‘Side Effects’ is a provocative thriller about Emily and Martin, a successful New York couple whose world unravels when a new drug prescribed by Emily’s psychiatrist – intended to treat anxiety – has unexpected side effects.

Emily (Academy Award nominee Rooney Mara) and Martin Taylor (Channing Tatum) are a young, beautiful, wealthy couple living the good life, with a mansion, a sailboat and every luxury money can buy – until Martin is sent to prison for insider trading. For four years, Emily waits for him in a tiny apartment in upper Manhattan, but his release is just as devastating as his incarceration and Emily sinks into a deep depression.

After a failed suicide attempt, psychiatrist Jonathan Banks (Academy Award nominee Jude Law) is called in to consult on Emily’s case. Desperate not to be hospitalized, Emily agrees to a regimen of therapy and antidepressants, a decision that will change the lives of everyone involved. When Emily’s symptoms don’t improve, Banks prescribes a new medication that quiets her demons. But the side effects of the drug have chilling consequences: marriages are ruined, Banks’ practice is decimated and someone is dead—but who is responsible? Devastated by this professional setback, Banks becomes obsessed with finding an answer. But the truth he uncovers threatens to destroy whatever is left of his career and his private life.

Stories of psychopharmacology

Over a decade ago screenwriter Scott Z. Burns spent several weeks doing research at New York’s famed Bellevue Hospital psychiatric facility. Burns, who was then writing for the acclaimed television medical drama “Wonderland,” spoke with the psychiatrists on staff and watched them at work with mentally ill patients, including many who had a criminal past.

“It was one of the most extraordinary experiences of my life,” says Burns. “There were people there who were truly terrifying criminals. There were also people who were so ill they were unable to understand the rules of society and couldn’t possibly be expected to play by them.”

The experience planted a seed in Burns’ imagination. “I wanted to write a noir-style thriller that took the audience in and spun it around, like ‘Double Indemnity’ or ‘Body Heat’, set in the world of psychopharmacology,” says Burns. “I was inspired by films that involve crafty, clever scams, set against the society the audience is really living in. People seem to have stopped making those, but I have always loved the genre.”

Burns began to develop the script that would eventually become ‘Side Effects’ with the help of Dr. Sasha Bardey, who was at the time Deputy Director of Forensic Psychiatry for Bellevue Hospital. “Sasha and I met working on ‘Wonderland,’” says Burns. “His input was essential because this movie needed to be firmly rooted in reality.”

Bardey too had always been intrigued by the idea of a thriller involving psychiatry. “Once we came up with the backbone of this story, Scott did the writing, and I provided the context.”

The combination of Burns’ prodigious storytelling skills and Bardey’s expertise resulted in an eye-opening thriller. “It looks at the idea of where reality ends and mental illness begins,” says Bardey. “You don’t know if things are what they appear to be. In that sense, it’s got a Hitchcockian feel to it. And the ending is fantastic, a great lesson and a lot of fun.”

As he constructed his narrative, Burns also conducted extensive research on the growing use of anti-depressants in this country with the help of Dr. Bardey, who ultimately served as on-set adviser and co-producer.

Burns found evidence in the news stories of the day that the same medications used to treat depression, anxiety and other psychological ailments were also creating inexplicable behavior in a small but significant number of patients. Commonly prescribed drugs were being blamed for crimes ranging from vehicular homicide to physical assault. A man in California was acquitted of charges in a non-injury vehicular accident while under the influence of a popular sleep remedy.

One widely prescribed antidepressant was even implicated in a shocking kidnapping and rape.

Just as fascinating to Burns were stories he uncovered about the misbehavior of respected doctors. “There was a story in the news about a psychiatrist who tried to hire one of his patients, a convicted criminal, to kill his mistress,” says Burns. “When the patient went to the police, they didn’t believe him because he’s obviously a crazy person. Our story is completely different than that one, but it’s full of plot twists and turns that have you constantly questioning what actually happened and who is telling the truth.”

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The 26-year-old Rooney Mara is currently taking Hollywood by storm with her starring role as Lisbeth Salander in David Fincher’s “The Girl with the Dragon Tattoo”.

Directed by David Fincher, with whom Mara previously worked on 2010’s “The Social Network”, ‘Dragon Tattoo’ is the English-language adaptation of Stieg Larsson’s Swedish-language novel of the same name. It centres around Mara’s character, Lisbeth Salander, and Daniel Craig’s character, Mikael Blomkvist, and has already been nominated for Best Picture by the Producers Guild of America.

However, the true success story in this film lies with Rooney Mara, who has so far received Golden Globe and National Board of Review nominations for her performance; and is already experiencing early Oscar buzz. This film is by no means Mara’s introduction into the entertainment industry – she has made numerous television guest appearances in recent years, ranging from an assault victim “Law & Order: Special Victims Unit” to a patient in two episodes of “ER”.

Yet with her latest film, Rooney Mara has entered into a new level of celebrity. Not only has she received numerous accolades and been cast alongside Ryan Gosling, Christian Bale and Cate Blanchette in the upcoming drama “Lawless;” but she has also experienced her first dose of media backlash.

In a recent interview with Allure, Mara referred to her “Law & Order: Special Victims Unit” appearance as:

“[S]o awful. So stupid. People are obsessed with that show. I don’t get it. It’s ridiculous … they sodomized [my character]. I mean, I’ve been sodomized since the beginning of my career. I should have known then it would come full circle.”

Mara was later forced to release a statement clarifying her words, explaining to The Huffington Post that:

“That was my first job. It couldn’t have been more exciting for me. It’s an experience I hold very dear to my heart. People take things out of context, and that’s just not the case. I was more nervous doing that job than I was doing this job … I know that ‘Law & Order’ makes their episodes out of real things that are happening in the city, so to me, by “ridiculous” I meant that humanity is ridiculous. People are awful to one another; and to me, I find it ridiculous.”

Rooney Mara is by no means the first young actress to insist that she was misquoted in an interview, but it does show that her ‘celebrity’ status has reached the point where the public are paying attention to what she does, says, wears and chooses as her next project.

Regarding her next project, aside from the completion of “Lawless,” Mara does not have anything officially greenlit into production; however, she is contracted to reprise her role as Lisbeth Salander in the potential second and third films in Sony’s series.

What remains to be seen for the time being is how Rooney Mara fares in awards season. The nominations for the 84th Academy Awards are set to be announced on January 24th, and plenty of eyes are sure to be on Mara as she competes to make it into the Academy’s final shortlist for Best Actress. For Rooney Mara, 2012 could soon become the year for ‘The Girl with the Infinite Opportunities’.

Image Courtesy of   https://www.facebook.com/DragonTattoo

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Brad Pitt has been voted the Top Money-Making Star of 2011 in Quigley Publishing Company’s 80th Annual Poll of Motion Picture Exhibitors. This is Pitt’s sixth appearance in the Poll, but his first win. Exhibitors felt Pitt was responsible for more traffic to theatres than any other Hollywood star based on his performances this year in “Moneyball,” “The Tree of Life,” and “Happy Feet Two.”

The Quigley Poll, conducted each year since 1932, is an annual survey of motion picture theatre owners and film buyers, which asks them to vote for the ten stars that they believe generated the most box-office revenue for their theatres during the year. It has been long regarded as one of the most reliable indicators of a star’s real box office draw because the selections are made by professionals whose livelihood depends on choosing the films and actors that will bring audiences to their theatres. The Quigley Poll lists the results of all the Polls since Marie Dressler, Janet Gaynor, and Joan Crawford took the top three places in 1932.

George Clooney placed second this year based on “The Ides of March,” where he was also the director, producer, and co-writer, and “The Descendants.” Johnny Depp, last year’s winner, made it to number three this year with 2011 roles in “Pirates of the Caribbean: On Stranger Tides” and “The Rum Diary.”  Depp has placed in the poll seven times, as has this year’s number four, Leonardo DiCaprio, who starred in “J. Edgar.” Matt Damon, number five, had a very busy year with “Contagion,” “The Adjustment Bureau,” “Margaret,” and “We Bought a Zoo.”

Sandra Bullock, winner of 2009, placed number six, which marks her fifth appearance in the poll. She first placed in the survey in 1995. There were two first-timers this year, Bradley Cooper number seven and Ben Stiller number ten. Bradley Cooper was in “The Hangover Part II,” and Ben Stiller was in “Tower Heist.” Robert Downey, Jr. was number eight on the strength of “Sherlock Holmes: A Game of Shadows,” and Meryl Streep was number nine as ‘The Iron Lady” and is in the Top Ten for the fourth time.

Tom Cruise has not placed in the Poll since 2006, but he has been in the Top Ten 20 times since 1983 and has been voted number one the most of any actor – seven times. Tom Hanks, Clint Eastwood, Burt Reynolds, and Bing Crosby have all won five times. Clint Eastwood has been in the poll 21 times starting in 1968. Currently, exhibitors appreciate him more as a director that brings audiences to their theatres. John Wayne, Doris Day, and Shirley Temple each finished first four times, but John Wayne was voted one of the Top Ten Money-Making Stars an astounding 25 times from 1949 to 1974.

Exhibitors were also asked to name the Stars of Tomorrow for 2011, one actor and one actress who they feel will be Top Money-Makers in the years to come. The 2011 winners are Rooney Mara, who played Lisbeth Salander in “The Girl with the Dragon Tattoo,” and Jonah Hill, who had a breakthrough performance in “Moneyball” and starred in “The Sitter.”

Top Ten Money-Making Stars of 2011

1. Brad Pitt
2. George Clooney
3. Johnny Depp
4. Leonardo Di Caprio
5. Matt Damon
6. Sandra Bullock
7. Bradley Cooper
8. Robert Downey, Jr.
9. Meryl Streep
10. Ben Stiller

Stars of Tomorrow:

Rooney Mara
Jonah Hill

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Many people become upset when Hollywood sets out to remake beloved, classic movies. Right now, Hollywood is in a remake frenzy as Fright Night, Let the Right One In, Conan The Barbarian, Footloose, Arthur, and many more are being or have been remade. Hollywood has stepped on too many toes with their ever-growing remake list as The Girl With the Dragon Tattoo is to be remade.

David Fincher is set to direct the film but many believe this is not going to save the film’s image as being “just another remake.” In the first filming of The Girl With the Dragon Tattoo, Noomi Rapace plays the role of main character Lisbeth Salander and earned many awards and nominations around the world.

Along with her nominations and wins, came the critical acclaim of the job she did in the movie. Before shooing the movie, Rapace had sat down with Charlie Rose to discuss her preparation plans for playing the role of Slander. “I wanna go all the way, I wanna do my stunts, I wanna change my body, do the piercings, i want to get my license for motorcycles,” Rapace said.

Even though she did a great job as Salander the first time around, and many critics — including Roger Ebert — wanted Rapace to reprise the role in the remake. Rapace turned down the idea of returning. With Rapace now out of the spotlight, eyes turned to young 21-year old actor, Rooney Mara, who had big shoes to fill.

Mara is most well known for her role as Erica Albright in The Social Network and as Taggarty in Youth in Revolt. Even with her previous work with Fincher, many people are skeptical that she can live up to Rapace’s take on the character of Salander. However, Mara has been taking steps that Rapace took in order to get into character such as dying her hair and piercing her nipples.

Alongside Mara will be Daniel Craig, playing the journalist Mikael Blomkvist who tries to track down a missing girl related to a big business tycoon, Henrik Vanger. Craig told Esquire that the movie would be an extremely graphic film.“[David] Fincher, he’s not holding back. They’ve given him free rein. He showed me some scenes recently, and my hand was over my mouth,” Craig said.

David Fincher has directed gritty, dirty thrillers before; Fight Club, Seven and Panic Room are just a few. So with a good amount of experience in the mystery thriller genre, many would expect the hype to go through the roof. Yet, more people are jumping on the pessimistic bandwagon as the release date creeps closer and closer.

Many believe that Rapace cannot be replaced and that Hollywood should not remake a movie that was done so well the first time. However, Fincher’s spin on the tale would seem to prick the ears up on some who are willing to oversee the lack of Noomi Rapace and watch Mara’s take on Salander’s dark character.

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Stieg Larsson’s internationally acclaimed novel “The Girl With The Dragon Tattoo” will, once again, hit the big screen worldwide this winter in a most-anticipated re-make of the enigmatic story – this time by the hand of David Fincher. The green band trailer was released by Sony last week but shortly before, fans and curious spectators were buzzing with excitement over a “leaked”/camera-captured red band trailer – which was subsequently pulled off of youtube. One day later, the US green band version appeared online but the word had already spread – a pitch-perfect example of viral marketing.

Blogger Todd Brown commented on the site twitchfilm.com that “Sony’s handling of the trailer release feels to me like on of the great recent moves in viral marketing – think about it, who announces that they’re putting a red band trailer in theaters but not releasing it then sits quietly for days while a suspiciously high quality version of that same trailer racks up massive traffic and chatter online? It’s a classic case of creating desire by ‘denying’ access.”

Fincher’s version of The Girl With The Dragon Tattoo is expected to turn out notably different from Niels Arden Oplev’s 2009 take on the popular book. The Golden Globe-winning director has re-cast Rooney Mara (fresh off The Social Network) as the dark and hard-hitting Lisbeth Salander while Daniel Craig stars as Michael Blomkvist, the journalist who gets tangled up in the web of terror behind a young girl’s disappearance.

The announcement of the American remake made quite a stir initially when it was revealed that the Oscar-winning screenwriter Steven Zaillian, who was to pen the American version, had crafted a new ending to the revered work. According to slashfilm.com, “fans of Larsson’s work have been very vocal with their disappointment” and according to an article by Lynn Hirschberg in W Magazine, Fincher’s version does admittedly depart rather dramatically from the book.

“Blomkvist is less promiscuous, Salander is more aggressive, and, most notably, the ending—the resolution of the drama—has been completely changed. This may be sacrilege to some, but Zaillian has improved on Larsson—the script’s ending is more interesting.”

So – should Larsson fans forego the remake?

If you were one of the few who managed to catch a glimpse of the red band trailer – heck, if you’ve had the chance to peek at the official trailer – it does actually look good. Very good.

Draped over a rough and stormy Karen O-cover of Led Zeppelin’s Immigrant Song, the preview of Fincher’s Dragon Tattoo is a dazzling glimpse into the darkness that looms in Larsson’s universe. The final result will most likely prove darker than what the reserved and delicate Scandinavian storytelling tradition is used to, but like last year’s Let Me In (not to mention a wide array of Spanish, Japanese and Korean horror and thriller films), American cinema has a way of taking something foreign and translating it into Hollywood. For better or for worse.

Some may continue to curse the day Fincher laid eyes on Larsson’s work but if you read the book and saw the 2009 adaptation, another take may not be such a bad idea. The character of Lisbeth Salander is becoming an iconic figure of anti-hero(ine)ism – and a refreshingly grim one I might add. The more interpretations we get of her troubled fictional existence, the deeper we may venture into her mind. Fans of the books will have to admit that the first movie was a good, but superficial, interpretation of the original story’s complexity and suspense. A remake may add a new layer to its visualization.

With a promising trailer out, Dragon Tattoo fans should let go of their reservation and at least give the upcoming adaptation a chance – it won’t be the book and it won’t be the 2009 movie; The Girl With The Dragon Tattoo by David Fincher is going to leave a whole new set of marks this December.

Image provided by Naír la jefa

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