to the scene with a solo album, however, which will be released next month on April 23 in Europe and April 24 in the U.S. Regarding the reason for waiting over a year after the White Stripes’ break-up before releasing a solo album, Jack White explained, “I said eventually – I had no plans at the time – but eventually, I’m going to record by myself under my name, and I don’t really feel like going through the dumb perception battle of people who couldn’t be broad-minded enough to understand the difference between Jack White and The White Stripes.”

Through this new approach to his musical career, Jack White, who has often been referred to as one of the most talented musicians of the last decade, is promising a thrilling future. His first solo single, ‘Love Interruption,’ was released at the end of January.

The track generated surprise, as the style that White explores there is quite distant from what White Stripes fans were used to; nevertheless, it also generated excitement, as the musician succeeded once again in performing a beautiful piece of art. ‘Love Interruption’ probably served well in defining that separation between The White Stripes and Jack White in people’s minds, as the artist wanted.

The single was followed by the release of its graceful b-side, ‘Machine Gun Silhouette,’ and of the second single, ‘Sixteen Saltines,’ the latter coming closer to The White Stripes typical sound.

At the end of the day, fans might not get The White Stripes back, but they are getting an exceptionally energetic and original Jack White, walking his solo way into music history.

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