For his upcoming movie Tower Heist, Eddie Murphy believed that it was time to return to familiar comic ground. “The theme of the film, with the workers being taken advantage of by the rich folks and then turning the tables, is timeless. One of my earliest movies, Trading Places, was like that. Those themes work forever. It was fun for me to work on because I hadn’t done a role like that in a while.

I’ve done a lot of family movies, and I’ve done a lot of projects in which the characters were not ‘street-y’ guys. There was a freshness to this.” Ben Stiller, the star of such box-office hits as Zoolander and Tropic Thunder (both of which he directed) and the three films of the Meet the Parents franchise, came aboard as Josh Kovaks, the workaholic manager of the tony building who has given up on his personal life to satiate the endless wants of his pampered residents.

Whether immersing himself in the minutiae of fine wines and the newest restaurants or keeping track of the birthday and anniversary of every affluent occupant, Josh may always be counted upon. With a decade of experience working in the building, he runs a tight ship and expects nothing but perfection from his staff.

The actor admits that he was intrigued by director Brett Ratner’s passionate take on the material, and the chance to join both the director and Murphy proved to be an attractive proposition. Stiller remarks: “I’ve known Brett for almost 15 years, and this is the first time that we’ve worked together.

He has incredible enthusiasm and an amazing sense of film history. He loves the filmmaking process, and he loves filmmakers. Brett works viscerally. He does his prep, but when he gets on the set is when it all comes alive for him.” Ratner returns the compliment to Stiller: “I’ve been a friend and fan of Ben’s for more than 15 years.

He is one of my favorite directors and actors. There is no actor with as much passion, commitment and hard work toward a performance than Ben. From our first meeting about Tower Heist, we were on the same page and completely agreed on the tone of the film that we all wanted to make.”

Problem solver that he is, Josh looks to con man Slide when it comes to criminal advice. The relationship between the two dates back to their time in preschool in Astoria, Queens, but the interaction that they currently have is the daily harassment that Slide gives Josh on Josh’s way to work.

Although both still live in the borough, the men are polar opposites who have taken separate paths. Josh works in the rarified world of vast wealth in Manhattan while Slide is pulling low-level crime gigs. But a criminal mind is a criminal mind, and Josh has limited options and time to get the pension funds back.  Josh knows he’s taking a chance to ask Slide to join in their con, but he takes the risk.

When it came to working with Murphy, Stiller led the cast in enthusiasm. As Murphy has been a fixture of the comedy landscape for decades, Stiller was excited to see him slip into a role that harkened back to memorable characters he portrayed in Beverly Hills Cop and 48 Hrs.

“Eddie Murphy is iconic, especially for my generation,” says Stiller. “He defines a lot of what comedy is over the last 25 years, so it was very cool to work with him. I sometimes felt like an audience member as I watched him do his thing. I would think ‘Wow, that’s good. That’s going to be in the movie.’”

Shooting script locked and filmmaking team in place, Grazer reflected upon the project that began with the grain of an idea several years prior. He notes: “It’s difficult to imagine that a casual conversation six years ago has grown into such a fully realized film that is so grand in scope.

Plus, who could have known that, in this period of time, the global financial markets would teeter on the verge of collapse and the villain in our story would pale in comparison to some very real ones on Wall Street? Truth remains stranger than fiction.”

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Oscar-winning producer Brian Grazer is one of a handful of filmmakers with the intuitive ability to pair Brett Ratner, the action-savvy director with a string of box-office hits to his name, and a high-profile cast led by comedy superstars Ben Stiller and Eddie Murphy to deliver Tower Heist, an action-comedy that scales new heights.

The producer shares how the project began: “Eddie and I have worked with one another since we filmed Boomerang in the early ’90s. In 2005, he pitched an idea to Brett and me to develop a film with a number of comedians playing guys who were down on their luck, the genesis of Tower Heist.

He wanted to create a movie with characters that were not the cool, slick guys. His idea was that the story would follow a group of disgruntled employees in a building like the Trump Tower who seize their chance and plan a robbery. Naturally, everything that could possibly go wrong with their ill-conceived plans did.”

From inception to the first day of principal photography, it would take almost five years before the film would fire on all cylinders. Grazer, Ratner and Murphy were in no rush, however, as they wanted to make sure that the project was tonally perfect.

Murphy says of the man with whom he’s worked on blockbuster hits such as The Nutty Professor and Nutty Professor II: The Klumps: “Brian has been my biggest collaborator throughout my career. We have similar sensibilities when it comes down to what a good movie is and the types of movies we’re trying to make.

We have a shorthand communication where I can tell him one of my ideas and he can help shape it into a screenplay.” Since Murphy’s pitch to Grazer and Ratner in ’05, several incarnations of the project have come about. The development process has been a lengthy one, but the three men agreed that the film that they ultimately wanted to make should seamlessly blend comedy and action.

Grazer and Murphy found Ratner to be the perfect partner to helm Tower Heist and liked the fact that he would work with Ocean’s Eleven screenwriter Ted Griffin and Catch Me If You Can writer Jeff Nathanson to hone the earlier work of Accepted scribes Adam Cooper and Bill Collage.

Ratner reflects upon how Tower Heist’s writers nailed the tone of the film he would direct: “Ted brought the real motivation and the heart to the concept, and then when Jeff came on, he came up with the obstacles, complexities and the specificities of these characters.” He feels that the time is ideal for this story to unfold and states: “It’s about the upstairs and the downstairs and working-class, blue-collar workers just trying to get by who were robbed.

They’re taking it back from not just the rich, but the corrupt rich. That’s why you’re cheering for and rooting for these characters. You want them to win.” The director, who is equally comfortable with the comedy genre as he is with action, shares something unique with Murphy: both are film aficionados who possess encyclopedic recall of scenes from classic Hollywood and foreign films.

However, it was Ratner’s deep affinity for the heist movies of the 1970s — from The Taking of Pelham One Two Three to The Hot Rock and The Anderson Tapes — that most attracted him to Tower Heist. “What works about our movie is that it walks that line between drama and comedy very well,” he offers.

“Nobody’s playing these characters with a wink; everyone’s playing them incredibly serious. The comedy naturally comes from the characters and the situations that they’re put into.”

For Ratner, the opportunity to direct a comedy icon was one he didn’t hesitate to grab. He offers: “I grew up watching all of Eddie’s films and studying them, so the chance to work with him was a dream come true. Not only was this movie Eddie’s idea, but in a lot of ways, he invented the genre. If it wasn’t for him, my Rush Hour series would never have existed.”

Murphy, pleased to see that the project was coming full circle, joined Grazer and fellow Imagine executive Kim Roth on Tower Heist as a producer on the film. He shares: “Brian and the studio kept developing it and wanted to make it more about one character instead of a group of comedians, and a great script came together.

They called me and let me know that Ben Stiller wanted to do the movie and that there was this role in it that’s really cool. I read it and thought it was funny. Plus, I’m trying to work with Brett as much as possible.”

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Ben Stiller and Eddie Murphy lead an all-star cast in Tower Heist, an action-comedy about a staff of blue-collar workers who seek revenge on the Wall Street swindler who stiffed them. After the crew at the luxury Central Park condominium The Tower discover the penthouse billionaire has stolen their retirement, they plot the ultimate revenge: a heist to reclaim what he took from them.

Queens native Josh Kovaks (Stiller) has managed one of the most luxurious and well-secured residences in New York City for more than a decade. Under his watchful eye, nothing goes undetected. In the swankiest unit atop Josh’s building, Wall Street titan Arthur Shaw (Alan Alda) is under house arrest after being caught stealing $2 billion from his investors. The hardest hit among those he defrauded? The Tower staffers whose pensions he was entrusted to manage.

With only days until Shaw gets away with the perfect crime, Josh’s crew turns to petty crook Slide (Murphy) to plan the nearly impossible: steal the $20 million they are sure is hidden in the heavily guarded condo where Shaw is being held by an FBI team led by Special Agent Claire Denham (Tea Leoni, Fun With Dick and Jane).

The burglary takes place in the midst of one of New York City’s most iconic events: the Macy’s Thanksgiving Day Parade. Integrating the decades-old tradition into the story line was a daunting task that had the cast and crew re-creating the parade one week after the original. But to ensure that they fully captured the one-of-a-kind magic that only the real parade could provide, dozens of crew members gave up their Thanksgiving weekend to film portions of the actual parade on Columbus Circle.

Native New Yorkers Stiller, Alda, Leoni, Broderick and Sidibe had their own memories of attending the parade, while other members of the crew vividly recall watching the parade on television.  However, the production’s ambitious re-creation was awe-inspiring for the team.

“When I was a kid, my family would go to see the Macy’s Thanksgiving Day Parade, and it was hard to get close,” says Leoni. “To be able to have front-row seats, so to speak, for even a portion of the parade, where I could take a look at all the balloons, was amazing.  It was much cooler than it was when I was a kid.”

Ratner agrees with his film’s hard-nosed agent: “I knew that the building that is the center of Tower Heist is a main character in the film, and I wanted all the action around this centerpiece. The shots of the Thanksgiving Day Parade that we captured were just incredible.

Though amateurs, these rookie thieves — including high-strung concierge Charlie (Casey Affleck, Ocean’s Eleven trilogy), broke ex-Wall Streeter Mr. Fitzhugh (Matthew Broderick, The Producers), rookie bellhop Dev’Reaux (Michael Peña, Battle: Los Angeles) and feisty maid Odessa (Gabourey Sidibe, Precious) — know the building better than anyone. It turns out they’ve been casing the place for years…they just didn’t know it.

Director Brett Ratner (Rush Hour series, X-Men: The Last Stand, Red Dragon) joins Academy Award^®-winning producer Brian Grazer (8 Mile, A Beautiful Mind, American Gangster) to lead a talented behind-the-scenes crew for Tower Heist. Grazer is joined in production duties on the action-comedy by Eddie Murphy and Kim Roth (Inside Man, Insomnia).

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The only premiering Tribeca film initially viewable from Europe was, perhaps ironically, European. The Irish director, Thomas Hefferon, delivered ‘The Heist’ alongside his competing short film ‘Switch’. Hefferon has before been selected for the Festival competition with his short film ‘The Confession’ and had ‘The Pool’ premiere at Tribeca last year. The Heist had the privilege of serving as a global sneak peak for the online Tribeca audience just before the actual event kicked off.

The movie is a 9 minute short comedy shot mainly from the insides of a parked car. Three amateur bank-robbers are making a last run-through of their plan, but quickly realize that the robbing business is a complicated affair.

The leader is Francis, played by Sean Flanagan, whose feeble leading skills are seriously strained as he attempts to reason with the other two characters. It seems obvious that Francis is far from intelligent, but at least he stands out as the most sensible in the group. Nicky, the guy on the left played by Donal Gallery, reminds you of every skinny bloke with the backbone of an earthworm ever to be portrayed in modern cinema. He comes off as simpleminded; almost childish, with a distinct feminine inclination for sulking. However, he is not the one causing the most problems in the tiny vehicle; that would be Dave.

Like my boyfriend use to say; “there’s always a Dave.” In this case, Dave is a Neanderthal of a man, clearly failing to realize the seriousness of the act he is about to commit, and with a serious case of the munchies. Within the feature’s 9 minute time frame, Dave manages to fizzle the momentum for the gang repeatedly with his outrageous requests.

The movie got plenty of positive feedback in the comment section while it was still viewable. Those in favor found the ‘verbal slapstick’ – exaggerated idiocy exceeding the boundaries of common sense, highly entertaining, and enjoyed the failure of the gang to pull off a ‘proper’ heist. I personally have to join the haters. Though it is clearly meant as a lighthearted take on bank robbers, having watched movies such as The Town, nominated at this years Academy Awards, you probably have no problem imagining that being victimized in a robbery is no picnic. What bothers me, however, is neither the crime nor the pending human consequences – it’s the characters.

For a character-driven short film, this is a problem. Why the writer chose to make the characters as shallow as the bottom of a water bottle I don’t know, but the result left me with a strange feeling of defeat, and funny enough, recognition. First of all, even when we agree that the collected IQ of the car come closest to 150, it is hard for me to believe that empathy is a foreign country to men of their un-profession. On the other hand, if we agree to relinquish their moral scruples, surely they must have fears and doubts about their impending action. But this is left untouched, denying the introduction of interesting characters. Secondly, as a native Dane, I found the dialogue oddly familiar. Tar-black humor that relishes in illogical, yet conceivable problematics. My research confirms that the writer is a Dane named Troels Jacob Hundtofte, and my guess is that he’s no stranger to modern Danish action comedy. He seems, however, a stranger to the fact that direct adaptation often ruins the intension. Being stranded on the beaches of an average cast, the already hampered dialogue is left to fend for itself and ends up being forced and uncomfortable. Since Hefferon obviously has drawn inspiration from the work of British gangster prodigy, Guy Richie, The Heist ends up as the awkward child of two offbeat genres.

Overall, the story was tame and uninteresting and could have been dealt with in a 5-lined joke. My only thumps-up is for the technical achievements – the film is well shot, well editing and the setup itself works. But in the end, what was meant as comic relief didn’t move me beyond thinking that I could be doing something else with my day.

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