Among the summer blockbusters that boast superheroes, spies, and presidential vampire hunters, ‘Snow White and the Huntsman’ (2012) boldly takes a step forward into the fray. The film, directed by Rupert Sanders, takes an action-oriented approach to the classic fairytale and boasts jaw-dropping beautiful effects, standout performances from Charlize Theron and Chris Hemsworth, and a fresh view of one of the most famous princess stories of all time. However, while a good movie, ‘Snow White’ fails to live up to its full potential due to writing errors in both plot and characterization.

Spoiler alert!

The basic story is that Snow White is the daughter of two beloved rulers. Not long after having Snow White, the Queen falls ill and dies, leaving the King heartbroken. A dark army rises against the kingdom and shortly after defeating them, the King finds an enchantingly beautiful woman named Ravenna (Charlize Theron). He weds her immediately and Ravenna reveals that she is actually a powerful sorceress who beds kings and murders them by sucking out their vitality to take their kingdoms. She lets her dark army into the castle and they take over the kingdom, locking Snow White (Kristen Stewart) in a tower for over a decade.

Ravenna asks her magic mirror who is the fairest of them all and it tells her that Snow White is destined to surpass her. If she consumes Snow White’s heart, she will become immortal. Ravenna sends her brother, Finn (Sam Spuell) to bring Snow White to her, but his lust for Snow White allows her to injure him and escape the castle. Snow White runs into the dark forest and so the Queen orders her brother to bring her someone who has traveled through it before. They find a huntsman named Eric (Chris Hemsworth) and make a bargain with him. If he brings Snow White to the Queen, the Queen will resurrect his wife, whose death still haunts the huntsman. He reluctantly agrees and travels into the forest to find Snow White.

He quickly finds her and demands that Finn tells the Queen to hold up her end of the bargain, but Finn reveals that even the Queen cannot bring someone back from the dead so their deal is broken. Eric helps Snow White escape and they travel deeper into the forest. Snow White asks Eric to take her to Duke Hammond (Vincent Regan) and his son William (Sam Claflin), her childhood friend, so she can raise an army to fight the Queen. Eric does not know she is Snow White so he is still unwilling to help her. He leads her to a village where he thinks she’ll be safe, but Finn and his men find them and burn down the village. Seeing the destruction and learning she is the princess, the huntsman agrees to help her and they continue onward.

The highlights of the film are plentiful. Chris Hemsworth shows that he has the capacity to be a tough, belligerent hero while still having a soft side that would make any woman’s heart melt. He does most of the heavy lifting in the acting department, which works well since Kristen Stewart is still young and has not come into her own style yet.

Likewise, Charlize Theron knocks it out of the park as the evil Queen. Not only is she a heartless monster of epic proportions, but also as we learn Ravenna’s background, we can’t help but feel a certain sense of pity for her. She had been enchanted by her mother as a last ditch effort to save her and honestly believes that both love and men are evil, and that eternal beauty is the only thing in the world worth having. She is a terrifying, yet lovely, visage throughout the film and ironically breathes life into her role with her soul-sucking powers.

The effects for ‘Snow White’ are staggeringly wonderful. The environments are well rendered in every scene—from the disturbing dark forest to the gorgeous fairies’ dwelling. Special mention goes to the effects team who worked on the seven dwarves, who are played by familiar faces like Ian McShane, Ray Winstone, Nick Frost, Bob Hoskins, and Eddie Marsan to name a few.

However, ‘Snow White’ has a lot of problems; foremost, the writing. There are so many rookie mistakes that keep this film from being as great as it could have been. Mainly, there are three flaws: Snow White’s lack of characterization, the undeveloped love triangle between Snow White, the Huntsman, and William, and the blatant refusal to answer anything about this magical fairy tale land.

Snow White is known for her beauty and kindness, but Kristen Stewart’s portrayal is not entirely successful because Stewart hardly ever smiles through the course of the movie. It is clear that she is a kind soul, but she spends so much of the film running away from danger and struggling with the destruction around her that it is hard to connect with her. The busy plot does not allow her time to reveal her personality for more than a few fleeting seconds and so it is difficult to root for her in the final battle scenes.

The film also does not utilize William, Snow White’s childhood friend, in any effective manner. We are led to believe that he is the love interest, but then halfway through the film, it is revealed that the huntsman also has feelings for Snow White. The biggest turn of events is that William’s kiss does not awaken Snow White when she eats the poison apple, but the huntsman’s kiss does wake her. Then the film completely abandons the subplot and does not explain if Snow White knew it was Eric who woke her and not William. This is a gigantic ripoff of a subplot because the movie simply ends without addressing the rather significant issue.

Overall, the film is enjoyable, but has too many things holding it back from being fantastic. I recommend it to lovers of fairy-tales, but go in with moderate expectations.

Grade: 3.5/5

Image Courtesy of  Snow White and the Huntsman

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The cream of the British acting establishment was solicited to play the dwarves in the new and incredible journey of ‘Snow White and the Huntsman’; The characters are portrayed by actors representing a who’s who of British acting masters: Ian McShane (‘Pirates of the Caribbean: On Stranger Tides’) as Beith, the embittered leader of the clan;

Bob Hoskins (‘Mrs. Henderson Presents’) as Muir, their blind senior statesman; Ray Winstone (‘The Departed’) as Gort, the ill-tempered drunkard; Nick Frost (‘Hot Fuzz’) as Nion, Beith’s right-hand man; Toby Jones (‘Frost/Nixon’) as Coll, the toughest soldier among them; Eddie Marsan (‘Sherlock Holmes’) as Duir, the shadow to Coll; Johnny Harris (‘Atonement’) as Quert, Muir’s musical son; and Brian Gleeson (‘The Eagle’) as Gus, the youngest of the dwarves, who embodies the kingdom’s love for Snow White.

Through a combination of visual effects and old-school trickery, you will believe their size. In casting the dwarves, director Rupert Sanders pulled off a bit of a hat trick with his thespians. He went to each of the potential dwarves separately, with drawings of them as the characters as well as elaborate backstories for these warriors destined to help Snow White upon her journey. He knew that if he could get a meeting with them, his passion would be infectious. Indeed, every single actor said yes.

Sanders walks us through how he was able to attract such talent: “It was almost like casting a British gangster film. I had been working on something in that realm, and these guys were all on my list for that project. When it came to casting the dwarves, I wanted to do something different with them. I needed to find tough guys with big hearts. I wanted them to sing and cry together, and laugh and fight together. They’re a real band of brothers. It’s definitely true that once you cast one, the others start to fall into place.

“I created a hardback bible of imagery that describes the world in great detail—the geography, history, the present conundrum of the kingdom—so they would have a great idea of what the world was like,” the director continues. “Then a lot of it was their trusting me and my sweet-talking them into doing it. The dwarves bring so much to the film. They’re the comical interlude who bring laughs, but they also show another balance of emotion. They’re heartfelt.”

Beith, played by Ian McShane, is the leader of the dwarves. He is an old acquaintance of the Huntsman’s and knows how tricky Eric can be. Nion, played by Nick Frost, is Beith’s right-hand man and a fervent dwarf supremacist who does not trust Snow White, Eric or either of their motives. Gort, played by Ray Winstone, is an ill-tempered, drunken dwarf who abhors most music and will put moss in his ears to drown it (and everyone else) out. Coll, played by Toby Jones, is one of the toughest dwarves and serves his men as if he were a Special Forces soldier.

He and Duir, played by Eddie Marsan, comprise a warrior duo. Alongside his other half, Duir takes out any enemy who dares to mess with dwarfkind. Gus, played by Brian Gleeson, is the youngest of the dwarves and falls in love with Snow White the minute he meets her. The young fiddle player will prove his loyalty when it comes to protecting the savior of his kingdom.

The last two dwarves are a father and son. Muir, played by Bob Hoskins, is blind. A wise seer and spiritual leader of his clan, he is certain that Snow White is pure of heart and has been chosen to heal the land ravaged by Ravenna. He believes that the young princess is destined to become the face of promise for the kingdom. Finally, his son, Quert, played by Johnny Harris, guides his father. Quert sings Celtic ballads with a heartbreaking voice and is an accomplished musician.

Indeed, many of the actors portraying the dwarves have worked with one another before, and McShane returns to work with one of his Pirates of the Caribbean: On Stranger Tides’ co-stars, Sam Claflin, for this film. McShane sums the team’s thoughts on this project: “The story itself is a great one: It’s magical, brutal, sexy and very different to any other epic I’ve been involved with so far. It’s an intelligent script, and the visual qualities that Rupert and his team bring to it will be extraordinary.”

Producer Sam Marsan jokes that Sanders might have reassessed his excitement during postproduction: “Rupert bit off more than he could chew when the dwarves turned up on set. We were like a bunch of naughty schoolboys who just created havoc. It’s the character. It just makes you quite mischievous, quite bawdy and quite rude.”

Image Courtesy of   http://www.snowwhiteandthehuntsman.com/

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