This article is a continuation of the Best Facebook Games of 2012, exploring the most exciting and popular games on the social media site.

Fifth on the list of most popular games in 2012 is the Sims Social. Similar to the classic Sims game, users control the life of an individual and are responsible for everything he or she does. There are only nine traits that the characters in the game can have, but unlike the previous Sim games these traits can be leveled. The game also has virtual celebrities lake Lady Gaga and Elvis Presley.

Although Sims Social only had 15.7 million users in the month of June and has 2.8 million daily users, it has been an important feature of Facebook since games were released. Prior to Sims there was Yoville, a version of Sims that Facebook created before it partnered with the Sims franchise. In YoVille, the top game of 2009, users would control a character, his home, his job, and could play minigames.

In sixth place is the well-known Words With Friends. One of the most popular daily games is Words With Friends. Although it does not reach as wide a base as other games, with only 17.1 million users in the month of June, it is one of the most popular that is used daily with 7 million users; it has also been listed as one of the best Facebook games of all time by Kotaku. Words With Friends is similar to Scrabble but is online with a chat feature that allows players to leave messages for their friends.

In seventh place is the extremely popular Bubble Witch Saga that had 20.7 million users in June 2012 alone and has 6.2 million daily users. Similar to Peggle or Bubble Island the user must destroy colored bubbles by matching bubbles of the same color. Bubble Witch Saga was also listed as one of the best Facebook games of all time on Kotaku.

In eighth place is the Hidden Chronicles. In this game the user searches for a list of hidden objects in different rooms in order to solve a mystery. It has 5.1 million daily users and had 20.4 million users in the month of June.

In ninth place is the very well-known Angry Birds. Made popular through a phone app, the user throws angry birds at green pigs who have stolen the birds’ eggs. The game has been gaining in popularity and had 19.9 million users in June 2012 and has an average of 3 million users a day. Angry Birds was also on Kotaku’s top nine Facebook games of all time.

In tenth place is are two classic games that are very similar in game play: Bejeweled Blitz and Diamond Dash. Diamond Dash had 18.4 million users in June and has 4.3 million daily users. Bejeweled Blitz has an average of 3.4 million users a month and is very similar in game play. In both games the player rearranges gems to get rid of sets within a time limit.

Although these are the most popular games of 2012 the nature of the Facebook social network means that what is popular is constantly changing. Facebook has released a new Marvel: Avengers Alliance game that is a 2D fighter. It has been listed as one of the best Facebook games by Kotaku and has been climbing in Facebook popularity. Currently the game has 9.4 million users a month and has had the fourth highest gain in June with 2.1 million users.

Ultimately what is popular this year and what is popular next year may change drastically in regards to which games are being played, but it seems clear that Facebook users prefer the classics and city-building more than any other types.

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The time for deliberation is almost over. The voting members of the Academy of Motion Picture Arts and Sciences have begun mailing out the nomination ballots for the 84th Academy Awards, scheduled to take place on Sunday February 26 and to be hosted by Billy Crystal.

The ballots themselves, which are to be completed by the 5,783 voting members of the Academy, must be returned by January 13 and will be announced on January 24, at which point firm-favourites and critics-choices will learn if their hopes of award-season glory have been warranted or wasted.

Some of those favorites include Meryl Streep and George Clooney, whose roles in “The Iron Lady“ and “The Descendants”, respectively, have already garnered them nominations from the Hollywood Foreign Press and the Screen Actors Guild (SAG).

Other actors expected to receive Academy Award nominations based on prior accolades this season include: Michelle Williams for “My Week With Marilyn”, Ryan Gosling for “The Ides of March” – for which, incidentally, Clooney has received a Golden Globe nomination in the directing field -, Leonardo DiCaprio for the biopic “J. Edgar”, and Viola Davis for Dreamworks’ adaptation of “The Help”.

Statistically, the Golden Globes and SAGs have been shown to be the primary indicators of who will achieve success at the Academy Awards. For example, the 2010-11 awards season saw David Fincher’s “The Social Network” compete against Tom Hooper’s “The King’s Speech” in many of the major categories, with Fincher’s film triumphing at the Golden Globes, Hooper’s film triumphing at the SAGs, and each film ultimately walking away with a handful of Academy Awards.

This ceremony is in fact the last in Hollywood’s award season, so if this year’s voting replicates last year’s, it may go down to the wire as to who will indeed succeed in the Academy’s Best Picture and Acting categories. Therefore, while there may be little in the way of surprises awaiting the Hollywood press on January 24 when the nominations are announced, there will be no doubt added anticipation over whether the voters will sway away from favoring the abundance of high-profile biopics making waves this season.

These are namely: “The Iron Lady”, a study of former British Prime Minister Margaret Thatcher; “My Week With Marilyn”, a week in the life of Marilyn Monroe; and “J. Edgar”, a study into the FBI director’s personal life and debated sexuality. Each film has already received multiple nominations from other major award bodies, but this may be a case where there are too many releases from the same genre which ultimately cancel each other out.

Aside from their acting nominations at the Golden Globes, none of the films managed to make the final cut into the Hollywood Foreign Press’ Best Motion Picture selection, so there may still be some spots up for grabs in the final Academy Award shortlist.

Whatever happens, it won’t be long until the public finds out.

Helga Esteb / Shutterstock.com

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LOVEFiLM, an Amazon company, and Sony Pictures Television have signed a major multi-year content deal giving LOVEFiLM members exclusive streaming access to new and forthcoming Sony Pictures titles during the second subscription pay TV window, as well as catalogue titles and TV series, from June 2012.

The milestone agreement with Sony Pictures Television is the latest in a line of exclusive content deals announced by Amazon’s LOVEFiLM in the UK in recent months, including deals with Warner Bros., Entertainment One, STUDIOCANAL, Disney, Momentum and Lionsgate.

LOVEFiLM members will be able to exclusively stream Sony Pictures titles including the Academy Award winning ‘The Social Network,’ action-thriller ‘Salt,’ starring Angelina Jolie, and sci-fi action blockbuster ‘2012’ via LOVEFiLM Instant at no extra cost and as part of their existing subscription.

The deal will also further bolster LOVEFiLM’s extensive range of kids TV-titles with modern cult, animation favourites like ‘Transformers,’ ‘Spectacular Spider-Man’ and ‘The Karate Kid’ – adding a raft of series to existing LOVEFiLM catalogue titles such as ‘Pingu,’ ‘Wallace & Gromit’ and ‘Fireman Sam.’

In addition, LOVEFiLM members will have exclusive streaming access during this pay window to a host of future releases from Sony Pictures including the No.1 box office hit ‘Arthur Christmas.’

The deal will see Sony Pictures’ recent and forthcoming releases, catalogue titles and TV series added to the LOVEFiLM Instant service – available on the PC or via Sony Playstation 3, Microsoft Xbox 360, Apple iPad and a growing number of Internet-connected TV sets and Blu-ray players.

Amazon’s LOVEFiLM will continue to rent Sony Pictures titles on DVD and Blu-ray via its LOVEFiLM By Post service.

Simon Calver, Chief Executive of Amazon’s LOVEFiLM, said:

“Our latest major content agreement means we’ll be able to exclusively offer our members world-class content from Sony Pictures. The number of recent high-profile deals we have secured means we are able to keep expanding the service, offering our members high quality films and TV and the ability to watch as much as they want for one low, monthly price.”

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Marvel’s newest film, Captain America, released on July 22, joins the list of great movies that Marvel has produced these last two decades.  With action, and a balance of humor, sadness, and romance, director Joe Johnston delivers the goods straight to the door.

Amidst all the fun, the first 30 minutes is most memorable not for Captain America’s feats of strength but rather feats of bravery and physical weakness.  That’s right, Captain America had to start somewhere.  The effects teams came up with a unique and long process of creating “skinny Steve” Rodgers out of the buff and massive Chris Evans.

At first the plan to create a skinnier Chris Evans was to film a body double and digitally paste Evan’s head on the double’s body.  This technique was primarily used in David Fincher’s films, The Curious Case of Benjamin Button when using Brad Pitt’s head on an older man’s body.  The technique was also used in The Social Network when creating one of the Winklevoss twins.

However, when the time came for the double to re-create Evans’ movements, there was a problem.  He could not seem to mimic Evan’s body movement correctly.

“Chris moves in such a unique way; he doesn’t move like anybody else,” Johnston said. “The body double could not move like him. As hard as he tried to watch Chris and duplicate the movements, it just wasn’t the same.”

This led to a conundrum of what the crew should do to create the skinny Steve Rodgers. Apart from some, Evans liked that the body double would not be used.

“The beginning part of the movie is so crucial to get the audience invested in who Steve is, I didn’t want to share that part of the performance with another actor,” Evans said.  “I talked to Joe about it and thankfully, he agreed.”

With this bump in the road the crew had to figure out a different way to “unenhance” Evans’ body.

The final plan was to digitally shrink Evans’ muscles, jaw line and body to look like the 90-pound Rodgers.  This worked but left the digital effects team with a problem.  After shrinking the body, it left empty space in the background that Evan’s body previously covered.

To fix the problem, the crew had to shoot using green screens and superimpose the background into the picture to cover the empty space.  This turned out to work well but became a long and trying process.  Taking up some of the production time and all of post-production, the effects team had to alter about 250 shots to create “skinny Steve.”  However, sometimes the artists would catch a break in scenes when Evans’ was laying or sitting down because the head replacement became possible.

Captain America: The First Avenger pulled in a lot of attention in the time leading up to its release: Joe Johnston did not disappoint.  With a movie pulling off difficult special effects as well as keeping the characters and the story in mind, Captain America blew audiences away.

Many movies get carried away with special effects but Captain America, even with the overwhelming amount of effects, stayed true to what really makes a movie great, the story and the characters.

Image Courtsey of   http://www.facebook.com/CaptainAmericaMovie

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