Part Two of our interview with Myke Cole continues with the powers and characters in the Shadow Ops series. Myke answers the questions of a Shadow Ops Comic book, about missing powers that are forever gone from the Shadow Ops series and about the growth of characters that is a rare and amazing surprise to many authors. His second book, Shadow Ops: Fortress Frontier is coming to store shelves this winter and the third is going through editing and rewrites at the moment. Myke Cole is certainly an author on the rise.

Toonari Post (TP): Is there a power you feel has either helped or hurt the story? If so which is it?

Myke Cole (MC): There *was* a power, in the original draft of Latent (the book that would later become Control Point). I had a school of magic called Mentamancy, which was essentially telepathy. But the narrative relied so strongly on the ability of characters to keep secrets that something as simple as mind reading made the whole story come apart at the seams. In the end, I had to ditch it. There are no mind readers in the Shadow Ops universe. That you know of. So far.

TP: You’ve made mention in other interviews that Oscar’s POV isn’t the only one we can expect in the next book, who else can we expect and how are they different from Oscar?

MC: The protagonist of Fortress Frontier is Colonel Alan Bookbinder, a high ranking administrator who is thrust into the role of combat commander. Bookbinder comes from a strong foundation. He had an intact family growing up, and has a loving wife and children of his own. His position in the army is far more secure than Britton’s, his Latency coming at the end of a long and successful career. As a result, Bookbinder’s path is far more. That path has some twists, and the road is long and dangerous, but the Bookbinder is a man much less at war with himself.

TP: Has there been a moment during the writing of this series where a character has evolved so quickly that he or she took on a life of their own?

MC: Absolutely. I don’t want to spoil anything, so I’ll just say there’s a conversation in Chapter XIX in Control Point where Scylla is talking. That is actually her talking. All I was doing was writing it down. All of my favorite writers describe knowing their characters so well that they just put them in the scene and write down what they say. That never happens to me. I put my characters in the scene and they look at me asking, “Dude. What do you want us to do?” Except this one time. It was amazing, but I’m not holding my breath for it to happen again.

TP: What is the status of the 3rd book? Will you be attending a ton of stuff for the launch of the second in a few months time and then be totally swamped?

MC: Breach Zone has a completed 1st draft at roughly 125,000 words. I am really, really unhappy with it. But that’s okay. This is part of my writing process. I have to put down a lousy first draft to have something to edit. The marketing push for Fortress Frontier may be more muted than Control Point since I no longer have the glow of a debut author, but I am certainly going to be pushing the hell out of it. I’m very proud of it, like it better than Control Point, and am really excited to see reader reactions.

TP: What are your thoughts on a Shadow Ops comic book? Would that be a great joy or a stressful time given that the second book is on the way out to the public and the 3rd on the way as well.

MC: It would be a joy beyond joy. I have dreamed of writing comic books since I was a kid. I’m a huge fan of them and would be honored to see my material be used as the basis for one. My fingers are crossed that someday someone will want to do one, and I would spare no effort to help make it happen.

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Toonari Post, in addition to talking to Myke Cole about his first three books, also answered questions about his developing author experiences and growing fan base. Included in the interview is information about Myke Cole as an author, fantasy nerd and military officer. Spanning three tours in Iraq and plenty of dungeons in MMORPG games,  Myke Cole now writes for a living while keeping an eye on the state our country. If current affairs make it into his books, it is because he has a keen eye for details and talent for articulating a situation.

Toonari Post (TP): The magic system in Shadow Ops covers many of the standard and even substandard schools of magic in the fantasy genre but is there one that you wanted to add or change after the first book was published?

Myke Cole (MC): There is, and I added it. You’ll find out more about that in the second book in the series, Fortress Frontier. The thing you have to remember is that the system of “schools” currently used by the government is just a way of trying to categorize a phenomenon that nobody fully understands. But magic in the Shadow Ops universe isn’t interested in being categorized. It’s an iceberg that runs very wide and very deep beneath the surface. We only see the tip.

TP: I laughed myself hoarse when I saw “Gate-Fu” for the first time, what other funny titles for powers in the series might have been held back in order to shape a more gritty and realistic portrayal?

MC: I don’t know about gritty and realistic, but I did hold one back because it sounded silly. Hydromancy, the magical school that governs water, used to be called Aquamancy. Ahem. How I missed that is beyond me, but fortunately one of the beta readers gently noted that I might want to change it . . .

TP: Looking at the combat now and its plausible applications in a real world environment, are there times in the book where your training has warred with your instinctive ideas on how to make the characters more appealing?

MC: Military training, done right, results in instinctive reactions to crisis where military members act according to policy. That’s efficient, that’s predictable, that’s safe. It’s also incredibly boring. Good stories hinge on conflict. They revolve around the times when things go wrong. “The enemy came over the hill. We were ordered to fire. We fired. After the battle, we accounted for spent rounds and cleaned our weapons.” Not a whole lot of drama there. The story gets interested when the guns jam, or when the soldiers refuse to fire, or when one of the enemy turns out to be a relative, etc . . . My training informs my writing, but in the end, I have to be “less military” in order to be more dramatic.

TP: The application of gate powers and many of the other Shadow Ops powers certainly changes the logistics and tactics of the military; Oscars is essentially a very ground combat capable pilot, was that a conscious move to make him both support and frontline fighter right off the bat?

MC: It was definitely a nod to the all-important power of logistics and maneuver in battle. We spend a lot of time ooohing and aaahing over the latest technology (this new fighter jet, that new anti-missile laser, etc . . .). Cyber warfare is the new sexy that everyone is obsessed with lately. But the truth is that all of this pales in comparison to the all important, but far less sexy bedrock factors: Relative position. Supply lines. Terrain. Portamancy speaks directly to that stuff.

TP: Additionally will Oscars set of skills grow with the next two books? What can readers expect as far as character skill and personality development?

MC: I want to remind folks that while Oscar Britton is a major character in Fortress Frontier, he is not the main character. I think he’s coming more into his own in book 2, beginning to realize how he can best further his goal of finding a new path for Latent people, one where they don’t have to choose between being either criminals or government agents.

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