Terri Hooley may not be a household name, but to a music fan and punk lover in 1970s Belfast, he is a local treasure. Now, in his biopic ‘Good Vibrations’, named after the record store and label he owned in the city, the story can be told of how he gave punk a voice in a place city at a very troubled time.

Starring Richard Dormer and Jodie Whittaker, ‘Good Vibrations’ charts the journey of Terri (Dormer) from rock-bottom pub DJ to store owner and independent record producer. The Belfast Film Festival website lists the following synopsis, “Terri Hooley is a radical, rebel and music-lover in 1970s Belfast when the bloody conflict known as the Troubles shuts down his city. As all his friends take sides and take up arms, Terri opens a record shop on the most bombed half-mile in Europe and calls it Good Vibrations. Through it he discovers a compelling voice of resistance in the city’s nascent underground punk scene. Galvanising the young musicians into action, he becomes the unlikely leader of a motley band of kids and punks who join him in his mission to create a new community, an alternative Ulster, to bring his city back to life.”

He discovers one band, The Undertones, whose song ‘Teenage Kicks’ has gone on to become a punk anthem and covered by dozens of artists in the 34 years since its release. Yet, for the most part ‘Good Vibrations’ tells the story of a man who never achieves long-lasting success because he is led by sentiment and passion rather than any clear-headed business sense.

As a result, the film shows Terri’s marriage suffering, his finances waning, his drinking increasing and his focus wandering to the point where he is the victim of a brutal physical assault in his own store. Still, Terri’s resolve inevitably returns no matter how many times he gets knocked down, and it is this which drives the film through a somewhat meandering plot and ultimately unconventional conclusion. Terri’s optimism and idealism make him an incredibly endearing figure, due in large part to the sincerity and wholeheartedness with which Dormer brings to the role.

‘Good Vibrations’ launched the 2012 Belfast Film Festival, and it was clear from some audience feedback that it was a refreshing change to see a big-screen representation of Northern Ireland which did not exclusively detail the Troubles. Rather, this film operates on the level of almost any biopic, where the historical and political context remains mainly on the fringe while the personal trumps and failures elevate the narrative beyond any single cultural consciousness. Audience member Eamonn Knocker told Toonari Post, “I liked the fact that it was a part of Belfast history, that it was funny and sad, and that it’s a change [from films about The Troubles]“.

With the festival being bookended by ‘Whole Lotta Sole’, already previewed by Toonari Post, the message is loud and clear that Northern Ireland is acknowledging its past difficulties while still finding ways to move forward and explore new characters and untold stories.

Image Courtesy of  Terri Hooley

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World-renowned cellist, Yo-Yo Ma, has performed at the Oscars, Grammy’s, Olympics, and now most recently, the State University of New York at Fredonia. The Paris native who was born to Chinese parents boasts an impressive resume with his cello, from playing in front of John F. Kennedy and Dwight D. Eisenhower when he was just seven to honoring his late friend, Steve Jobs, at a memorial this past October.

Releasing 75 records, holding 16 Grammy awards, a National Medal of the Arts, the World Economic Forum’s Crystal Award, and the appointed Culture Connect Ambassador by the Department of the State, Yo-Yo Ma is one of the most famous and influential musicians that Fredonia has ever had perform.

Ma traveled to the campus of just about 5,000 students on December 7 to sit in and offer advice to students in the School of Music. He took the stage the following night in King Concert Hall with the College Symphony Orchestra, consisting of about 100 students, and their music director, David Ruge. The concert, also serving as a scholarship benefit, was sold out in a matter of two hours when tickets went on sale back in May for the 1.145 seating venue.

Ma walked out onto the stage with his 1733 Montagnana cello and a broad smile to thunderous applause, shouting, and whistling from every spectator. His friendliness is as impressive as his musical talent. Ma stopped to shake hands and exchange greetings with fellow musicians. When he did sit down as the soloist for the College Symphony Orchestra to play Antonin Dvorak’s “Cello Concerto in B Minor,” nobody made a sound.

Yo-Yo Ma’s classical experience, as well as enthusiasm for music, was blatantly shown as he flawlessly played. Where musicians today merely follow the notes off a sheet and lack emotion or feeling, Ma does not. It seems as though he acts out the music when he plays his cello, creating a connection with the audience.

The cellist repeatedly watched the students nearest to him when he was not playing, with an appreciative and approving smile. Ma finished to a standing ovation and quickly came back out for an encore. Ma seemed extremely excited and happy on the stage, exchanging hugs with the conductor, Ruge, and students. He even offered his bouquet of roses to a nearby violinist. She graciously accepted.

Later this month, Ma will be one of the five individuals to receive the 2011 Kennedy Center Honors, an award for a lifetime of contributions to American culture through the performing arts, presented by President Obama. The event will air December 27 on CBS.

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