The 12th annual Belfast Film Festival runs from May 31 – June 10, and sees a wide variety of films and events on offer for audiences of all ages and interests.

Last year’s festival, which takes place in the capital city of Northern Ireland, saw the premiere of Terry George’s Oscar-winning short film ‘The Shore’, and this year George is returning to the festival with his new film ‘Whole Lotta Sole’, which had its world premiere recently at the Tribeca Film Festival.

‘Sole’ brings together a diverse range of talent such as Brendan Fraser, Yaya DaCosta, Martin McCann, and Colm Meaney, and was shot at various locations all over Northern Ireland last Spring. The film will close the festival on June 10 at the Waterfront Hall, full details of which can be found here.

Opening the festival is the eagerly-awaited film ‘Good Vibrations’, which so far is set to have two screenings on May 31. The film brings together directors Lisa Barros D’Sa and Glenn Leyburn, along with Northern Ireland author Glenn Patterson who co-wrote the screenplay with Colin Carberry. The film stars Jodie Whittaker and Dylan Moran, and the official description is listed as:

“Terri Hooley … a radical, rebel and music-lover in 1970s Belfast when the bloody conflict known as the Troubles shuts down his city. As all his friends take sides and take up arms, Terri opens a record shop on the most bombed half-mile in Europe and calls it Good Vibrations.

Through it he discovers a compelling voice of resistance in the city’s nascent underground punk scene. Galvanising the young musicians into action, he becomes the unlikely leader of a motley band of kids and punks who join him in his mission to create a new community, an alternative Ulster, to bring his city back to life.”

Other highlights of the festival include:

• Gala screenings of ‘Shadow Dancer’, ‘Jump’, and ‘Toothbrush’. ‘Shadow Dancer’ screens on Wednesday June 6, and the director, cast and crew will be in attendance. ‘Jump’ will have a similar turn-out for its screening on June 8, where the screening will be followed by a Q&A with the director (Kieron J. Walsh).
• Talks & Workshops with Terry George, James Marsh, Nick Emerson, and various people involved with ‘Good Vibrations’.
• A special screening of the 2002 film ‘Ghost Ship’ at The Lagan Boat on June 7.
• A ‘Zoolander’ night, bringing together fans of the 2001 film starring Ben Stiller.
• An Evening with James Ellis, the recipient of this year’s Lifetime Achievement Award.

On top of all of these, the festival will feature short film competitions, screenings of documentaries and new cinema, a film quiz, and the 11th Belfast World Pong Championships.

The full festival program can be found here.

Image Courtesy of    Belfast Film Festival

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2012 got off to a great start for Northern Irish director Terry George, when his short film ‘The Shore’ won an Oscar for Best Live Action Short. George now hopes to build on this momentum with the release of his new feature film ‘Whole Lotta Sole,’ premiering at the TriBeCa Film Festival (TFF) on Saturday April 21.

The film, which was also co-written by George, was shot on location in Ireland last spring, and attracted actors such as SAG winner Brendan Fraser (for 2004′s ‘Crash’) and IFTA winners Colm Meaney and Martin McCann (for 2001′s ‘How Harry Became a Tree’ and 2009′s Swansong: Story of Occi Byrne, respectively). Northern Ireland-born Foy Vance composed the film’s music, while Thomas Gallagher co-wrote the screenplay with George. As for the plot, the following is listed in the TFF Film Guide:

In a rowdy little corner of Belfast, hapless young father Jimbo tries to protect his family from the gangster he’s in debt to by robbing the local fish market… which turns out to be a front for the same gangster! On the run, Jimbo holes up in a local antique shop run by a long-lost man from his past. A colorful cast of character actors and a strong turn from Brendan Fraser light up this madcap Irish crime comedy from Terry George (Hotel Rwanda).

The film’s premiere at TFF presents a major festival coup for George, and an oddly poetic one at that. The festival was founded in response to the September 11 2001 terrorists attacks, while ‘Sole’ is an opportunity for George to expand upon what he did with ‘The Shore,’ which was to show to the world that Northern Ireland is not the war-torn place it once was, and that the people — as well as its creative offerings — have moved on.

Terms like ‘madcap’ and ‘crime comedy’ mark an extreme contrast to George’s last feature film set in Northern Ireland, 1993′s ‘In the Name of the Father’. For that film, which George again co-wrote, the country’s political situation weighed heavily on the characters, and its cultural resonance resulted in it being nominated for seven Academy Awards, four Golden Globes and a BAFTA.

Coupled with the success of ‘The Shore,’ it is clear that George has a long-standing successful reputation in critics’ circles, so all eyes will no doubt be on ‘Whole Lotta Sole’ when it makes its big-screen debut late next month. Screening details are as follow:

• Saturday April 21, 8:30pm, SVA Theater 2 Beatrice
• Sunday April 22, 3:00pm, Clearview Cinemas Chelsea 7
• Wednesday April 25, 5:30pm, AMC Loews Village 7 – 3
• Saturday April 28, 3:45pm, Clearview Cinemas Chelsea 8

Meanwhile, full details about the Tribeca Film Festival, which runs from April 18 – 29, can be found here. The festival is also active on both Facebook and Twitter.

Image Courtesy of   http://theshorefilm.com

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Among the big winners at last Sunday’s 84th Annual Academy Awards was Belfast-born director Terry George, whose short film ‘The Shore‘ won for Best Live Action Short Film.

George has previously been nominated twice at the Academy Awards, once in 1994 for Best Adapted Screenplay for ‘In The Name of the Father‘, and again in 2005 for Best Original Screenplay for ‘Hotel Rwanda‘. His win for The Shore, however, represents the culmination in a long labour of love which sought to depict Northern Ireland in a brand new light to the world.

The Shore stars Ciarán Hinds, Conleth Hill, Maggy Cronin and Kerry Condon, and centres around a man (played by Hinds) who returns to Northern Ireland after a long absence with his daughter (played by Condon) and forges a reconciliation with an old friend and an old lover (played by Hill and Cronin, respectively). The theme of reconciliation is an important one for George, who served as both writer and director on the project, with him stating in his acceptance speech:

Our little film was inspired by the people of Northern Ireland, Protestant and Catholic, who, after 30 years of war, sat down, negotiated a peace, and proved to the world that the Irish are great talkers. I want to dedicate this to them.

George accepted the award with his co-producer – and daughter – Oorlagh, showing how much this film was a family affair. George shot the majority of The Shore in Killough, a small town in County Down, Northern Ireland, where many of the George family still reside and where George will be making a triumphant return later this week.

The film’s Academy Award success could not have been predicted when it made its initial premiere last April at the Belfast Film Festival, however, since then it has gone on to secure both an international distribution deal and cinema run, a television airing in the UK, and has even been made available for purchase on iTunes for just £1.49.

The success of the film will potentially result in a boom in tourism, but the main hope is that it will lead to an increase in activity for Northern Ireland’s film and television industry. Already this year, American cable dramas Game of Thrones and Sons of Anarchy have shot on location in the country, while the BBC’s upcoming crime drama The Fall, starring Gillian Anderson, has been confirmed to be shooting a significant part of its five-episode order in Belfast in the coming weeks.

All of this would have deemed unimaginable just a decade or so ago, when Northern Ireland was still in the throes of The Troubles. Yet, political advancements in the peace process and George’s own admitted fatigue with the ‘Hollywood’ way of making films all led to The Shore being made possible, and to a potential revision to the outside view of 21st century life in Northern Ireland.

Image Courtesy of   http://theshorefilm.com/

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