The last weeks of summer are fast approaching. As these penultimate days play-through, many face a difficult decision. Spend this fleeting time enjoying the verdant earth in all its lazy summer glory, or catch up on all the best TV shows before the Fall season comes around? This list is for those who choose the latter (better) option.

The best are:

Supernatural

After 149 episodes, the CW’s “Supernatural” has no right to still be this good. Seven years in and the classic, Patrick Swayze popularized, combination of paranormal activities and glistening abs has yet to lose its well-lubricated sheen. But to reduce its brilliance to a pair of favorably-positioned nipples is to do the series a great wrong. Ghoul hunters, Sam and Dean, have been to hell and back during the course of the show. Literally. The journey that the brothers have undertaken has been rife with drama, intrigue, action and wry wit.

Some of the narrative arcs during the middle seasons lagged; the fight for Sam’s soul became the fight for Dean’s soul, which became the fight for Sam’s soul, which became a long period of watching “Friends” re-runs instead. But, recently, “Supernatural” has returned to the ‘joie-de-vivre’ of its charismatic youth and season 8 ushers in the the fresh voice of new show-runner, Jeremy Carver (Being Human).

At its very best, “Supernatural” delivers breathtaking plot-twists that will hit the viewer like a souped up Chevy Impala barreling down a long, dark road. At its worst, “Supernatural” is still the show that has the guts to include God, THE God, as a primary character, and in “Supernatural”‘s worldview, God is no Yoda-meets-Santa Clause figure in a white robe and Birkenstocks.

So, come this fall season, “who you gonna call?”

Boardwalk Empire

The 1st and 2nd seasons of HBO’s prohibition gangster drama “Boardwalk Empire” have received a lot of somewhat counter-intuitive flack from the critics. Some suggest that many of the key elements of the show may constitute factors that could be described, unfavourably, as Emmy/Oscar-bait– expansive and involved plot, painstakingly reproduced sets, carefully maintained historical context, big name actors, and a pilot episode directed by Martin Scorcese.

But my gosh what a show! — expansive and involved plot, painstakingly reproduced sets, carefully maintained historical context, big name actors and a pilot episode directed by Martin Scorsese! In addition, taking a leaf out of “Game of Thrones’” gilded tome, “Boardwalk Empire” is not afraid to make the necessary sacrifices in the name of good TV. Some compare “Boardwalk Empire” to “Mad Men.” If this comparison is supposed to be a veiled insult, it’s very well hidden indeed; “Mad Men” is great, and so is this show.

Gossip Girl

Many people would approach with skepticism any reviewer who recommends the CW’s adolescent soapie, “Gossip Girl”, as appropriate viewing material for the thinking mind. But, this much dismissed show has been the medium for some of the greatest TV plot-twists of the past 5 years. Yes, a lot of the “Gossip Girl’s” screen-time is taken up by frequent scenes of attractive hairless people making out next to superbly maintained indoor pools, but one can forgive the writers their indulgent moments if one takes into consideration two truths:

1. “Gossip Girl” approaches satire in its level of keenly absurdist self-awareness. Everything about “Gossip Girl” is done to deliberate excess– it’s a thing of laconic, one-liner stuffed, beauty.
2. “Gossip Girl” caters to the wishes of its audience like no other. If you’ve blogged about it, internet world, it might well make an appearance. In some respects, “Gossip Girl” is like a serial version of ‘Snakes on a Plane’… in Louboutins.

The combination of these two basic principles has been enough to attract some incredible guest stars not only amongst actors, but also amongst the Manhattan gliterati.

The last season was not good, it’s true. However, nobody, nowhere, nohow does a finale like “Gossip Girl” does. And, as this 7th season is slated to be the show’s last, one can expect the UESiders to go out not with a whimper, but a bang (no pun intended.)

Community

Though Zooey Deschanel cavorts around in broad-rimmed glasses being all adorkable on Fox’s “New Girl,” the real home of weird is most certainly NBC’s “Community.” Having been on the verge of cancellation, the show has undergone some changes– namely, Dan Harmon has recently been ejected from his position as showrunner.

Nonetheless, the thing that keeps “Community” consistently hysterical is an unshakably strong ensemble cast whose comedic chemistry is infectious; “Community” is “Friends” meets “Big Bang Theory” meets a whole planet of crazy. Everything on the show is done with complete and utter commitment and the ever revolving chain of guest writers has made for 3 seasons in which every episode has been totally unique. Changtastic.

The Walking Dead

AMC’s “The Walking Dead” has been breaking records (and fictional skulls) everywhere during its first two seasons on air. The success of the show is unsurprising considering the fact that its list of screenwriters includes names that would make Shakespeare blush in professional shame. Oh, and there are zombies too!

“The Walking Dead” is shot so convincingly that one might be forgiven for feeling like one was actually watching footage of the Zombie Apocalypse– it’s gray, it’s bleak and it’s gory. However, before the world at large grabs a 9 gauge in one hand and a ‘Queen’ record in the other, one should remember that this is only a show–  albeit a very good one.

Honorable Mentions:

Parks and Recreation

Leslie Knope and the colorful inhabitants of Pawnee– the US’s most dysfunctionally happy city–transform middle America from a cautionary Green Day music video into the epitome of rustic charm. Miraculously consistent, “Parks and Rec” is poised for another great season driven by its 2 most compelling, and always hilarious, isms: optimism and Swansonism.

Raising Hope

Has political correctness gone mad? Not really, because somebody somewhere continues to endorse the televising of “Raising Hope.” Unsurprisingly, that somebody is a TV executive at Fox. But, where Fox regular Seth MacFarlane is crude, brash and in-your-face, “Raising Hope” approaches its subjects with subtlety. Indeed, for a show whose titular character is the illegitimate toddler of a convicted serial killer and a ‘special’ checkout clerk who lives with his white-trash parents, “Raising Hope” has managed to lend a surprising degree of intelligent, quirky restraint to both its 1st and 2nd season.

Modern Family

The beauty of this show is that, in a world of seat-squirmingly bleak “Louie,” “Peep Show” and “Curb Your Enthusiasm,” “Modern Family” gives its audience a chance to laugh with, not at, it. In the last season, particularly, many of the most hilarious moments were tempered with genuine sentiment, edging away from the didacticism of the voice-over with some raw, very human, emotion. “Modern Family” is apple-pie and ice cream and a Christmas sweater. It is also very funny.

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Emmy Award winning sitcom “Modern Family” is in trouble. Six of the eleven cast members (all of the adults) have filed a lawsuit against ABC to get high salaries.

“Modern Family” won a Golden Globe in January and has been nominated for 14 Emmys this year, the most for any sitcom. The past two years has seen “Modern Family” take home the Emmy for Outstanding Comedy Series. Three of the six actors have won Emmys for their work on the show including Ty Burrell (Phil Dunphy), Julie Bowen (Claire Dunphy), and Eric Stonestreet (Cameron Tucker). The other actors involved in the law suit are Sofia Vergara (Gloria Delgado-Pritchett) and Jesse Tyler Ferguson (Mitchell Pritchett).

Ed O’Neill (Jay Pritchett) was originally not a part of the law suit because his contract was much better than the rest of the cast from his work on “Married…With Children” according to the BBC. However, according to the Huffington Post he has joined the lawsuit as an “act of solidarity” while he is also trying to sort out his own contract dispute.

The actors have filed the law suit in which they want a judge to rule their contracts void because the contracts are preventing them from getting other work and keep their salary relatively low. Additionally, the contracts last from February 2009 to June 2016 which may technically violate a California law stating that any contract over personal services can last no more than seven years.

Vergara, Stonestreet, Burrell, Bowen, and Ferguson all get paid around $60,000 to $65,000 an episode whereas O’Neill gets around $105,000; their pay raises are capped at a four or five percent increase per season. The actors are also asked to participate in unpaid publicity work. Vergara is actually the highest paid Hispanic actress in Hollywood according to the Huffington Post.

Now the cast wants $200,000 per episode of Season 4. ABC and 20^th Century Fox tried to make a deal with the five actors (excluding O’Neill) in which they would get paid $150,000 per episode with $50,000 bonuses. Each season the cast would receive an increase in the amount paid per episode to $200,000 for Season 5, $225,000 for Season 6 until it reached $325,000 for Season 9. However, the cast has turned down this proposal and officially filed the law suit instead. Seasons 8 and 9 have not officially been contracted, although 20^th Century Fox and ABC have already admitted that they would like to contract the actors at least up to that number of seasons.

The papers filed with the court state: “Since its debut on ABC in the fall of 2009, Modern Family has been one of the most successful shows on television. Modern Family has been a breakout critical and financial success. That success, however, has been built upon a collection of illegal contracts.” Additionally, ABC made $160 million just off of the advertising revenue for Season 3 alone.

The actors did not show up to the first day for Season 4 on July 24 for the script reading. The script reading was then cancelled and the future of the season is uncertain.

Image Courtesy of    Loren Javier

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Following months of uncertainty over the future of ‘Cougar Town’, which stars Golden Globe nominee Courteney Cox, it was revealed on Thursday May 10 that a deal has been made which will see the critically-beloved, but low-rated, series move to TBS for a fourth season, set to air in early 2013.

There had been rumors of such a deal in the last week, with initial reports suggesting that TBS would pick-up ‘Cougar Town’ for 30 episodes spread across two seasons. However, as it stands TBS has only renewed it for Season 4, with the actors under contract for Season 5 should it perform well enough for TBS to order an additional season.

This move comes after a difficult life for the series on ABC. Premiering to strong ratings in the fall of 2009, ‘Cougar Town’ was scheduled alongside ABC’s number one comedy ‘Modern Family’ and performed well-enough to stay in that slot for two seasons. However, its ratings weren’t quite on par with ‘Modern Family’, and ABC pulled it from the schedule while it tried out a variety of other comedies, hoping to find a more compatible fit for ‘Modern Family’.

But no such series was found while ‘Cougar Town’ remained off the air, until February of this year. When the series finally did return to ABC, it was scheduled alongside freshman comedy ‘Last Man Standing’, a much lower-rated series than ‘Modern Family’ and one which skews a significantly different audience demographic. The combination of a protracted hiatus and an incompatible lead-in resulted in poor ratings for ‘Cougar Town’, as well as an unlikely chance at renewal on ABC for next season.

However, with 61 episodes under its belt and with it being owned by ABC Studios, the series is too close to syndication for ABC to cancel it altogether. With the new TBS deal, ABC will still benefit financially if the series produces enough episodes for syndication, which it presumably will in light of TBS and ABC coming to this agreement in the first place.

‘Cougar Town’ is not the first series in recent history to switch networks, nor is it the first for co-creator Bill Lawrence (his last series, ‘Scrubs’, aired on NBC for seven seasons before moving over to ABC in 2008).

Yet, ‘Cougar Town’s move does mark a blow to the long working relationship between Lawrence and ABC. Although ‘Scrubs’ aired on NBC for the majority of its run, it too was owned by ABC Studios, while prior to that Lawrence had co-created the sitcom ‘Spin City” which had a six season run on ABC from 1996 to 2002.

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ABC’s hit sitcom will return for its third season on February 14, following an unprecedented, nationwide promotional campaign. Cougar Town, a half-hour comedy starring Courteney Cox (Friends, Scream), follows Jules Cobb (Cox) and her close circle of friends as they attempt to navigate their way through parenthood, marriage, dating and work.

The series has been off the air in the U.S. since last May after ABC opted against giving the show a spot on its fall schedule, offering only vague assertions that it would return at some point at ‘midseason‘. However, the series’ cast and crew have turned to social media in an effort to maintain public interest and to engage with their fan base in a face-to-face manner.

The main feature of their promotional campaign has been Cougar Town viewing parties, which have been in operation across the U.S. for several weeks now as cast and crew members travelled to various cities to interact with fans, offer special screenings of new episodes, take part in Q&A sessions, and to counteract any waning interest as a result of ABC’s delay in confirming a return date for the series, which had previously been airing alongside the network’s Emmy award-winning series Modern Family.

In a further effort to reignite the old and spark some new interest, series star Courteney Cox joined Twitter in January of this year and has since amassed over 90,000 followers. Cox has sent out over 1,000 tweets, the majority of which have sought to publicise the show and to offer Cougar Town fans exclusive behind-the-scenes footage.

As recently as Wednesday February 8, Cox was overseeing a competition to reward 50 fans with bottles of wine – in partnership with THECULTWINE.COM - provided that fans show proof of their age and make a pledge to watch Cougar Town on Tuesday February 14 at 8:30pm.

This is not the first time that cast-members involved with the series have reached out as a way of rewarding and strengthening their audience’s support. In an April 2011 episode, one character read out a telephone number which viewers could in turn call. If they got through, they could speak to actors, writers, and various others involved with the series.

These tactics have all been designed to keep Cougar Town on the public radar in spite of its middling ratings, with several fans going so far as to display billboards in support of the show during television coverage of this year’s Super Bowl, in the hopes of winning a walk-on role from the producers.

Show-runner Bill Lawrence recently expressed his frustration over the ‘flawed system‘ which monitors television ratings and which will ultimately determine the future of his series beyond this season, explaining that the primary hope of his self-funded campaigning is for:

a Nielsen family [to] … want to keep show alive. Ruining it for the masses or encouraging them to watch on their computer doesn’t matter until the system changes.

While there have been instances in the past of grass-roots campaigns being organised to combat network decisions – for example when Jericho fans persuaded CBS to reverse the series’ cancellation in 2007 – the involvement of the Cougar Town cast in this campaign has been particularly note-worthy, as has the fact the majority of their events have been planned entirely through the use of social networking sites such as Twitter and Facebook.

The true impact of Lawrence’s, Cox’s, the audience’s and others’ efforts to promote Cougar Town will be made apparent in the coming weeks when the series returns to ABC’s schedule and everyone involved attempts to lure, and hopefully increase, their 7.3 million weekly viewers from last season.

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The upcoming Fall season ushers in many new, must see television series debuting in upcoming weeks. The major television networks of ABC, NBC, CBS, and FOX will be introducing a wave of new shows in hopes of becoming the next big hit. Many successful television shows will also be going through major changes as popular celebrities leave shows and are replaced by fresh faces.

NBC welcomes Christina Applegate, Maya Rudolph and Will Arnett in “Up All Night”, a new comedy series that highlights the struggles of parents with young children. The series preview aired on September 14. “Up All Night” is the brainchild of Emily Spivey and produced by Lorne Michaels, both from “Saturday Night Live.”

Juggling careers, daily responsibilities, and sleep deprived life with a baby is the foundation of this new comedy. With strong ties to humor and wit, the cast and creators of “Up All Night” are set on showcasing a hilarious perspective on parenthood. Simon Cowell’s departure from American Idol has come and gone, but the British superstar will now return to television with a new reality competition.

His UK hit show, “The X-Factor” will debut on September 21 on FOX. The singing competition has been #1 in the UK for years, and Cowell hopes to have the same success with the show in the United States. Raising the stakes from prizes in the past, the grand prize of a $5 million record deal is something people have not yet seen in reality competitions.

Judges for the show include music mogul L.A. Reid and Pussycat Doll Nicole Scherzinger. The highly anticipated reunion of Simon Cowell and Paula Abdul as judges will be one to watch. Along with many new up and coming series, many fan favorites are coming back with a new season of episodes.

Hilariously written and performed “Modern Family” will be back for new laughs and jokes on ABC starting September 21. With last season’s mention of couple Cameron and Mitchell wanting to have son, viewers can look out for this story line as well as the usual ups and downs that make up this family’s lives.

Changes are also coming to a solid television series on NBC. “Law & Order: SVU”, which has been on air since 1999, will no longer have Christopher Meloni playing widely popular detective Elliot Stabler. Marishka Hargitay, who plays Olivia Benson as Stabler’s partner will stay for season 13.

The fan favorite duo of Benson and Stabler will no longer be shown each week, leaving loyal fans at a loss. “Law & Order: SVU” has been the most successful series of the Law & Order brand. Time and ratings will tell if the show will continue on as a mainstream hit without the reliable detectives headlining the show. “Law & Order: SVU” will premiere its new seasons on September 21.

Change is also occurring on NBC’s hit comedy, “The Office”. With the departure of comedian Steve Carell as Michael Scott of Dunder Mifflin, critics have questioned if the show can retain its signature comedy. Viewers will soon find out who the new manager of the company will be. The new season of “The Office” starts September 22.

After the much publicized Charlie Sheen scandal, “Two and a Half” men will premiere on September 19, with front man Ashton Kutcher replacing Sheen. Kutcher will also take the coveted title of highest paid actor on television, receiving $700,000 per episode. The comedy will surely be watched under scrutinizing eyes as viewers see the transition of the show from Sheen to Kutcher.

There are plenty of new and exciting television shows to watch for the upcoming Fall 2011 season. With new additions to already successful shows, it will be interesting to see which shows come out on top and which may not deliver.

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