Tampa, U.S.A. – As a proud American serving the nearly 4 million American citizens of Puerto Rico, I am honored to be with you tonight.

We gather to celebrate the hopes and dreams of every American. We all believe in the greatness of this nation, and this greatness lies within each of us.

Hard-working Americans are fighting every day to provide for themselves and their families, and to leave a more prosperous country for the next generation.

That’s true here in Florida, it’s true in Puerto Rico, and it’s true throughout this great land of ours.

But, as families have tightened their budgets, Washington continues its wasteful spending.

Unless we elect leaders who take responsibility now, our children and theirs will pay for it later.

You and I know there is a better way, and like many conservative governors around the country, we are proving it.

When I took office, I inherited a $3.3 billion budget deficit, per person the largest anywhere in the nation.

We couldn’t even meet our payroll. We were on the brink of bankruptcy.

But we did not shy away from our responsibility to lead.

We cut government expenses by almost 20 percent, starting with my own salary.

We reduced our deficit 90 percent, while continuing to invest in our schools, hospitals, and highways.

At the same time, we slashed taxes 50 percent on individuals and 30 percent on businesses, the largest tax cuts in Puerto Rico’s history.

And our private sector – the real economy – began to create jobs again.

Imagine if we had national policies that support rather than prevent growth! We’d then be able to truly unleash the engine of prosperity that our country and our people deserve.

That’s what Mitt Romney and Paul Ryan will do for America. They understand that each community’s challenges are unique, but the answers are the same.

Our families cannot grow their budgets if politicians keep growing Washington’s budget.

Get government out of our way, and let freedom and the spirit of the American people shine through.

We can out-think, out-dream, out-work, and out-produce anybody in the world.

I know it, you know it, and Mitt Romney and Paul Ryan know it.

They have a plan and a vision that places our faith in you, the American people, not in Washington.

Ask any small-business owner in America today — from the dairy farmer in Appleton, Wisconsin, to the bodega owner in Kissimmee, Florida: they want to grow, to produce and to hire.

But they’re concerned, worried that Washington will continue to punish them with more taxes, more red tape, and more government control.

Give them the freedom to grow, and you’ll see how many jobs they create!

I like to talk a lot about freedom, because freedom is the essence of who we are as Americans.

Over 200,000 Puerto Ricans have served in uniform to defend our nation and the freedom we hold so dear.
Like in your home states, we raise and salute the American flag.

Just like our fellow citizens in Florida or Virginia, we share the same undying spirit that all Americans have.
Allow me to share an example of that spirit.

I visited a soldier from Puerto Rico at Walter Reed Army Medical Center several years ago.

This young man had bravely served in combat and was given little chance to live.

Without knowing if he could hear me, in every visit, I would whisper into his ear.

I would tell him how proud and thankful we were for his dedication and sacrifice, adding, no te rindas: don’t give up.

Months later, after his miraculous recovery, I had the honor of awarding him the Purple Heart.

He never gave up.

For him, and for every American in uniform, we will never give up.

For every mother who struggles, saves, and sacrifices so her children will have greater opportunities, we will never give up.

For every small-business owner who builds it to make a better life, we will never give up.

For Mitt Romney and Paul Ryan, who know what it takes to put America back to work and back on track, we will never give up.

And for the values that make America great: the justice that is our right, the freedom to unleash the greatness within each of us, and the liberty that God endowed every American.

For that, I will never give up, you will never give up, we will never give up!

God Bless you, and God bless the United States of America!

And muchas gracias, thank you, Puerto Rico – I’ll be home tomorrow!

Image Courtesy of  Gage Skidmore

The article Remarks by Luis Fortuno, Governor of Puerto Rico appeared first on The Toonari Post - News, Powered by the People!.

Bacardi Limited, the world’s largest privately-owned spirits company, declared recently that 2012 will be its most innovative year since the creation of BACARDI rum in 1862.

Throughout the year, Bacardi will host one-of-a-kind birthday parties, launch special promotions featuring 100 years of ground-breaking advertising, introduce a  $2,000 limited-edition decanter of rare BACARDI rum, offer travel retail exclusives and commemorative gifts, and much more for consumers to come together and share in the excitement.

“The passion and entrepreneurial spirit shown by my great-great grandfather in  Santiago de Cuba a century and a half ago gave birth to exceptional rum that would change the spirits industry forever,” said Facundo L. Bacardi, Bacardi Limited Chairman and fifth-generation Bacardi family member.

“These qualities remain key to our phenomenal success and position today as the world’s favorite and most awarded rum brand, with more than 400 awards to date.” Bacardi was founded in Santiago de Cuba on February 4, 1862, when Don Facundo Bacardi Massopurchased a small distillery.

After years of experimenting, Bacardi revolutionized the spirits industry by adding steps never before used in rum-making. He selected high quality blackstrap sugarcane molasses, isolated a special strain of yeast (still used today), filtered, mellowed his rums in American white oak barrels, and then blended them to create the perfect taste.

The smooth, light-bodied spirit he created, as opposed to the harsh “fire water” of the time, was BACARDI – the world’s first premium rum and the first mixable rum – helping usher in a cocktail culture that thrives today. The artful Maestros de Ron (Master Blenders) continue to follow the same exacting standards set forth by Don Facundo. “For the past 150 years, Bacardi—as a family, Company and brand—has brought people together through legendary parties and great-tasting cocktails.

Visit any bar, club or restaurant almost anywhere in the world, and the impact Bacardi has made on the spirits industry is crystal-clear,” said Seamus McBride, Bacardi Limited President and Chief Executive Officer.

“It’s incredible to see how a one-brand company founded 150 years ago has grown into the third-largest spirits company in the world with an enviable portfolio of iconic spirits including GREY GOOSE vodka, BOMBAY SAPPHIRE gin, DEWAR’S Blended Scotch whisky, MARTINI vermouth, ERISTOFF vodka and CAZADORES 100% blue agave tequila.”

Parties, Parties, Parties! BACARDI 150th birthday parties around the world will feature award-winning musical talent, top celebrities and other movers and shakers who, alongside consumers, will wish BACARDI happy birthday. Germany hosts the first BACARDI 150th party on  January 28, followed by Canada starting February 1, and the United States, Europe,  Latin America, Asia-Pacific and the Middle East  starting February 4.

On February 4, Rolling Stone magazine will honor BACARDI in Indianapolis the day before “the big game,” the most anticipated American football game in the U.S., with a “super” birthday party. In addition, Bacardi is thrilled to be partnering with celebrities and trendsetters in cities around the world who will throw their own events to wish BACARDI rum happy birthday.

Guests will celebrate with legendary BACARDI rum cocktails, some created more than 100 years ago, that continue to be among the most popular cocktails in the world – including the Original BACARDI Cuba Libre, the world’s favorite cocktail with more than six million enjoyed every day; the Original BACARDI Daiquiri; the Authentic BACARDI Mojito; and the BACARDI Pina Colada. Since its creation, BACARDI rum has been enjoyed in more than 365 billion cocktails.

That means every second of every day more than 200 BACARDI cocktails are being served and enjoyed around the world! Consumer Promotions By visiting the BACARDI Facebook page, with more than two million fans, consumers of legal drinking age in select markets can vie for BACARDI 150th birthday party tickets and BACARDI party kits filled with all ingredients to host their own unforgettable gathering.

In select markets, consumers will also be able to win or purchase commemorative BACARDI glassware, specialty packs and apparel featuring vintage brand advertisements and/or designs by artists of Cuban heritage. Limited-Edition Product To honor 150 years of Bacardi rum-making expertise and craftsmanship, eight Maestros de Ron, all Bacardi family members, have combined their extraordinary talents to create a very special, limited-edition BACARDI rum — Ron BACARDI de Maestros de Ron, Vintage, MMXII.

A blend of the finest rums laid to rest in oak barrels over the last 20 years and finished in 60-year old Cognac barrels, the vintage blend is presented in a hand-blown 500ml crystal decanter housed in a leather case and retails for US$2,000. Truly limited, only 400 decanters are available for purchase at select international airports and premium retail establishments around the world. Additional Bacardi 150th activities include:

• Airport Displays: At San Juan, Puerto Rico’s Luis Munoz Marin International Airport, a unique display of ten-foot-tall 3-D BACARDI bats will take up residence in February. Puerto Rico is home to the largest BACARDI rum distillery. BACARDI 150th exhibitions will also be featured at Miami International Airport and other select international airports.
• Birthday Cruise: Celebrity Cruises will mark the occasion with a February 4 party aboard the Celebrity Summit as it departs from San Juan, Puerto Rico.
• Global Cocktail Competition: BACARDI will shake things up this year with a special edition of its Legacy Cocktail Competition, drawing mixologists from more than 25 countries to the finals in Puerto Rico on February 20.
• Corporate Responsibility: In the proud and long-standing Bacardi tradition of giving back, nearly 6,000 employees will engage for an entire month in corporate responsibility and philanthropic activities.  Bacardi also looks to the future with a sustainability initiative that raises the standard for the production and sale of premium spirits.
• National Geographic Channel’s “Ultimate Factories”: On February 11 at 8pm ET, “Ultimate Factories” will take U.S. viewers to the home of BACARDI rum in Puerto Rico to show how family tradition and technology meet. The program is slated to air internationally in the “Megafactories” series beginning in March, so be sure to check local television listings for times.
• Canada – Mar. 17
• Italy – Mar. 18
• Australia & New Zealand – Mar. 27
• UK & Latin America – Mar. 29
• Southeast Asia – Apr. 5
• Spain & Portugal – May 28
• Hungary, Norway, Sweden, Finland & Benelux – May 31
• Turkey – June 1
• Russia, Baltics, France, Romania & Greece – June 5
• Germany – June 21

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BNA Books, a division of specialized news and information publisher BNA, recently announced the publication of the Second Edition of “Wage and Hour Laws: A State-by-State Survey”, offering an in-depth survey of the wage and hour laws specific to each state. The treatise is one of the many ABA/BNA publications available from BNA Books.

Unlike other books covering this area of the law, ‘Wage and Hour Laws: A State-by-State Survey,’ Second Edition goes beyond recitation of each state’s statutory law and provides detailed analyses of state regulations, wage orders, and court cases interpreting and applying the laws.

Plus, this in-depth survey addresses special litigation issues particular to each state, including questions on choice of forum, availability of class actions, and more. This treatise covers all 50 states, plus the District of Columbia and Puerto Rico, jurisdiction by jurisdiction, and addresses such state wage and hour law issues as:

• Minimum wage and overtime
• Timing, place, and manner of payment to employees
• Mandatory payments in addition to overtime, such as shift differentials and reimbursements for tools and uniforms
• Prohibitions on hours worked and mandatory leave, such as required rest periods and meal breaks
• Enforcement and remedies
• Special litigation issues, including availability of Rule 23 class actions and prerequisites in state actions
• Common law wage and hour actions (types of actions, defenses, and damages)
• Availability of attorneys’ fees
• Enforcement and remedies issues
• Defenses unique to state wage and hour litigation

State case analysis and state administrative agency rules and regulations can be very difficult to locate, and research on a state-wide basis is often difficult to conduct. ‘Wage and Hour Laws: A State-by-State Survey,’ Second Edition provides the most up-to-date analyses in an easy-to-follow format, saving hours of research time and enabling practitioners to quickly find the information they need and compare laws in different states.

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Hunter S. Thompson was born in Louisville, Kentucky and is best known as the godfather of Gonzo Journalism. Taking the New Journalism of the 60s one step further, Thompson went to the heart of the action by becoming the star of his own reporting — whether by cycling with America’s toughest motorcycle gang, the Hell’s Angels, or downing a frightening collection of psychedelics in the name of the American Dream.

He contributed articles to Rolling Stone for many years, and ran a weekly sports column for ESPN Online before eventually taking his own life in 2005. The Rum Diary had lain forgotten in Thompson’s basement for many years and if not for a fateful visit by Johnny Depp to Thompson’s house, the novel may have never been published.

“I came across The Rum Diary with Hunter, almost accidentally,” Depp relates.  “We were in his house in Woody Creek downstairs in what was called The War Room, and there were just these endless boxes of stuff. I didn’t know what they were, so I started just pulling things out.

I stumbled upon what was called ‘The Rum Diary’ and he goes, ‘Oh Jesus, yeah, I wrote that in 1959,’ and I said, ‘Jesus Christ, let’s read this, let’s see what it’s about.’ So we get it out, started reading it. He said, ‘Maybe I should finally publish it.’ I was like, ‘Yeah you should publish it, it’s great.’’’

By that time, however, Thompson’s style had considerably developed from his early writing and returning to his young voice was a challenge. Deborah Fuller, who was Thompson’s secretary for 23 years, recalls, “When it came time to publish The Rum Diary, an editor from Simon and Schuster worked with Hunter, but they really had to control him.

He had evolved into a whole new writer, and he was embarrassed about some of it and wanted to change it. We all told him that was crazy. He wrote it when he was about twenty. To change it and make this young man’s novel more like his later Gonzo-style would have ruined the flavor.”

Before Thompson had even begun prepping the book to finally see the light of day, a movie adaptation was already cooking in his and Depp’s minds. “From that [first] conversation,” Depp says, “within about 20 minutes we were already talking about the movie rights and how we should produce this film together.”

Thompson’s suicide in 2005 kept him from seeing The Rum Diary brought to the big screen. Producer Graham King wanted to make sure that his legacy would be preserved with the film. “The film is a tribute to Hunter. It was amazing to have the opportunity to get involved in one of his stories, and who better to work with than Johnny Depp?”

Depp had been a long-time fan of director Bruce Robinson and initially approached him to direct another Hunter S. Thompson adaptation. “I met Johnny Depp about twenty years ago because of my first film, Withnail and I,” recalls Robinson “We got together in London. He asked me if I would direct Fear and Loathing in Las Vegas.

At the time I had decided that I didn’t really want to direct again. However, if I did, it would only be from a script I had written. By that time, it was too late; the screenplay had already been written.” Depp was determined to have Robinson and Thompson’s creative spirits eventually cross. As he puts it, “Bruce was always somehow in the back of my mind, and when The Rum Diary came up I said, ‘what about Bruce Robinson?’ Hunter said, ‘That’s the ticket, man.’

Hunter was truly into it, especially the fact that we had to get Bruce out of retirement!” “Then later, Johnny sent me a copy of ‘The Rum Diary’ and asked if I would be interested in adapting it into a screenplay,” says Robinson. “It was a nightmare at first. I couldn’t see how it could be adapted as a film as it has two lead characters, Yeamon and Kemp.

It was a long time before I realized what Hunter had actually done, which was to split himself down the middle into two characters. When I realized Yeamon was just a facet of Kemp, one of them had to go. Once I had solved that problem, I could see a way to write it, and decided to have a go.”

Depp recalls Robinson’s epiphany with equal enthusiasm. “Finally it came to him, which none of us ever recognized. Weirdly, Hunter said something to me years before that I hadn’t remembered. Early on, Hunter had said, ‘I should have you know I should have made these guys one, I should have made them me—but I made them both me.’ That’s what Bruce did. He had the instinct to make that happen.”

“The way I approached the adaptation of ‘The Rum Diary’ was to absorb what the book was, and then rewrite it,” Robinson says. “There are only three lines that Hunter wrote in the whole script. I wasn’t trying to copy him. You can’t because he was so unique, but hopefully, I was writing in his vernacular.”

Depp says that is exactly what Thompson wanted all along. “Bruce definitely went off page in terms of the book, but Hunter wanted to. He always wanted to. Hunter even talked to me about maybe taking this story to Cuba!” In addition to combining the characters of Kemp and Yeamon into one, the screenplay departs from the book in the way it deals with the representation of Puerto Rico.

“That’s a fundamental change in the movie, because the whole film is in support of the underdog side of Puerto Rico,” says Robinson. “It’s critical of the people who have come there to make a fast buck. Sanderson’s approach is almost like the old-time British imperialists, who pillaged a country for what they could get and then moved on.”

It took Robinson about five to six months to write the screenplay. “When I got the word back that they were going to make it, I was thrilled,” says Robinson. “However, when they asked me to direct it, I wasn’t, because I didn’t want to,” he laughs. “After the last unmentionable film I directed, I was really determined that I would never do it again.

I don’t like being in the public eye. I much prefer being locked in a room with a typewriter doing what I do, which is to write. So it wouldn’t have been difficult to say no, but because I liked the script myself, and because it was for Johnny, whom I like enormously, I thought I would give it a shot.”

King couldn’t have been more pleased with Robinson’s return to the director’s chair. “He’s got such an easygoing, come-what-may attitude behind the monitor. The DP was actually saying, ‘Maybe you should try this,’ and Bruce said ‘No, I’ve got it. I’ve got what I need. The movie’s in my head, so I know in the edit room I’m not going to be using this scene; why are we going to shoot it?’

That’s music to a producer’s ears! He commanded that crew so well. He’s such a soft spoken, gentle guy. Everyone loved and respected him.”

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Principal photography for The Rum Diary began in the historic and beautiful city of Old San Juan. The cast and crew stayed at the legendary Caribe Hilton, “I’d love to make every movie I do in Puerto Rico,” producer Graham King says. “My hotel was on the beach and I’d go swimming every morning!”

Old San Juan is a stop off point for many of the Caribbean cruises. Word quickly spread, among the tourists and locals alike, that Johnny Depp was in town. At first, there was just a small group of onlookers. However, after the first day’s extensive coverage in the local newspaper, the streets outside the set were lined with people anxious to see him in the flesh.

Day by day, the numbers increased and finally the security people had to cordon off the sidewalk in order to keep the fans and media out of the street. Every night at wrap, Johnny Depp walked the line of fans shaking hands and signing autographs. His fans, and the local paparazzi, were ecstatic.

Several of the kids were dressed as pirates, and Johnny spent some extra time with them as a reward for their efforts. The Rum Diary filmed many scenes in old San Juan, and once filming there was complete, the company moved to Fajardo, on the northeast coast of Puerto Rico.  The company also filmed for some time at Roosevelt Roads Naval Station, the former U.S. air base.

They also filmed part of a driving sequence in El Yunque, Puerto Rico’s famous rainforest. During filming in Puerto Rico, Johnny Depp was visited by several old friends, one of whom was singer-songwriter, poet, and visual artist Patti Smith. Smith kept very busy during her time there. “I very rarely just visit,” says Smith.

“If I like where I am, I always wind up becoming engaged, even abstractly. I kept a The Rum Diary diary. I took a lot of pictures, made certain observations, and wrote some songs. It’s actually been very productive for me. Being in a positive atmosphere with people focused working as one mind was great. It’s amazing how much work I’ve accomplished supposedly doing nothing.”

After reading the script of the movie on the plane, Smith was inspired to write a song. “I fell asleep reading and when I woke up, as I was clawing my way into consciousness, this little song was in my mind. I wrote it down because I had wanted to sing it as a present for Bruce [Robinsin, the director] and Johnny. Of all the viewpoints I could have taken, for some reason, I took that of Chenault’s.” This song is now in the end credits to the film.

Hunter S. Thompson, writer of the novel behind the upcoming movie, died in 2005, but Depp and Robinson were determined to keep his spirit alive on set. “One of my last efforts to salute the man was to continue on in our venture and force him even in death to be a producer,” says Depp.

“I asked that there be a chair made for Hunter with his name on it; I asked that there be a script cover made for Hunter with his name on it; I asked that there be an ashtray and a little block of a packet of Dunhills with a cigarette holder every day with a lighter, for Hunter;

I asked that there be a bottle of Chivas Regal next to his chair every day, and of course a highball glass filled with ice next to the bottle, for Hunter. We had to somehow utilize all these elements to recognize Hunter, to salute him.

Bruce and I would arrive on set every morning, saunter up to the highball glass, pour it full with Chivas Regal, dunk our fingers in, maybe take a sip and get on with the day—just to make sure that Hunter was there. And he was there. Every day, every second, every moment. For us.”

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Fresh out of the Air Force and a stint as a copy boy at Time Magazine, future Gonzo journalist Hunter S. Thompson moved down to San Juan, Puerto Rico in 1960, briefly worked at the soon-to-fold sporting magazine El Sportivo, and unsuccessfully pursued a job at The San Juan Star.

The people he met and the experiences he had in Puerto Rico inspired him to write ‘The Rum Diary’, which remained unpublished for decades. In the 1990s, Johnny Depp, Thompson’s close friend, accidentally discovered the manuscript for ‘The Rum Diary’ while visiting Thompson’s house in Woody Creek.

That same night they decided to publish the novel and adapt it into a film. Bruce Robinson, the director of ‘Withnail and I’, was brought out of retirement by Depp to write the script as well as direct the film. Their version of ‘The Rum Diary’ is both a labor of love and a clear-eyed tribute to Thompson.

“I felt Hunter with me throughout the shoot,” says Depp in the new movie’s production notes. “It was great to be close to him again, in that sense; it was great to have him around me. I knew what he would say in every circumstance. I just knew, because I knew him very well. If he’d seen the finished film, he’d be whooping.

He’d be making those Hunter noises that anyone close to Hunter knew. They meant, ‘Yes man, we’ve done it! Fantastic!’ He would have been celebrating. Ultimately, the film is a celebration of Hunter, his language and his discovery of his voice. He’d be super happy, I’m sure.”

Based on the early novel by Hunter S. Thompson, ‘The Rum Diary’ tells the increasingly unhinged story of itinerant journalist Paul Kemp, played by Johnny Depp. Tiring of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, Kemp travels to the pristine island of Puerto Rico to write for a local newspaper, The San Juan Star, run by downtrodden editor Lotterman (Richard Jenkins).

Adopting the rum-soaked life of the island, Paul soon becomes obsessed with Chenault, played by an enchanting Amber Heard, the wildly attractive Connecticut-born fiancée of Sanderson (Aaron Eckhart). Sanderson, a businessman involved in shady property development deals, is one of a growing number of American entrepreneurs who are determined to convert Puerto Rico into a capitalist paradise in service of the wealthy.

When Kemp is recruited by Sanderson to write favorably about his latest unsavory scheme, the journalist is presented with a choice: to use his words for the corrupt businessmen’s financial benefit, or use them to take the bastards down. The Academy Award nominated writer and director Bruce Robinson directs from his screenplay based on the original novel by Thompson.

‘The Rum Diary’ represents the debut film of Infinitum Nihil, the production company headed by Johnny Depp and Christi Dembrowski, together with Academy Award Winner Graham King’s production company GK Films. The film is being produced by Johnny Depp, Christi Dembrowski, Anthony Rhulen, Robert Kravis, and Graham King.

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After another stint as swashbuckle Jack Sparrow earlier this year, Johnny Depp is revisiting the world of Hunter S. Thompson in the upcoming movie ‘The Rum Diary’. He plays the main character, an alcoholic journalist looking for a change of scene. And according to the production team, there were no questions about Depp’s match for the part of Kemp.

“There’s no actor who was closer to Hunter Thompson than Johnny Depp,”  says producer Graham King. Although Paul Kemp is loosely based on Hunter S. Thompson as a young man, director Bruce Robinson wanted for the character to come out of Depp’s interpretation of Thompson, not an imitation of the writer in later years.

“I wanted Paul Kemp to be Johnny Depp playing Hunter, but not with the shorts and the bald head,” says Robinson. “The film is set in the late fifties and very early sixties, so, in a sense, this is a very straight romantic lead. For all the comedic exuberance of ‘Fear and Loathing’, this is a straight drama. Hunter was very handsome when he was young, and Johnny is an incredibly handsome leading man.”

“Johnny transformed himself into Kemp very easily,” adds King. “He adds layers and layers to a character. He makes a raised eyebrow hysterical. He’s very subtle at what he does. Bruce had the easiest job directing Johnny, because you don’t really need to tell him as an actor what to do. You don’t really need to tell him how to deliver a line, especially a comedic line.”

Depp, like Robinson, wanted to tap into the idea of Thompson as a young, unformed artist. “The way I approached it was that the character of Paul Kemp is Raoul Duke as he was learning to speak. It was like playing the same character, only 15 years before. This guy’s got something; there’s an energy burning underneath it, it’s just ready to pop up, shoot out.”

In the movie’s plot, when Kemp begins working at the San Juan Star, he immediately strikes up a friendship with Sala, the news photographer who works there. Robinson was looking for a very particular quality when he was casting this role. “I wanted someone relatively unknown, but who was a really great actor. Michael Rispoli fit the bill,” says Robinson.

“Sala is somebody who came to San Juan ten years earlier. He was a photographer, probably not without talent. He became absorbed into the place, elevated by it, and then almost destroyed by it. One of the reasons I cast Michael was that I was looking for that sense of inability to escape.

I wanted an actor who the audience would look at and think: ‘He’s not getting out of here, he can’t leave.’ A lot of the people who read for the part were superb actors, but when Kemp leaves at the end of the story, they were going with him.” “Bruce called me and said, ‘I’ve found him!’ Depp says. “As soon as I saw the tape, it was instant—that’s the guy.

He looked, sounded and felt exactly like the part of this expatriate American down in Puerto Rico, lost and trying to figure out what he wanted to do with his life.”

The crook of the story is the dirty businessman Sanderson, who hires Kemp to write favorably about his latest scheme. Robinson had no doubt about whom he wanted to play Sanderson. “Aaron Eckhart was my first and only choice,” he says. “He is a very good actor, and he has a kind of cruel beauty about him.

He is also a complete contrast to Johnny Depp. He is handsome in an Aryan way. Johnny is Latin handsome. Sanderson is a property developer who has attachments to the newspaper, both financially and editorially. He is utterly charming and utterly ruthless.”

Depp was impressed by Eckhart’s intense commitment to the role. “He absolutely just scrubbed us all. He took the role by the throat and went with it.”

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Tropical storm Maria has officially been upgraded to Hurricane Maria, according to forecasters at the Canadian Hurricane Centre.

Following hurricane’s Irene and Katia, Maria marks the 3^rd tropical storm to be upgraded to hurricane status in the 2011 season. Maria’s projected path has been determined, and should stay far away from the eastern seaboard of the United States. Its current path has taken Maria through the Caribbean Island’s and was predicted to recreate destructive conditions similar to those of Hurricane Irene. That brooding prediction sent some island dwellers into hurricane survival mode for the 2^nd time in three weeks.

Elise Landa, a medical student currently studying at the University of Saba on the small island of Saba said, “I was prepared for the worst, it was said that it was going to be Irene all over again. I boarded up my windows and doors, and stockpiled on water.” However, Maria’s strength had been adversely affected before it reached Saba. The tropical storm ran into unfavorable hurricane conditions before it reached the Leeward Islands and was weakened. “There was only half an inch of rain, if that. I’m not complaining though, I’ve only been down here for a couple of months and I’m not ready to be hit by hurricane after hurricane.” Unfortunately not everywhere was as lucky as Saba, Maria caused a bit of serious damage in Puerto Rico. Considerable rainfall was recorded and caused more flooding to areas still trying to recover from the affects of Hurricane Irene.

From the Caribbean, Hurricane Maria moved northward toward the Bermuda area, the warm water climate enabled Maria to gain some momentum and begin producing stronger winds than any previously recorded. As it passed by Bermuda it caused moderate amounts of rainfall, only dumping 1-3 inches on the tiny island. Like a disinterested tourist, Hurricane Maria left Bermuda just as quickly as it came. Hurricane Maria now has its sight set on a new target, which regrettably happens to be the southern edge of Newfoundland in Canada.

On Friday morning, the eye of the hurricane was expected to either sweep directly over or follow along the southern coast of the Avalon Peninsula in Newfoundland, this is according to a public advisory issued by the National Hurricane Center. Maria may not be expected to cause damage of apocalyptic proportions, but Maria is definitely planning to wreak havoc along the Avalon coastline. Rainfall is expected to be in the 1-4 inch range, that increase in rain will cause flooding along the coast and as a result create large and destructive waves. Winds are being predicted to be blustering as they whip around anywhere from 45-80 mph, fully capable of toppling trees and damaging roofing material. It may not be the End of Days for the Avalon coast, but the outlook is definitely gloomy.

But if there are any bright spots to this situation, it is that before Maria reaches the coast of Avalon, it will travel into colder waters. This will weaken, and begin the process of downgrading Hurricane Maria back into a tropical storm, possibly preventing severe damage and possibly preventing the citizens of Avalon from being endangered.

Image Courtesy: http://www.flickr.com/photos/gsfc/6141261157/

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El Chupacabra, the infamous vampire creature first discovered in the mid-1990’s, is not real, according to one expert.  Well-published writer and skeptic Benjamin Radford, author of several books on monsters and paranormal phenomena and managing editor of the journal The Skeptical Inquirer and LiveScience columnist, has released what he says to be definitive proof that El Chupacabra is not real, but rather a forgotten memory from the 1995 sci-fi film Species.

The bipedal alien-like creature was first spotted in Puerto Rico in 1995 when two goats were found drained of all their blood. Since then, El Chupacabra, Spanish for goat sucker, has turned up in many different iterations from Mexico to Florida to Texas, whenever livestock turn up dead.

Radford reported noticing a strong resemblance to the alien/human hybrid in Species to the alleged vampire creature.   When he spoke to El Chupacabra’s first reported victim Madelyne Tolentino, he asked her if the thing that she saw could have been inspired by the film. She admitted that she had seen the movie in the weeks prior to making her description.  “You can make a direct connection between the film hitting theaters, her seeing the creature in the film, seeing it in the street, making the report and entering the public conscious,” Radford said.

After speaking with Tolentino, Radford went on to the other reported sightings, none of which were described nearly the same as the original. One farmer in Texas even managed to shoot a predator he believed to be El Chupacabra but DNA tests revealed it was a coyote with a severe case of mange.   “By the mid-2000s, anything weird was being called El Chupacabra,” he said. “Mangy coyotes. Dead raccoons. Even a dried fish in New Mexico, which looks nothing like El Chupacabra.”

Other skeptics have also pointed out that if El Chupacabra were real, they would need a lot of food.  If they were vampires, you would expect to find more blood-drained carcasses than the sporadic findings throughout the years.

Not all are convinced of Radford’s theory though.  A resemblance to a movie character is hardly “definitive proof” as Radford advertised. Radford defends his theory against that argument.  “The question then becomes which is more likely, the astronomical chance that this creature looks exactly like the one from ‘Species,’ or that the film is just where she got the depiction?”  Radford questioned.

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Johnson&Johnson, manufacturer of various medical products including children’s Tylenol, reached an agreement with federal regulators from the U.S. Food and Drug Administration Thursday regarding the condition of three of its manufacturing plants. Regulators say that their manufacturing policies do not conform to the law.

According to the New York Times, the agreements were specifically directed to Johnson & Johnson’s McNeil Consumer Healthcare division manufacturing sites situated in Pennsylvania and Puerto Rico. The plants’ policies have been criticized by lawmakers and regulators for over a year now.

“We’ve had a long engagement with McNeil over the last year with regard to their quality system,” Douglas Stearn, an F.D.A. official involved with the agreement said in an interview Thursday.

The agreement concerns a plant in Lancaster, Pa. that makes products in cooperation with Merck, a plant in Las Piedras, P.R. that has already received an agency warning last year, as well as a closed plant in Fort Washington, Pa. Johnson&Johnson was tabooed to reopen the plant until the independent inspector confirms the plants legal compliance.

Once approved by a federal judge, the agreement would require Johnson&Johnson to hire an inspection expert who would monitor and ensure the quality of the manufacturing processes in all three plants. With this F.D.A. would also be given the authority to shut down McNeil once manufacturing flaws were detected, and would be able to fine the company at least $15,000 per day, amounting up to $10 million a year.

Despite the extent of civil complaints covered by the agreement, F.D.A. officials would not comment on related criminal investigations, the New York Times reports. The F.D.A said last year in a Congressional session that the McNeil case was already referred to its office of Criminal Investigations. A spokeswoman confirmed the statement and said that other investigations are underway.

William C. Weldon, Johnson&Johnson’s chief executive, addressed the company’s employees in his statement released Thursday, saying that the company’s higher-ups have been taking care of the manufacturing problems of the specified plants. In spite of praising how the company has already advanced its manufacturing competence, Weldon continued to press the importance of this issue and how measures are being observed to eliminate these problems.

“[The agreement] requires additional quality assurance measures, and is a reminder that important work remains to be done,” Weldon said.

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